Assignment代写：Decorative art and western modern painting

下面为大家整理一篇优秀的assignment代写范文- Decorative art and western modern painting，供大家参考学习，这篇论文讨论了装饰艺术与西方现代绘画。装饰是绘画艺术的一种最普遍的艺术形式。纵观西方现代绘画史，可以发现在绘画艺术的变革中，装饰艺术以其本身的抽象性结构特征和形式语言给予现代绘画大师的深刻启示与影响无处不在，装饰艺术与现代绘画相互渗透，不断交流与整合。

Decoration is one of the most common art forms, ways and means of painting. Throughout western modern painting can be found in the self change of the art of painting, decorative art with its own abstractness structure characteristics and the form language master profound lesson and give modern painting is everywhere, decorative art and modern paintings mutual penetration, continuous exchanges and integration, the formation of modern history a notable landscape painting.

Wolfrine, a famous art historian, believed that "art history is mainly a history of decoration." wallinger also said that "the artistic will of a nation has got the most pure expression in the art of decoration. Art deco is like a chart in which one can clearly see something unique and inherent in the absolute will to art. Therefore, the importance of the development of decorative arts has been fully stressed. In addition to the above factors, it is also because the imitation of paintings is developed from decoration -- design patterns as reappearance were produced from decoration in the past -- the aftereffect of this relationship has affected the entire art history, thus it can be seen. Decoration has become one of the typical features of modern art.

Adornment is to decorate, dress up namely. As an art form, decoration is required to be orderly, orderly, stylized and ideal to create a beautiful form that conforms to human needs and is unified and harmonious with human aesthetic ideal. Decoration has universal adaptability and artistic integrity. Decoration is not only an art form, but also an art form or artistic means. As an art form, it can be a pattern, a symbol sign. As an art way or art means, it materializes the decoration through the function and operation of decoration. "Ornamental" is the inherent attribute of human decorative will and decorative behavior and the decorative character caused by it. It can exist in any kind of art form and form a stylized decorative pattern. The form of decorative art and the composition of language are various, which can be roughly divided into abstract form, concrete form and comprehensive form. Different adornment language forms the adornment beauty with each different style. The so-called decorative language, as an expression of the artistic concept, is a means of expression that reflects the artist's aesthetic interest through the medium of point, line, surface, body, color and quality. It can be said that without the communication and integration with decorative art, the abstract structural features of decorative art and the inspiration of formal language, as well as the catalytic effect of such inspiration, western modern painting would not have the modernity and contemporary appearance of painting.

From the second half of the 19th century, the whole painting art in a comprehensive state. Herbert ? reed said: "what we call modern art movement that started in a French painter want to objectively observe world sincere determination." He was referring to Cezanne, a post-impressionist painter and the father of cubism and abstract art in the 20th century. Before Cezanne, impressionist painters have been trying to change from ancient Greek and Roman until the Renaissance of classical art is always follow the principle of imitation and representation, and strive to show a feeling, a kind of different from traditional painting represent the view of the feelings, and will explore the expression of this feeling to focus on. This form of exploration is largely determined by "lines", which come from Oriental art. At this time, the first art movement in the history of art systematically and consciously sought a new style of art, with strong impact and profound influence on almost all artists, these highly creative artists found a new world of decorative art. As a form of art, decorative art has become the goal of modern artists.

In Olympia, the representative of impressionism manet attached importance to the decorative effect of color, the mutual influence and effect of color, and the subtle relationship of tone under certain light. He deviated from the mainstream of painting at that time and changed the three-dimensional representation of painting into a decorative two-dimension. The result of planarization is a satisfactory sense of form. This revolutionary deviation comes from the inspiration of Oriental decorative art that was spreading in European art circles at that time. The artist found fantastic form features from Chinese ceramics, crafts, Japanese screens, ukiyo-e and other decorative arts, and expressed these features in his paintings. For example, the Japanese screen and ukiyoe in the background of zola portrait created by manet. In the decorative design of advertising paintings and book covers, the French painter lautrec "discovered the possibility of using descriptive lines to complete flat paint blocks." This representation was the earliest example of abstract color in the early 20th century. Abstract shapes of colors create a new form of painting. In decorative art, color is always abstract. In the works of the late impressionist painters such as xurra, gauguin, van gogh and Cezanne, it is not difficult to find the important influence and inspiration of decorative art on them.

As one of the great founders of painting in the 20th century. Gauguin's artistic experience is closely related to the whole art of decoration and art nouveau movement. The influence of decorative art has led to the changes of higher painting style: instead of the expression of three-degree space, the decorative lines and patterns of Oriental art are used to draw the outline and color blocks, forming the pictorial, symbolic and symbolic painting conception, making the picture simple and full of decorative interest. Maurice, or in the "from gauguin and van gogh to classical" one paper wrote: "often haunt the deformation of high more heart is adornment,... In gauguin's works, you will find that under the plain and strange appearance, under the guidance of a kind of strict logic, there exists some kind of composition skills. With all due respect, these techniques have a bit of Italian flair to them. Gauguin found that the way of decorative art is a creative way in which both imagination and expression tend to be free. In decorative art, the artist's sensibility can be free from imitation and reflection. Art becomes a subjective deformation of nature, not a copy of nature.

As a leader of the "brutalist school", mattis learned decorative art in his youth. While accepting impressionism, he also absorbed the expression techniques of Persian, Japanese and Chinese folk art, paid attention to the study of the expression techniques of Oriental art, and was very interested in the decoration interest and bright colors of Oriental art. His works often have a decorative style with "Arab taste". Mattis pursues the planarity of a kind of painting in artistic expression, pays little attention to the expression of natural appearance, USES color boldly and freely, creates the composition that has adornment sex with the structure of abstract color block and line. Under the influence of decorative art, his works are becoming more and more decorative. Rich in decorative Oriental sentiment is a major feature of mattis's artistic creation throughout his life. He has visited Algeria, Morocco and Russia several times, and is also interested in the decorative patterns of Persian carpets, creating a number of decorative works. If "the harmony in gules" is the representative work of this one style early, showed his affection to gorgeous Oriental carpet adequately. "The decorative figures in the decorative background" epitomizes mattis's interest in the ornate rococo art.

The cubist movement began in 1907 and is marked by Picasso's "the girls of avignon", which has taken on a preliminary decorative aspect. When it comes to analyzing cubism, the decorative picture of geometric structure and color formation has been decomposed and flattened. Subsequently, influenced by decorative collages, Picasso's works from 1913 to 1914 showed larger colored geometric figures and pure and full colors, indicating that Picasso's works had developed towards the direction of "favorable for decoration". In his later years, he also devoted a great deal of energy to various craft activities, such as designing pottery and painting decorative patterns in the south of France. Picasso's great contribution to modern art lies in his genius fusion of art of craft and decoration with art of painting, which greatly expands the field of expression of painting language.

Kandinsky, the first abstract painter in the history of modern art, has a unique understanding of the influence of decorative art on modern painting art. "You must not think pure decoration is inanimate," he wrote. It has its inherent characteristics. But it's a feature we don't understand. ...... Decoration has an influence on us, and the eastern decoration is very different from that of the Swedish barbarians or the ancient greeks. He not only saw the influence of decorative art on modernist painting, but also saw the inherent characteristics and power of form of decoration. He found that the effect of an acute triangle on a circle was no less powerful than that of Michelangelo's drawing of god's finger touching Adam's finger, that abstract form implies infinite tension. He believed that abstract forms constituted a new power by which people were exposed to the substance and essence beneath the appearance, which was more meaningful than the appearance. Kandinsky began to design regular graphics in his paintings in 1910. The combination of straight lines and curves and geometric patterns, which changed the style of the work from free form to regular form, gained greater freedom of expression, and his "inner need to express emotion" was satisfied in this decorative graphic structure.

To sum up, in the whole process of the development of modern painting and in the self-transformation of painting art, decorative art and modernist painting interpenetrated with each other, undoubtedly enabling us to see a new landscape and gain a new understanding of decorative art. It can be said that without the enlightenment of decorative art and the understanding and reference of modern artists to decorative art, without the communication between decorative art and pure art, there would be no modern development and contemporary appearance. At the same time, the modernist painting has also brought the decoration art transformation and the modern quality to varying degrees. Modern artists use decorative language to create new styles of works and give new connotation and meaning to decorative art. This is a powerful and surging art trend, indicating the fundamental trend of modern art development.

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