Assignment代写：Deconstruction and reconstruction of literariness in film art

下面为大家整理一篇优秀的assignment代写范文- Deconstruction and reconstruction of literariness in film art，供大家参考学习，这篇论文讨论了电影艺术中文学性的解构与重塑。电影艺术的文学性是一种固有的存在形式，有强弱之分。电影艺术中原创作家的画面先行的文学性解构与重塑。一个好的剧作家，其在文学的基础上应具有对演员的场景镜头及造型上的设计，将电影的一幅幅画面加入到自己的剧作创作中。其将一部电影的文学性显示出来可以通过场景的布置、光线的强弱、色彩的搭配及镜头的长短等，通过对视觉语言的强化来提高美学意境。

The film art itself contains literariness, and the film adaptation forms, no matter from the original script to the film, or from literary works to the script to the film, the film works formed are closely related to literary works, and literariness is the foundation of film art formation. The formation of deconstruction and reconstruction from words to pictures is the transformation process of film art and literature. The media society has a strong visual schematic impact, and the literariness from traditional films to digital films will disappear under the impact, leading to the gradual loss of the essence of film art

Film art is a kind of audio-visual enjoyment. It is a unique and new art form, and has numerous connections with other arts. It is closely related to literature and art.

The existence of literariness makes the aesthetic difference of our daily life and behavior, which is not only reflected in literature and art, but also exists in other art forms, including film art. In the film art, the literariness and the cinematography coexist with each other, and the cinematology is an important element for the maintenance of film features, and its literariness also has an important position in the film art.

Film art is a special existence in the art that has existed so far. The first film that China tried to shoot was combined with the traditional form of national drama. Since the literary and artistic form contains drama, it can be seen that the film art contains literariness. Film art is fundamentally a comprehensive art, including painting, opera, music, dance and other elements, showing the art of posture, expression and artistic conception. The modeling, rhythm, central idea, color, time and details expressed in his films are realized in the form of literature and art. It USES narrative method in the picture, which makes its picture have literary artistry, so the literariness occupies a very important position in the film art, and literariness is the cornerstone of the film art.

A series of descriptions such as the plot, time and space, the characterization of characters and the setting of scenes can be expressed by narration. The film itself has a certain possibility of narration, and the picture follows a certain order of time and space. The basic art of film art is the art of narration, which is also a form of literary expression. The expression of literariness in film art is as follows:

The most typical narrative structure of the film is from the prologue to the beginning, development and climax of the story, and finally to the end of the story. Structurally, it is not only studied statically, but also dynamically. In terms of language narration, it is not only considered by the director unilaterally, but also by all actors involved in film work. The film's narrative skills become more and more sophisticated, and the story becomes more and more vivid.

The narrative means of the film are mainly shown on the screen, plot and editing, and can be added with auxiliary props such as dubbing and subtitles. The narrative approach is usually presented as a prologue, which can be the narration or voiceover on the screen, or it can be presented before the opening credits of the film. Some films are preludes to the producer's trademark and the premise of the story. Some preludes are elaborately designed to lead to the occurrence and development of events. Some forms of narration include sequence, flashback, flashback, and prenarration.

Like writing a novel, a film can be narrated in the first person, the second person or the third person, that is, the personal narration of "I", "you" and "he". Compared with the writing skills and techniques of literary works, the flashback and narration of the film narrative can also be smoothly faded into, faded into or cut into the lens. The film can be used for rhetoric through frames, camera zooms and background colors of scenes. The perfect narrative technique in film art can leave a lot of imagination space for the audience, and make the picture connect freely.

The literary nature generated in the process of film narration can bring a lot of emotions to a film, so that the audience can feel unable to help, endless aftertaste, thought-provoking and pleasing to the eye after appreciating a film, and the audience's aesthetic artistic conception can be satisfied.

There exists an aesthetic transformation process from the film's literary script to the film art, or the re-creation of literature, that is, the remodeling from the film literature script to the film art. Its film literature is the foundation of the formation of film art, which is a very important link in the film literature script. It has detailed regulations on the characterization, the central idea of the theme, the plot and structure of the film, etc. Film literature is the key and foundation for the success of a film.

The film works can be divided into two categories according to the carrier formed by them: one is the film works directly formed by the script, the other is adapted into the drama script by literary works, and then adapted into the film works by the script required by the film. The equivalence mode of the transformation from the script to the film does not exist alone. In the process of the transformation from literary works to films, excellent literary works may lead to failure in the transformation from the script to the film and then to the film. Classic literary works do not necessarily produce the same classic films, but some non-famous or classic literary works may produce a favorite work. Therefore, these two types of forms have no corresponding relation with the theme, shooting method and investment cost of the film works. It can be seen from the above two points that the script of the film mainly consists of two types: original script and adapted script. The first short Chinese opera film, "ding junshan," is based on a few scenes from "romance of The Three Kingdoms." The first complete film script in Chinese film history was shentu shi, a historical drama written by hong shen. It can be seen from these two films that adaptation and originality have already existed in the original film literature script. From this, it can be seen that whether the original script is directly converted into a film, or literary works are adapted into a drama script and then adapted into a film, the transformation of literariness in the film art needs to be deconstructed and remodeled from text language to painting language. The details are as follows:

In terms of the emotion of each writer's creation, he usually chooses his own familiar creation format or creation method. The script writers of original dramas have a preference when writing. Those who like martial arts prefer martial arts themes, while those who like history focus on history highly when writing scripts, but more need all-around literary writers. Playwrights see things through the lens, while literary writers see things through their own minds, so that original literary works and plays on the same theme are completely different in terms of their written expressions. When a literary writer describes a character's behavior, actions, and psychological activities, he thinks about what would have happened if I were that person, and the playwright, to some extent, jumps out of that format and looks at the work in a different light. It takes a lot of courage and a lot of self-denial when a writer changes his or her work. First, the literary deconstruction and reconstruction of the images of the creators of the original film art. The biggest difference between the writing of a screenplay and a literary work lies in the fact that one is to make a film and the other is to describe the spiritual, times and spirit. The film script is to transform the works into pictures. Writers of original scripts are usually very familiar with the film shooting process or some full-time editors. Such writers have a certain understanding and mastery of the formation of scenes and the expression language of shots. Under the same material, the screenwriter will consider whether it is suitable for shooting when writing, and the playwright has imprinted the picture in his mind. Literary writers do not focus on this point, literary writers will consider the literary background, environment and heritage. A good script should be balanced by its literariness and cinematography, not in the form of its strength and weakness. On the basis of literature, a good playwright should design the scenes and shots of actors and put the pictures of films into his works. It can display the literariness of a film through the layout of the scene, the intensity of light, color collocation and the length of the lens, etc., through the enhancement of visual language to improve the aesthetic conception.

Secondly, the literary deconstruction and reconstruction under the adaptation of film art. Wong kar-wai's "east evil west poison", that's series, supervision, Mr. Ching director tsui hark's mix wights and Jeff "a Chinese Odyssey" and so on, its are respectively by jin yong's "the legend of the condor heroes", cattle guy graphic, pu song-ling's masterpiece, the "can" and "liao zhai zhi yi" wu chengen's adaptation of "journey to the west", the name of the packaging and characters in the film use original name and give them new meaning, let the audience curiosity and watch the desire. The characters such as west poison ouyang feng, east evil yellow medicine master, nie xiaoqian, ning caichen and sun wukong are well known to all. Through the new star lineup, the audience is totally different from what they expected in the process of watching, which has a great impact on the perception, so that they have a new understanding of the character positioning. This kind is rich in modern consciousness, let the person shine at the moment the transformation is the literature sex transformation needs. The outstanding character modeling, catching the audience's eye, the novel picture and paying attention to adding some thought-provoking philosophical monologues in the details will still be loved by everyone after the precipitation of time.

Third, the re-creation of the original literary imitation in the film art. Xiao-peng tian's third-holiest return of the Hollywood's experience, its bold image design on a par with the quality of the production of Hollywood, the theme of the novel and the improvement of technology, let the audience see greatly enhanced, the overall and the westward journey ? drop magic "is a style. A new road has been created between plagiarism and imitation, and the proper control should be taken. Many films in the mainland also follow this path, and imitate a big film through a large amount of accumulated materials for re-creation. Such re-creation based on original scripts can be called post-literary transfer.

The literariness of film art is an inherent form of existence, which can be divided into strong and weak forms. The film itself contains two forms of language and picture. Besides being cinematic, it also contains literariness, which is an indispensable part of the film art. Nowadays, the commercial atmosphere of film art is too exuberant, so we should strengthen the literariness of film art, not only improve the technology of film, but also enrich its content.

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