Assignment代写：Virtual representation in stage art

下面为大家整理一篇优秀的assignment代写范文- Virtual representation in stage art，供大家参考学习，这篇论文讨论了能乐舞台艺术中的虚拟表现。虚拟性是戏剧舞台艺术布景过程中不可缺少的元素之一，任何舞台艺术都不可能离开其单独存在。而能乐是日本具有传统艺术价值的代表，该艺术形式通过假面等舞台表演道具刻画故事情节，渲染悲剧色彩，从而实现提升艺术感染力的戏剧目标。从能乐舞台的布景来看，能乐舞台将虚拟性融入到布景设计之中，使虚拟表现在舞台设计过程中得到巧妙运用，从而使能乐升华为经过历史凝练的表演形式，凝聚了极高的艺术价值。

The virtuality is one of the indispensable fixed elements in the process of the theatrical setting. The ingenious play of the virtuality can enable the artist to reach a degree of understanding and tacit understanding of art appreciation with the audience in the performance process, and form a stronger influence force for the drama. Nengle is a typical representative of the value of traditional art in Japan and is praised as the "quintessence of the nation" in Japan. This art form depicts the story plot and renders the tragic color through the stage props such as masks, so as to achieve the dramatic goal of improving the artistic appeal. From the perspective of the scenery of nengle stage, the virtuality of nengle stage is integrated into the setting design, which makes the virtual expression be skillfully applied in the stage design process, and thus makes nengle sublimate into the performance form that has been condensed through history and embodies high artistic value. As the performing place of nengle, nengle stage also becomes the mysterious "small universe" with the help of virtual performance. According to the composition of nengle stage, nengle stage mainly consists of the setting of mirror plate, the planting of pines beside the bridge and the use of stage props.

In the scenery art of nengle stage, the most important thing that can be reflected is that nengle stage skillfully USES the virtual expression, which is the picture of the mirror plate. The mirror plate is an essential element in the performance of nengle, located directly behind the center of nengle stage. The mirror plate of nengle stage depicts an ancient pine tree, strong and powerful. In nengle, this pine is called "shadow song". Since "shadow song" in Japanese means the temporary appearance and arrival of the divine Buddha, "shadow song" means the place where the divine Buddha appears, which is full of auspicious meaning. According to the origin of nengle, nengle is mainly to pray for good weather and good harvest in the coming year. In the traditional Japanese consciousness, temples are sacred places for the existence of gods and buddhas, and nongle is the performance of praying to heaven. Therefore, when praying to gods and buddhas, it is necessary to welcome the presence of gods and buddhas and arrange a place for them to rest. The pine has always been considered as a symbol of elegance and holiness by the Japanese. Under this kind of fixed subjective understanding, the creator of nongle carved an ancient pine tree on the mirror plate of nongle stage and positioned it as the resting place of the deity and Buddha. This is the reason why the mirror plate of nengle stage is engraved with ancient pines. The scene of the mirror plate enables the audience to make infinite reverie during the performance of nongak: nongak actors perform under the pine trees in the wild in order to pray for the happiness of the next year, while the gods stay on the ancient pine trees to watch nongak performance. In this way, god and man break the boundary between the gods and the humans and realize the communication. The application of virtual performance enhances the artistic appeal of nongle stage. However, how to appreciate the meaning behind the virtual performance requires the audience to have a certain understanding of nongle. This is one of the reasons that nengle has difficulty integrating into the young population in today's society.

The pine planting near the bridge of nongak stage is ingenious, and it makes good use of the virtual expression, so that the artistic value of nongak stage has been sublimated. In the scenery of nengle stage, three small pines are planted at the front of the bridge. The spacing of these three pines is the same, and the height decreases successively from the platform to the curtain, which brings a strong sense of reality, enabling people to find the sense of distance difference in the gradual change of height. During nongle's performance, the three small pines are both a reference for the actors and a symbol of the boundless forest. Three pine had no practical significance, but in the stage can clever apply virtual performance, under the action of three pine has become the symbol of the forest, can create unlimited lenovo: people to pray for happiness, into the forest to find deities arrival - old pine, communicate with deities under the pine trees. Such virtual performance of nengle stage enables nengle actors to have a high degree of freedom in the performance process, get rid of the limitation of time and space, and bring into full play the "mysterious" existence of nengle's core aesthetic value. "A small piece of land can be home or country or world, and even these men are the father and the son of the emperor." Props remain unchanged, become people's way of thinking and understanding, the same thing, because of people and things and each has its own. The ingenious use of virtuality leaves the audience the space of free reverie and achieves the good effect of scene blending. On the other hand, due to too much omissions or representativeness, in order to truly understand nongle, the audience must understand the meaning of what the omission represents before appreciating nongle, thus causing a certain amount of triviality to the appreciation of nongle.

Can music stage props simple but not simple, the same everywhere virtual performance. Nengle stage virtual performance in the use of props mainly reflected in: the use of props "ship". Nengle plays "jiang kou" and "junkuan" used props "boat". The virtual representation in it has been a thoroughly exhausted embodiment. Although it is a "boat", it is only a frame tied with bamboo pole. According to the audience's individual appreciation orientation, it can be regarded as a luxury boat or a boat boat. This greatly increased the actors' freedom during the performance. The prop of "bell" appears in nengle "dao cheng si". The use of "clock" also can reflect the stage of virtual sex, the "clock" made of cloth and hung in a bronze mirror, can happy actors according to the development needs to change within the "clock", it is the "clock" in the mouth can provide a platform of a fall together, created "two world" for the audience, it can represent the music stardom and the transformation of the actor in the world, but also implies the audience see the world different. FuZhu. Eye post is a necessary reference for nengle actors to perform nengle, and is one of the important props for nengle stage. In the performance world of nengle, the eye post represents the position of communication with god, and the actor can communicate better with the Buddha by using it as a reference. Although it is a simple column, it brings the audience infinite space of reverie. The use of this kind of virtual expression simplifies the use of nengle props, making the audience look for the existence of "mysterious" beauty in the simplicity. However, as mentioned above, the premise of the application of virtual performance is the full understanding of the omitted things, which to some extent limits the development space of nongle.

51due留学教育原创版权郑重声明：原创assignment代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有assignment代写、essay代写、paper代写服务。

51due为留学生提供最好的assignment代写服务，亲们可以进入主页了解和获取更多assignment代写范文 提供美国作业代写服务，详情可以咨询我们的客服QQ：800020041。