Assignment代写：Renaissance sculpture

下面为大家整理一篇优秀的assignment代写范文- Renaissance sculpture，供大家参考学习，这篇论文讨论了文艺复兴时期的雕塑艺术。雕塑是人类最古老的艺术形式，而文艺复兴时期的雕塑艺术是西方艺术史上最辉煌的一页。文艺复兴时期也是西方雕塑史的第二个高峰，突破中世纪禁欲主义的束缚，以人文主义思想为宗旨，使包括雕塑在内的各种艺术创造出前所未有的辉煌。

As one of the oldest art forms of human beings, sculpture accumulates the weight and volume of history and supports the spiritual space of ancient ancestors. The Renaissance sculpture art is the most brilliant page in the history of western art. This article on the Renaissance sculpture art for a brief exploration as follows.

Western sculpture experienced the paleolithic age, neolithic age, ancient Greek, Roman, medieval, Renaissance, baroque, rococo, 19th century, 20th century, and to this day. Each era has its characteristics, which are impressive and have a profound influence on the sculpture art today.

In these periods of the development of sculpture art, the most influential art to me is the Renaissance sculpture art. The 350 years from the 14th century to the mid-16th century is the historical stage of the western transition from feudalism to capitalism, known as the "Renaissance period". It broke through the millennia-long medieval asceticism, with humanism as its purpose, reaffirming the value of human survival and personal significance. It is not only the revival and rebirth of ancient culture and art, but also the birth and prosperity of a comprehensive new culture. Although it is based on the revival of classical culture, it surpasses the influence of ancient Greek and Roman culture, taking people themselves as their aesthetic symbols and objects of expression, creating unprecedented brilliance in various art fields including sculpture.

Florence in Italy was irreplaceable at the beginning of the Renaissance and produced a large number of famous sculptors. Later, the rise of the Medici family, who were keen on art, provided a wide space for sculptors to display their artistic talent. During this period, the earliest important sculptors to emerge were Andre Pisano, cambio, gibelti, quelcha and banko. The most famous of these works is the two bronze door reliefs created by tui belti for the Florence baptistery. He spent a total of 38 years on these two large relief sculptures. The second of these bronze doors was once praised as "the gate of heaven" by Michelangelo, who gave a high rating. Quelcha's sculpting of the gates of Peter's basilica in polonia is also an outstanding work, and it is this sculpture that pioneered the grand style of the Renaissance.

Donatello, known as the "father of the Renaissance", was recognized as the first master of sculpture during the Renaissance. His sculptures reveal a more dynamic, individualistic approach to art than any previous sculptor. His statue of David, which boldly depicts nudity, not only established his naturalistic style, but also set a precedent for later sculptors to celebrate the spirit of nudity. He created a heroic image combining the ideal and the reality, showing a kind of solemn and noble temperament. Donatello also cultivated many excellent sculptors, such as verrocchio, whose works were realistic in style and elegant in style. Renaissance masters Da Vinci and botticelli were his students. Verrocchio, like donatello, made a statue of David and a large equestrian statue of coleoni, whose artistic achievements matched his teacher's.

Michelangelo was the greatest sculptor in Italy in the heyday of Renaissance, and also an unsurpassable peak in the history of western sculpture. Although he achieved remarkable achievements in sculpture, painting, architecture and many other art fields, he always claimed to be a sculptor. Michelangelo to express ideas, with stones with art beyond nature, make nature is subject to his concept of power and performance, use of deformation to produce a strong artistic effect, Michelangelo's "David", it is a combination of real and ideal of the perfect nude man, visually reflected the defenders invincible spirit, dynamic posture and tension is equal, and the whole attitude kept in suspense, expectation, increased the connotation of the endless artistic charm. In the overall structure of the artist made some artistic exaggeration, to enhance the sense of giants, such as the larger hand joints, longer legs and so on. But every detail of his anatomical structure is airtight and shows Michelangelo's prodigious artistic talent. On February 18, 1564, a great sculptor died. His death also marked the beginning of the Italian Renaissance.

Since the 1620s, a new generation of sculptors following Michelangelo began to pursue their own styles and gradually formed a aesthetic tendency of paying attention to forms, which was called "styling". The characteristics of stylistics sculpture are exaggerated deformation of the human body, complex dynamic characters and obscure thematic thoughts. Moreover, it breaks the tradition of viewing sculpture from a limited perspective, and seeks to appreciate sculpture works from a full perspective from a variety of different perspectives. The big names are cellini and bologna. Chellaney's Perseus and medusa, bologna's mercury and the hijacking of women in sabine, are masterpieces of stylistics sculpture, which can be viewed from any Angle and, as the point of view changes, the contour of the sculpture changes constantly and always presents smooth lines and a graceful sense of form.

The fountain of purity is also known as nymphs. Nymphs in ancient Greek mythology are demi-god girls who bathe or play in the sea, river, forest and meadow. This is a decorative relief sculpture made by goujon for the chaste fountain square in the rue saint-denis in Paris. Gu rong creatively placed the five fairies in a single long and narrow strip, making each character a single work, making the characters more free, highlighting the beautiful gestures and light movements of fairies, and more reflecting the artistic charm of sculpture. Five fairies, holding POTS in their hands, or carrying POTS on their shoulders, were graceful in shape, and their clothes were finely carved, as if they had just come out of the water, and laid bare to the body. In the history of western sculpture, such a rhythmic pattern treatment and the full use of lines is rare.

The Renaissance was the second peak in the history of western sculpture, breaking the shackles of medieval asceticism and taking humanism as the purpose to create unprecedented magnificence of various arts including sculpture.

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