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建立人际资源圈Chinese elements in the Chinese film analysis—澳洲代写
2017-05-26 来源: 51due教员组 类别: 更多范文
本篇Chinese elements in the Chinese film analysis—澳洲代写讲了电影作为一种起源于西方的新技术和艺术形式，首先出现在1895年。电影是一门综合性的艺术，在发展的过程中，不断学习文学，戏剧，绘画，音乐等方面的成就和经验，舞蹈，雕塑，建筑，摄影等艺术。本篇澳洲代写由51due论文代写机构整理，供大家参考阅读。
Movie as a kind of new technology and art form that originated in the west, first appeared in 1895. Movie is a comprehensive art, in the process of the development, it constantly learns the achievements and experience of literature, drama, painting, music, dance, sculpture, architecture, photography and other art.
Chinese films combine with the traditional Chinese opera and rap art in the beginning, and developed a unique genre. In the next hundred years, the introduction of the western film technology is widely used in mainland China, and the movie has become an indispensable part of life in social, political, and culture of China.
Chinese film developed from the silent, stand-alone, black and white film to high-tech, large investment, surround sound the giant-screen film. The Chinese kung fu and music both have great effect on the Chinese movie. Chinese martial arts and music promote the development of the Chinese movie, on the other hand, Chinese martial arts and music are promoted and propaganda by the Chinese movie. Martial arts film is one of the most genre with the flavor of the Chinese culture. It not only explains and carry forward the Chinese chivalrous spirit, but also make the most present of Chinese martial arts through the image and constantly create new things.
This time I choose three different Chinese martial arts films, all of those films have the exact same actress, Ziyi Zhang, one of the most famous actress in the world because of the Chinese martial arts films. The clothes of her in the movies are unique but beautiful. Through analysis the detail of those movies, we can get a different view about the Chinese culture.
House of flying daggers
House of flying daggers is a good film. The well-made film not only has a beautiful picture, fruitful plot, surprising ending, the most important part is it can attract the emotion of the audience with the film and television works.
The beautiful and elegant picture in the film attracts the attention of the audience, the director of the use of many kind of color is green, with the plum flower, peony to create a unique visual effect of the entire screen. The scenery in the film has a distinct Chinese characteristics. The beautiful dance, the green bamboo sea with the Chinese drum and a galloping horse, elaborate on the fusion of Chinese wind background music.
According to the performance esthetics principle and visual art graphics, it is necessary to stimulate the function of mind and pay attention to visual expressivity. The picture is the space structure form of the movie. It can reflect the specific intention of the director.
In the "house of flying daggers", the dance stage of the girl is base for three layers of glass with 18 butterfly tattoo all kinds of peony carve, round with a 360 - degree of scene to intermediate to produce the dance with the circular stage. This has a great effect on both create an atmosphere and embodies the luxury of tang dynasty gorgeous.
In western audience opinion, bamboo is a typical oriental artistic conception of landscape. Mist hazy dimly discernible in the bamboo, bamboo forest scenery fog like a picture of a color full of traditional Chinese painting, create a mysterious and suspenseful effect. Bamboo is elegant artistic conception, however, there are strong tall and straight. In the deep artistic conception, the bamboo becomes a murder weapon, bamboo forest is full of blood. Further refinement contains the sharp flank.
The director of "house of flying daggers" through the characters of clothing color and the environment color rendering to show the flow of consciousness and shaping characters of people. According to the history, all the clothing of the dancers is belonging to the typical style of late tang dynasty. Director use blue and green as the base color, with the help of the color of the flower to make everyone have personalized embroidery tang dynasty on clothing decoration. This not only accord with the identity of the geisha, at the same time, not harmony of the beauty suggests that the tragic fate, set the tone for the entire film.
The "house of flying daggers" also uses the famous Chinese traditional music which is the same name of the movie. In the beginning, the girl sings the "wind song", it is folk song of hun dynasty in the history of China. “North has his wives, and Ingenious and independent. Gu dumping a man city, Longer look after people dumped the country. I do not know who would rather dump and dumping country? Lady finds it difficult to get!” The "wind song" enriches the content of the film indicates a complicated development of movies. Sing, drums and the fusion of classical Chinese strung instrument generate the beautiful background music of this film with Chinese characteristics.
Crouching Tiger, Hidden Dragon
Movie storyline of Crouching Tiger, Hidden Dragon is more twists and turns. In a stolen sword, blue fox hunting, the desert of love, and by means of the new art processing, makes the film become more attractive.
"Crouching tiger, hidden dragon" is also based on the Chinese traditional culture, the overall colours lets a person feel very quiet, it's like a Chinese ink and wash, use a lot of landscape painting. Beautiful scene with a sense of pure and fresh quietly elegant. In the beginning, the film scene appear with green hill, water, bridges, buildings featuring the architecture of the boats, bamboo forest, combined with the traditional Chinese folk music melody background music, make audience enjoy a feeling comfortable with quiet, contained in the Chinese culture as if place oneself in the of primitive simplicity and elegant beauty.
The beginning of the present Chinese Jiangnan scenery deeply attracted the attention of the audience with the low music sounded. From the opening scene description, left a deep impression on us, guide us to look down. According to the conversation, the Taoist the illusion of the science of uniting the present, on behalf of the Chinese culture and the Taoist thought makes people realize the greatness of their national spirit. Qing dynasty courtyard houses are next to the selling market, bring us back to the ancient times. But the overall artistic effect of film or displayed in Jianghu grudges makes the film out of an ethnic flavor.
In the film "crouching tiger, hidden dragon", music melody nationality features are standing out. In the movie, the main music melody pure, simple, consistent, and with the characteristic of Chinese national music. In terms of selection of instrument, "crouching tiger, hidden dragon" pick a lot of Chinese traditional ethnic Musical Instruments to create the soundtrack unity and variety of movie. The flute music melody is melodious, tactfully depict the pure Chinese Jiangnan amorous feelings and beautiful. Music through the bamboo forest in the use of the flute to indicate ancient mystery in Jianghu. The pipa forcefully to sound like the sound of metal crash. Hulus is vividly portrayed the moonlit night of silence and the silk road in empty and desolate.
The grand master
In the grand master, still very visible characteristics of trance lens and fantastic pictures, and give priority to with cool color attune of these lenses, rendered in cramped closed space in front of people. No matter how the plot development, on the senses will produce depressive feeling at first, with the plot development, this kind of depressive sense desalination, can give the audience with a hint of sadness. Four aplomb of traditional calligraphy characters of "the grand master" give Chinese descent to play in the film.
At the beginning of a film, a robe of leaf the actor in the rain is like a pair of dignified splash-ink painting, with the contrast of black and white. It is one of the most classic of Chinese traditional painting art. In this movie, the director seems to be not telling the whole story, the complexity of open mode leave the audience too much space to think. It is not a story of the film, everyone involved in the story of the film, the director did not speak out the movie outside of the complex, audience according to their own habits of thinking and feelings even subjective intention to complete the story. The approximate "stay white" is popular in Chinese traditional painting art technique of expression. As for movie, this joined the artistic conception of poetic aesthetics and philosophy. People for the fate of the characters in the film sigh unceasingly, the heart can keep a trace of emotional comfort. This is more like to establish a slave of fate for all people, and this process of rescue is done by each audience. Throughout freehand brushwork and white space, the artistic value of the ancient Oriental and the embodiment of the mysterious Chinese aesthetic complex is self-evident. This expression makes the film with human feeling and Chinese brand, appear a unique style.
In a good film, if the picture is intuitive emotional experience, the background music is a kind of deeper spiritual feeling. Music is no national boundaries, in the world of music, the emotion is interlinked. Music with its self-evident mysterious force, touches the hearts of people. In this film, from the initial gong under the golden building pendulum overlord meal until after they meet every time, the background music suggests emotional collision between characters and development of era is opaque, however, each person also has the mission and the emotion and moral constraints. Then the change of the background music, also in the evolution of emotion and the fate of the change, this kind of technique of expression that seemed to beat about the bush, it is also a very intuitive feelings, not to the audience the emotional kidnapping, but the emotional resonance with the audience.
Conclusion
Movie is audio-visual art. The combination of music, images, words, greatly enhanced the artistic appeal of the movie. The sound and picture directly implements the treatment history and helps audit deep feeling and thinking of life. Music in the film more and more important, it can make the film has very powerful rendering effect, can supply the connotation of the scene side, express film center thought, infection audience's thought emotion, and realize the value of the art of film. Tow of these movies are using the traditional Chinese music, but another one has to use the foreign music to achieve the same effect. The fusion of music makes people can totally understand the movie and generate a unique style.
According to the analysis, it is obvious that all of those movies are paying attention to the Chinese kung fu, music and the background picture. It is hard to identify the deep content of the movie, since one thousand readers will have one thousand Hamlet. As for the background picture, the scene of china make people fall in love of the beautiful country. Different directors have different understand and the beauty is same come from China.
There are plenty of Chinese movies tend to express the theme but explicit damage the integrity of the film aesthetics. The firm, behind the popular story often lacking the support of traditional aesthetics expounds. Chinese film aesthetics are a kind of traditional, item in the popular story of profound interest to let the audience in the viewing pleasure of life taste. Fortunately, there are also have good film existed. However, it is also necessary to identify the disadvantage of those kind of movies. The audience may be difficult to invest sufficient understanding and empathy. . A lot of film to convey the core value concept of mainly constrained by domestic needs, and lose in the international universality. For overseas audience psychology and the lack of deep understanding of foreign culture, to lose interest in the Chinese film of foreign audience is not high.
Reference
A.O. Scott (2004). Fanciful Flights of Blood and Passion. The New York Times.
Ebert, Roger (2000). Crouching Tiger Hidden Dragon. Chicago Sun Times.
Hamedy, Sara (2014). Nation's top theater chains won't carry 'Crouching Tiger' sequel. Los Angeles Times.
Kevin Jagernauth (2012). "Yes, Wong Kar-Wai Is Still Shooting. The Grandmaster
Kevin Thomas (2004). "'House of Flying Daggers'". Los Angeles Times.
Stephen Cremin and Patrick Frater (2013). Grandmaster has masterful BO debut. Film Business Asia.
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