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Violence and Goodness in A Good Man is Hard to Find—美国留学生作业代写

2017-05-18 来源: 51due教员组 类别: 更多范文

本篇Violence and Goodness in A Good Man is Hard to Find—美国留学生作业代写讲了在唯物主义,不平等和失明的世俗世界中,我们的嘲笑和罪恶,并表明我们生产的暴力有可能会对我们有一天的袭击。例如,一个社会对枪有热情,一点信仰可能会不合理地受到不合理的枪击。奥康纳的故事为我们提供了一个窗口,以反映我们的生活充满愚昧的崇拜材料,舒适的生活和缺乏信仰。本篇美国留学生作业代写由51due论文代写机构整理,供大家参考阅读。


Flannery O'Connor’s famous story A Good Man is Hard to Find tells a story about violence and goodness in the world with dry humor and vivid narration. In the story, a middle class family wants to drive to Florida, but the grandmother wants to go to Tennessee arguing that the criminal The Misfit is headed for Florida. When on travelling, the grandmother wants to look at an old house, but the car gets accidents. Unfortunately, at that time they meet the Misfit and the whole family gets killed. In this story, the Misfit and his fellow represent the violence constructed by the society, and the family represents the layman that has abandoned the grace from god, but the grandma, slightly different from her family, still has a little faith in Jesus in the end of her life. By juxtaposing these people, O'Connor suggests violence is inevitable in contemporary society, but sometimes it serves as a way of “revelation” of the grace of God and Christ, which should be obtained in the everyday life.
O'Connor weaves the story with skillful crafts. She chooses the grandma as the heroine of the story and describes her with dry humor. As depicted, the grandmother is the most hilarious character in the story. O'Connor patiently describes her vanity, such as her dress, including the “white cotton gloves”, “her purse on the shelf”, “navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress and a small white dot in the print”, and “a purple spray of cloth violets containing a sachet” (138) .With detailed description of the dress, O'Connor suggests the grandmother, just like her family and the people in her class, is vacant, numb and indulged in secular materialism. It’s also worth noting that O'Connor show her craft of irony when describing the dress of the grandmother. O'Connor writes in an ironic tune, suggesting her well dress is just out of vanity: “in case of an accident, anyone seeing her dead on the highway would know at once that she was a lady”(138) . 
O’Connor also makes full use of monologue and dialogue to present the characters. O'Connor presents the character of the old lady by narrating her continuous empty talks. For example, she presents the old lady’s lengthy monologue about the long-gone plantation (139), suggesting her ridiculous pride and nostalgia about the unjust plantation without any awareness of goodness. Another example is the old lady’s tirelessly narration of her former lover Edgar Atkins Teagarden (140), also implying her vanity and ridicule.
 O'Connor also inserts other characters’ talks to strengthen the irony in her story. For example, when the grandmother recalled the old day of the plantation, the young John Wesley asks, “where's the plantation”, leaving the old lady to answer bitterly “gone with the Wind. Ha. Ha.”(139) .By designing subtle dialogues and making use of satire dialogues, O'Connor suggests how ridiculous and ironic the secular life is, and how fragile the imagination of the secular world is.
O'Connor also uses dialogues to show the theme of the story. After the Misfit shows up, the dialogues become more important. For example, in a dialogue between the grandmother and the Misfit, O'Connor shows the contradiction between the secular worlds and the world with faith:
 “That's when you should have started to pray," she said, "What did you do to get sent to the penitentiary that first time?”… “It was a head-doctor at the penitentiary said what I had done was kill my daddy but I known that for a lie. My daddy died in nineteen ought nineteen of the epidemic flu and I never had a thing to do with it." …"If you would pray," the old lady said, "Jesus would help you." (150)
In this dialogue, the theme of the story presents itself. It’s the secular worlds that the old lady is recalled and that make a gospel singer into the Misfit. Only in this time does the old lady remember she should pray rather than chattering, but it is too late. The Misfit, the representation of violence, serves as a revelation to remind the old lady of the Jesus. O'Connor urges the readers to reflect on the worlds we live in, to consider our faith in God and Jesus and our indulging in the material world, to think about how the faithless world produce unreasonable violence and how this violence in turn destroys us.
The story reminds me of O'Connor another story, Revelation, in which revelation shows itself in the form of violence again (1964). O'Connor uses her vivid prose to remind us of the ridicule and sin in the secular world made up of materialism, inequality and blindness, and to show that the violence we produce may attack us one day. For example, a society has craze for gun and little faith may tragically suffer from unreasonable gunshots. O'Connor’s stories provides us a windows to reflect our life full of foolish worship of materials and comfortable life and lacking faith, and remind us that we should pray and do the good in our daily life to eliminate the violence in the society. After all, the only way to escape from the predicament is to have faith and pray and do good deeds in daily life, as O'Connor would suggest.

Work Cited:

O'Connor, Flannery. "Revelation." The Sewanee Review 72.2 (1964): 178-202. Print.


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