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Delvo's painting spirit

2019-12-18 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Delvo's painting spirit,供大家参考学习,这篇论文讨论了德尔沃的绘画精神。对于德尔沃而言,绘画的主题的目的是为了描绘他内心的梦境,特殊的人生经历,潜移默化地影响着他的精神世界,这一生努力寻找着自己想要依赖的一种方式。在艺术之路上,基里柯打动了他,使他了解画画不仅仅是描绘的技术、空壳般的外表,而是精神中诗及人性表现的方法。马格里特的绘画使他对创作题材上面赋予了神秘感。二者对他的影响很深刻,使他最终明白绘画是要遵从自己的内心,并结合方法表达出来,而不是有了技术再去探索这其中的奥秘。

Delvo was imprisoned by his mother at the end of the first world war and during his teenage years. The boring school life led to his disappointment with the current real life, which also caused his personality to become withdrawn and indifferent, with more subconscious release than ordinary people. He was also influenced by kiriko, one of the founders of the metaphysical school, and magritte, another surrealist painter, to realize that painting was not just a technique of description, but a method of poetic and human expression.

When delvo first came into contact with painting, he was greatly influenced by impressionism. From painting to later landscape to group images of naked women, the change of composition is the change of his style. After the visit to the spitzny museum and the "minotaur" exhibition, the work of giricco has become more influential and attractive for the future transformation of delvo's painting form.

Later, under the influence of magritte, delvo was given a very important revelation. Magritte's work to compare strong narrative attracts the public, his painting is not like other artists need to express a sense or an emotion, but he will use dreaming way to express some boring things, describe things are daily life are everywhere, but he put as given new life to them, if not he meticulously mediocrity, it is hard to imagine that his works will show so much poetry, he changed his common sense. It was precisely because of this ordinary application of magritte that delvo's painting method was enlightened, his new cognition of painting was opened, and he realized that surrealism could bring him spiritual sublimation.

In the spitzny museum, delvo was struck by the many waxworks of patients' symptoms. He also applied this shock to his future creations and recalled seeing human bones in his biology classroom as a child. For the first time, he used the surrealist techniques to make his future painting direction gradually clear and arouse his imagination. In this later minotaur exhibition, he really came into contact with surrealism, which enabled him to have a new concept of "freedom". He completely changed from the previous theoretical painting to the inner expression of spirit, and finally abandoned the expressionist style.

From then on, delvo combined the mystery brought to him by magritte and the poetic nature brought to him by kiricot, skillfully forming his own unique typical style.

Delvaux women is largely in his subconscious to vent, as a teenager, his mother about his spiritual imprison deeply hurt him, make him inner fear of reality and lonely, so he wanted freedom and beauty, repressed psychology only through the change in the form of the painting to vent in the end. In his picture, every woman is an independent individual without any communication with each other, which also reflects his loneliness. In terms of painting techniques, he abandoned the classical forms, but retained some traditional ways. The dark environment around him, like his dream, exudes loneliness from the inside out.

Whether it's an outdoor scene or an indoor scene, there are naked women, either alone or in groups. Also influenced by his mother's death and the spitzny museum, he was inspired to form a contrast between death and life. He wanted to shut himself in the inner world of unreality and integrate the dream with the reality. He thought that only naked women could pursue the unattainable desire, and repressing this desire to simply express the consciousness of ideality was the highest realm endowed with poetry. No matter what kind of scene they are in, these naked women are so wooden in it, they don't say anything, but they have the power to break out of the cage, they belong in this world, and they don't seem to belong in this world, but the fact is they do exist in delvo's inner world.

The war led to social unrest and unrest, which brought psychological anxiety to delvo. He used the combination of ruined buildings and frightened people to create his inner paintings, which also showed people's anxiety and fear to this era. By this time, the spitzny's shock to delvo had not gone away, and it had caught up with the impact of the war, so his images began to show something that represented fear and restlessness -- skeletons. The skulls he painted were skulls with living life, not dead ones. They represent the hope and freedom to survive the war, and they convey the uneasy atmosphere and mood of The Times. Even after the war, delvo continued to use the skeleton as the subject. The skeletons he expresses have no inner meaning, and they are not expressing death, but describing their form, which has the meaning of life.

Delvo's pictures are often set against different buildings and include nude women or girls. Under the influence of the time, his picture mostly industrial city, is more, with the trolley and track since childhood love of trams and trains, so the way his painting gradually mature, so the curiosity of children see things change things in pairs to produce new understanding, his intention is to change the reality. The existence of the girl is just like his sustaintion. The train carries the girl, and she has his dream of freedom. The naked girl in the picture is also very dreamy under the city architecture and the mysterious night sky, just like every lonely soul gathered together, the air will become quiet. The scene he imagined was banal but extraordinary.

However, unlike delvo, few people exist in his scenes, and the urban landscape is the subject of the picture. On the contrary, delvo and he differ in the relationship between the square and people, which leads to the different meanings of the concepts they express.

For delvo, the ultimate purpose of the theme of painting is to depict his inner dream and special life experience, which influences his spiritual world imperceptibly. In this life, he tries to find a way to rely on. On his way to art, kiriko moved him to understand that painting was not just a technique, an empty shell, but a way of expressing poetry and humanity in the spirit. Magritte's paintings gave him a sense of mystery over his subject matter. Both of them had a profound influence on him, making him finally understand that painting is to follow his heart and express it with methods, instead of exploring the mystery with technology. Picasso once said, "solitude is the outpost of art." Delvo's inner loneliness is also reflected in the painting, but also full of vision. His pictures show static time, loneliness, silence, hesitation, light and shadow, love and death. All these he combined to form his own inner desire, which he kept under control, not to show, but to give people infinite reverie, whether alone or gathered, which would be the real world of his dream. He just transforms the things that can be perceived and recalled into another form that can be seen and combined with his own ideas. All the objects in his pen are symbols that he wants to express his dreams, and he integrates them with women to make them free expression.

The non-reality of art is to exist on the reality. To reproduce an impossible world, we should combine our own thoughts, separate the reality from humanity, and fully display the poetry. Under the background of era, some people are willing to accept the reality, and the delvaux is not willing to accept the fact that he has to stay still exists in the fond childhood curious things on their own, resulting in the symbols of his later works, such as skeleton lively life meaning, but he is not willing to admit that these rootless life from your heart, but in the author's interpretation of his own on adequately. If humans can have a psychological space, without reflecting reality and emotions, leaving only a dream, then he can plays a different role in the actual situation of optional, because he is free, both soul and body, and is presented in the patterns of the picture or symbols must be unique, can only represent his own spirit.

All things in history will disappear with history, but dreams will not be small or powerful. They will form a new world in dreams, where symbols and desires that they want to express still exist as stories. As long as the real and the unreal are beautiful in the heart, then it can be eternal existence as poetic.

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