代写范文

留学资讯

写作技巧

论文代写专题

服务承诺

资金托管
原创保证
实力保障
24小时客服
使命必达

51Due提供Essay,Paper,Report,Assignment等学科作业的代写与辅导,同时涵盖Personal Statement,转学申请等留学文书代写。

51Due将让你达成学业目标
51Due将让你达成学业目标
51Due将让你达成学业目标
51Due将让你达成学业目标

私人订制你的未来职场 世界名企,高端行业岗位等 在新的起点上实现更高水平的发展

积累工作经验
多元化文化交流
专业实操技能
建立人际资源圈

The origin of a work of art

2019-04-10 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The origin of a work of art,供大家参考学习,这篇论文讨论了艺术作品的本源。艺术作品的本源,其实就是创作者和保存者的本源,就是艺术。艺术是专门显现真理的,艺术决不是附庸。存在论思想对于启发的意义就在于消解主体性,回到实际生活本身,不被既定的理论概念所束缚,直面真实的生存状态,在过去现在和未来的三维时间中作为此在而存在。

work of art,艺术作品本源,essay代写,paper代写,作业代写

Heidegger said that the work should be released through the artist to achieve its pure self-reliance. It is in great art that the artist is something insignificant compared with the work. He is like a channel for the production of the work to die in the creation. We generally think of works as being created by writers, first by writers and then by works. But here, the writer is in a passive position, the key factor is the work itself rather than the writer. Although a work is created by a writer, it does not depend on a writer. A work exists as a work. The two basic characteristics of the existence of a work are the establishment of a world and the creation of a land. The world created by this work is different from the real world in our daily life. The world established by the work is an independent and self-sufficient world with its own code of conduct, values and lifestyle.

In terms of creating a world, it's about how to create a world and what the nature of the world is. The work opens up a world in itself and holds it forever in operation. The world is immaterial, and we are always subject to it. That is to say, the essence of the world created by works is naming and determination, and we live in it. In the world that works of art create, the nature of the material in which they are made is revealed. For example, the stone appears in the architectural works, because the architectural works establish a world in which the stone itself is preserved. In the open world of architecture, stone means big and heavy, and architecture places itself back into the naming power of stone's big and heavy nature. The purpose of artistic creation is to show the nature of materials, and the work puts itself back into the nature of all things, so that the work can become a work.

Where the work comes back, what the work makes its appearance in this return to itself, we used to call the earth. The earth is a refuge for the emergent. The great is the thing itself, and the work makes the thing itself manifest, and makes all things its own. The work moves the earth itself into an open field of the world and keeps it there. Works let the earth be the earth. It is the work that allows all things to remain in their own way in the world of meaning that the work establishes. The earth is essentially self-locking. To make the earth means to bring the earth as a self-locking person into the open field, that is, to reveal the unrevealability through works of art. The earth means something in itself and everything in itself. It is only when the earth is preserved and preserved as something inherently undeployable that it is opened up and revealed as the earth itself. The earth itself refers to something itself, such as the size and weight of a stone. All things on the earth, the whole earth itself, converge in a symphony. The totality of the earth itself refers to the creation itself, or "life". The earth is essentially undevelopable. As far as something itself is concerned, the nature of the thing itself is unexpandable and unknowable. To reveal its unpredictability is to reveal its nature. This nature is equivalent to Chinese Taoism's "wu" and "dao". In terms of the earth in the sense of all things, the earth is equivalent to the "sheng sheng" in zhouyi.

Let's look at chapter 11 of laozi's tao te ching. Gems are also useful when they are of no use. Therefore, it is profitable to have, no use for. Heidegger expressed it this way in German: thirty spokes meet at the hub, but it is the space between them that provides the existence of this vessel. Walls and doors and Windows make up the room, but it is the space between them that provides the existence of the room. Existences provide availability, nonexistences provide existence. It can be seen that "being" and "non-being" are interlinked with "being" and "nothing" as well as "world" and "earth". In combination with wu, you and sheng sheng, we can understand the relationship between the world and the earth in this way. The earth is the foundation, the work establishes a world, we also live in the world established by the work and make value judgment, the world established by the work is protected by the earth. The whole earth itself has no value judgment, only in the named world. The meaningful world of the naming reveals the nature of something itself, which is protected by everything itself. In other words, there is no value judgment in "sheng sheng", and the meaningful world "you" in the naming of the works reveals the specific "wu" and "dao", which in turn belong to "sheng sheng".

So we are talking about the two basic characteristics of the existence of a work: the creation of a world and the creation of the earth. Let's talk about the relationship between the world and the earth. The world cannot tolerate any kind of lockout, because it is self-revealing. And the earth is the patron, and it always tends to take the world into itself and keep it within itself. The opposition between the world and the earth is a dispute. The work establishes a world and creates the earth, and at the same time it completes the dispute. Truth enters the work by dispute, and the work provides the place where the world and the earth dispute. The work establishes the world and makes the earth, and the work is thus the realization of the conflict in which the whole of the being is uncovered and the truth is contended. Truth means the unshadowing state of being, that everything is what it is and is not covered by man's will. Works to create a clear environment, the clarity of the environment is specific, both no cover and cover. This means that existence or nonexistence can only be discussed on the basis of the clarity opened by the work. That is what heidegger said, only when the being enters and leaves this clear and bright field, the being can exist as the being.

Truth can and must occur in the form of art, because art is a form of truth. The genesis of this truth is the realization of the dispute between the world and the earth. There is peace in the tumult of this dispute being put together. The self - assertion of the work is based on this. The artistic element of a work lies in the creative existence it is endowed by the artist. In this way, the work is self-sustaining and creative at the same time. The creation of artistic works is different from the production of instruments. The creation of artistic works can achieve self-preservation, but the production of instruments cannot. That is to say, the creation of works of art is the interpretation of the presence, in the form of appearance, so that the presence into the clear, so that the work can be self-sustaining. The production of a work takes place in production, which from the very beginning makes the existent appear in its presence in its appearance. But all this takes place in the presence which unfolds itself naturally, in the midst of nature. Truth is self-imposed, creation is natural. This is different from ontology in essence. The creator has no subjective purpose, he has some experience of truth, he just describes his own experience, the source of creation is more fundamental before his creation, and the truth is realized by the artist. Therefore, the essence of creation is one is to bring the audience into its appearance without cover, and the other is to take the truth and nature as the dominant, is to follow the nature. We can define creation as making something appear to be produced. A work becomes a work, a way in which truth is born and happens. The truth is set in the works by itself. The writer is a channel for the truth to enter the works by itself. Creation provides a place for the truth and is not subjective or arbitrary. The reason why truth occurs with the help of artistic works is that truth and art are inevitable relations, and truth is not the function of art but the essence of art. A work of art is a prominent form of the concrete existence of truth. Art exists because truth appears through works of art. The work brings clarity, which is unique. The purpose of artistic creation is to open a clear state specially, without practical purpose. The process of producing truth is art creation, and the product is art.

The only way for truth to manifest itself in the phenomenal realm is as a dispute between clarity and concealment in the confrontation between the world and the earth. The truth is put into the work as a dispute between the world and the earth. When a world is opened, the earth stands out. The law of all things is given by the earth, the earth makes all things go their own way. The world demands a decision from which something can manifest itself. The work is to open a clear environment from the earth locked itself, the work is named and determined, so it seems that the creation itself is powerful, the truth is of weight. In the previous part, we talked about the fact that works are both self-sustaining and creative, and analyzed the reasons for self-sustaining. Here comes the existence of being created. The first essential stipulation of the creation existence of a work is the construction of truth and the reality of truth in the work, setting itself into the being. The form of truth is unique, created specifically, and arrived at through conflict. The truth of heidegger's view of truth is concrete and apparent, which is different from Plato's theory of ideas. The second essential stipulation of the creative being of a work is that the creative being is specifically brought into the creative work. The created being of the work becomes part of the work, and is specifically treated as part of the work of art, specifically existing as the created being.

The origin of a work of art is also the origin of the creator and the conservator, that is, art. Art is dedicated to the manifestation of truth, and art is by no means an appendage. The significance of the ontological thought for us is to eliminate subjectivity, return to the real life itself, not be bound by the established theoretical concepts, face the real state of existence, and exist as it in the past, present and future three-dimensional time. Heidegger's comments on the biography of heidegger are used to end this paper: he seeks a root of the way of life, but this root can not be in any sense ready-made rules, but must be "pu bo yuan quan, and out of the". His genius and industry prevented him from being overwhelmed, but the peculiarity of his mind, character, and manner of speaking, made him incompatible for a long time with any existing force. He is always on the road, whether comfortable or painful. Heidegger himself is the best explanation of the ontological thought.

51due留学教育原创版权郑重声明:原创paper代写范文源自编辑创作,未经官方许可,网站谢绝转载。对于侵权行为,未经同意的情况下,51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写服务。

51due为留学生提供最好的paper代写服务,亲们可以进入主页了解和获取更多paper代写范文 提供作业代写服务,详情可以咨询我们的客服QQ:800020041。

上一篇:Art design 下一篇:Green Financial Management