Steve mike quinn's movie creation

下面为大家整理一篇优秀的assignment代写范文- Steve mike quinn's movie creation，供大家参考学习，这篇论文讨论了史蒂夫·麦奎因的电影创作。《为奴十二年》是史蒂夫·麦奎因根据同名小说改编而来。在这部电影中，导演史蒂夫·麦奎因用自己常用的电影艺术表现手法展现了美国历史中黑奴残酷的经历，揭露了美国奴隶制度的黑暗，反映了黑人对自由生活的向往。麦奎因的作品的独特之处就在于他虽然对社会政治有自己的看法和理解，但是他不会直接地表现自己的政治信仰，而是利用这种视觉感来展现社会和历史中真实存在的问题，以引起社会各界的关注和反思。

The uniqueness of McQuinn's works lies in that although he has his own views and understanding of social politics, he does not directly express his political belief, but USES the naked body with strong visual sense to show real problems in society and history, so as to attract attention and reflection from all walks of life. This idea is evident in twelve years a slave.

Twelve years a slave is McQuinn's new work in 2013. This film adopts the artistic expression technique of body aesthetics that McQuinn is best at, and becomes a typical work of McQuinn with hunger and shame. This film is based on the American black Solomon northup in 1853 published a memoir of the same name adapted to, is the real life experience of Solomon. The story took place in 1841 in the United States, the hero of Solomon is a carpenter can play the violin, he was free live a happy life with your family in Saratoga springs, New York, which Solomon had two white: Scott mike Mr Neri and tryon keeler, act the role ofing. Solomon lived as a slave for 12 years after the two whites lured him to Washington for a circus performance and sold him off as a slave. Solomon was renamed "pratt" after he became a slave. White slave owners defined him as a slave who escaped from Georgia and engaged in manual labor every day. After a long and arduous 12-year life as a slave, Solomon met bass, a Canadian carpenter, and asked him for help. At last Solomon, who had ended his life as a slave, was free and returned to his hometown. Since Solomon's memoir of the same name truly revealed the dark society of black slavery in the United States, this novel gained great sales after its publication. This memoir gained attention from the American society and effectively promoted the development of the abolitionist movement.

Although the film is a true representation of American society and history, it is difficult for the director McQuinn to achieve his shooting purpose. The film was released in 2013. It reflects the history of African American slavery. It was released more than 100 years after the abolition of black slavery in the United States. How the director gets wide attention and recognition from society with a fresh perspective is a major challenge for McQuinn. In today's society, the black slavery system has already been criticized by the American people and people in other countries. No matter for the United States or other countries pursuing freedom and democracy, the black slavery system is a mistake in the social history, and the director will inevitably tell the story with critical purposes when presenting the film. Instead of following this path, the director McQuinn USES a unique style of artistic expression to make the film's visual effects more powerful. Mike quinn was originally an installation artist, he is director of the slave for twelve years, when the film is only a "hunger" and "shame," secretary of the two pieces of work, but he is your unique artistic technique of expression in breaking through the difficulties, the black slaves to the cliche topic the big screen again, win the social recognition. Mike quinn understanding human naked body beyond the most basic of human desire, he think that the human body is the most direct reaction of man's thoughts, just like the slave for twelve years of black slaves swarthy skin feature and magnified, let the audience just see black people dark skin can imagine to black slaves of the hardships of life. In the film, McQuinn gives a lot of close-up shots of the blood, mutilated bodies and the black slaves' miserable expressions, which the director wants to show the audience. No need for too much language, these naked shots are the director's film language. In the production of the film, McQuinn also avoided interpreting the criticism of the black slavery with a particularly tragic story, but directly expressed the cruelty and brutality of the black slavery with the invisible language of the black slave's scarred body.

In order to present American history more authentically, McQuinn adopts the method of comparison in the film to express the differences of social treatment between black americans and white people in that period, which truly reflects the racial discrimination and inhuman abuse suffered by black people under white rule. There is a scene in the film, which is worth thinking about: during the process of the black slaves being auctioned, all the black slaves ignored their gender, took a bath together with men and women, and these black slaves didn't feel any wrong when taking a bath, and all kinds of bathing movements were normal. In the enslaved life, the black people did not care about other secular concepts. The black slaves were more helpless. All they did to the white slave owners was to suffer silently. What was more striking was that the white slave owners could sit and watch, and choose the slaves they were going to buy with a view of the goods they were buying. In this scene, the well-dressed white men and women stand in sharp contrast to the naked and Shared bath of black slaves. This same scene, however, shows the tragic life of black slaves in a real sense, and strongly condemns the racial discrimination of white people against black people. Unlike the film hunger, 12 years a slave presents such differences and contrasts in a static way, focusing the different lives of white and black people on a single frame with a stronger contrast. In addition to this static depiction, McQuinn also deliberately showed anger, sadness and other emotions in the picture, in order to more clearly show the white people's violation of the human freedom and dignity of black slaves. There were also scholars who responded that director McQuinn's static presentation of black slaves' mental and physical numbness in the enslaved life was more profound. But the film's protagonist is a talented violinist, in his heart was very yearning for freedom, is too suddenly being sold into slavery in Solomon's too helpless, when he and the other black men and women take a shower together and accept the white people are picky eyes, his heart is in pain and struggle, in this kind of dignity trampled on the naked men and women under the soles of the feet bath scenario, Solomon is embarrassing and helpless. This sharp contrast is the best expression of the critique of black slavery.

McQuinn is very good at using the long lens when making films. In twelve years old, McQuinn made good use of the long lens technology to show the plot of the story as well as the character and image of the characters.

There's a lot of that in 12 years a slave. For example, in the plot of Solomon being hung from a tree, McQuinn USES long lens technology to vividly portray the characters of the protagonist. In this plot, Solomon has become a slave "Platte". As a result of Platte's dissatisfaction with the fate of the slave and his yearning for the original free life, platt's resistance and hatred towards the life of the slave, especially for the white foreman who is very fond of finding fault. Pratt's rebellion also brought its own disaster, with white men hanging him from trees and carrying out punishments. Later, the butler drove the white man away, but the butler did not put the white man away for the purpose of saving pratt, but for the purpose of protecting the owner's property, but did not put pratt down from the tree. And pratt struggled in the trees, trying his best to stand on his feet on the slippery ground. Mr. McQuinn doesn't use much more filmmaking in the story of the hero's desperate efforts to save himself. Instead, he focuses his camera on the hero, and the audience can clearly hear his moans and the cicadas around him. But McQuinn doesn't always describe the struggles and moans that hang in the balance, turning the camera so the audience can see white people working and resting, and even children playing happily around pratt. The contrast between life and death shows the kind of treatment blacks were entitled to under slavery. In this scene, McQuinn describes the natural life of white people calmly with camera art, and presents white people's abuse and trampling of black slaves quietly with a contrasting visual language. Some viewers see the scene as if the director is spending too much time on the camera, but that's exactly what McQueen is doing. This uniqueness stems from McQuinn's deep understanding of film art and his presentation of his personal style. Through this monotonous and tedious scene, McQuinn presents the protagonist's miserable slave life and white indifference properly.

In addition to this long shot description of the main character, there is also an eight-minute episode about epps whipping his servant patsy. In this scene, director McQuinn focuses on the whiplash at the center of the shooting, spinning the camera four times around the center, showing the brutal punishment that the maid suffered in order to get a piece of soap. The reason why lady epps whipped the maid was more out of her own jealousy. Platt played the player and tool of lady epps in this penalty. Platt's heart was full of helplessness and suffering. The scene culminated in Mr Epps's twisted face and the phrase "you do what you want with your possessions". In the footage, McQuinn also made two close-ups of the handmaid's mangled skin. The white slave owner's abnormal behavior and speech as well as the slave's fierce skin, these scenes strongly stimulate the audience's brain. The maid's naked body in the film is the most direct criticism of the black slavery.

Twelve years a slave is no accident that McQuinn's focus on blacks is mostly because he's also black. Although he did not experience the life of slaves in the film, the existence of black slavery in American history cannot be forgotten by a black man. McQuinn was born in London, England, in 1969, at a time when British society was more conservative, and his black heritage was similarly racially skewed. The coming-of-age experience McQuinn couldn't forget and discard. Not only himself, but his family also experienced this life of discrimination. As a result, McQuinn had a unique experience of being black, especially with his typically dark skin. Therefore, McQuinn seems to be sensitive to human body and skin when making films, which is the root of his three films that adopt body aesthetics and artistic expression. In McQuinn's subconscious mind, discrimination against himself and his family is based on a different skin.

Although McQuinn's "12 years a slave" has something to do with his black identity and life experience, McQuinn's film is more than a critique of black slavery in American history. McQuinn said that through this film, he wants to show human dignity and freedom, which are what we want and pursue in our daily life. Meanwhile, there are still phenomena of human dignity being trampled and freedom being deprived. By reproducing the history of black slavery in the United States, the current people's reflection. McQuinn's idea seems a little closer to reality, because his movies show the lives of black slaves, both in history books and in other literary works, that are no stranger to American society. McQuinn turns a free man into a suffering black slave with a very sophisticated visual language, a stain on American history and a stain that once again magnifies on the silver screen and gives many modern American audiences a true sense of the darkness behind racism. At the beginning of the film, Solomon's free life is a very vivid representation of the American dream life, but later he becomes a slave because he cannot prove his identity. This kind of discrimination and unfair treatment because of the status is abundant in American society. In 2008 America's economic crisis turned many middle-class people into homeless people with nothing. This change and reality still affects the American middle class. It can be seen that the creation and shooting of twelve years a slave is not only the director McQuinn's representation of history and criticism of black slavery as a black man, but also his reflection on American reality. Through the lens art, McQuinn brings the interwoven reality and history to the screen, bringing huge shock to the audience.

Mike quinn with its unique perspective and artistic technique of expression of American cinema sensitive topic, the black slave struggle to show to the silver screen, to use his body aesthetic art shows the state of life and mental state, the black slaves to freedom and dignity of human nature the problems exposed in front of the public, to arouse the people to the dignity and freedom of thought.

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