Assignment代写：Tim burton's fairy tale elements

下面为大家整理一篇优秀的assignment代写范文- Tim burton's fairy tale elements，供大家参考学习，这篇论文讨论了蒂姆·波顿的童话元素。蒂姆·波顿的电影常被称为电影童话，是好莱坞电影中极其特殊的存在。虽然有人批评其电影作品情节简单、缺乏深度，但更多的人欣赏其瑰丽想象、怪异荒诞和心灵触动力。蒂姆·波顿电影作品的童话元素是他在好莱坞独树一帜的法宝之一，这种特色的形成源于他个人的成长经历和对童话的独特理解与运用，正是童话元素和表现手法成就了他那些深受欢迎的经典电影。

Tim burton's films are often praised as "fairy tales" or "adult fairy tales" because they contain many elements of western classical fairy tales, as well as their symbolic meaning and immediate sensibility, which always immediately touch the hearts of the audience, just as fairy tales are always easy to attract children. However, bolton's "fairy tales" are often marked by the word "black". They are marked by their obvious weirdness, darkness and terror, which are different from other fairy tales in Hollywood. This personal style is derived from his love of fairy tales from his childhood and his profound and unique fairy tales.

There are many typical fairy tale elements in burton's films in terms of time, background, event and narration. This paper only focuses on three elements that embody its characteristics: the blending of reality and fantasy, the loss of parents' image and the loss of sex.

The blending of reality and fantasy is the core fairy tale element in burton's films, which endows the audience with a real and unreal aesthetic feeling and profound symbolic experience. Taking big fish as an example, it reflects burton's perfect application of this element. It has two story lines, one is realistic -- the father is going to die, the son comes back to explore the father's life, and finally realizes the spiritual communication with the father, and gets the revelation of the truth of life; The other, the main one, was the traditional fairy tale line, in which all his friends became characters as his father went through the most bizarre adventures and achieved the most romantic love in his boastful tales. The intense dreamy color makes the audience as confused as the sons in the film. Why does a real person do this when he is hiding behind an unreal fantasy story? In the end, we found that each of my father's stories had a kernel of truth. Life was full of hardships and commonplace. Why not tell the story of life in a more beautiful and soothing way, so that others could face it optimistically and willingly? A large number of fantasy elements in the film not only enhance the beauty, but also reveal the truth of family and life in a metaphorical way, making it the brightest and most "uplifting" film works of bolton's hue.

There is a common phenomenon in the classic fairy tales: the lack of parents' image, or the defective parents' image. Bolton's use of this element makes his film unique lack of beauty. His characters rarely have mothers, and if they do, she doesn't matter much to the story, the sort of nurturing, soothing female element missing from his fairy tales. The creators of the protagonists are mostly fathers, and they are always the cause of their sons' unhappiness and even misery. These fathers are always flawed in one way or another, and as a result they cannot properly nurture their children, who are almost spiritually and psychologically abandoned. This lack of love or the trauma of abandonment inevitably translates into the juxtaposition and conflict of the forces of light and dark in their children. So, pure Edward will become a terrible killing machine, and wonka will quietly and even proudly punish those he does not like.

The most authentic "innocence" of burton's film fairy tales is that no matter how violent and dark they are, there is no "sex" element, which is also a typical feature of fairy tales. Bolton all movies are not actually "sex" elements, which is rare in contemporary Hollywood, can imagine he is considering the film classification, don't want to let the young audience rejected and in so doing, but we prefer to think that he is a young filmmakers, always like a fairy tale and has been influenced by the fairy tale, the effect is small, entrenched -- love in the fairy tale, but no sex.

In the classic fairy tale, the stepmother is always bad, the eldest son is always bad or incompetent, and the hero is always kind and lucky. The characters in burton's movies and fairy tales also have the characteristics of typology. They are often not understood or misunderstood by people, and they are at odds with the surrounding environment. They are hampered by a certain degree of duality, but their hearts are pure, persistent and kind. The typed characters make many people believe that Mr Bolton's character is his own, he repeatedly with film in its own growing experience and feelings, it makes sense, because bolton is autistic lonely growing up at a young age, parents don't understand and youth in Disney animation person's struggle and anguish to him indeed had a profound effect, director of career in the future, but he chose to use typed fairy tale characters to express or into his own feelings because he preferred use of fairy tale characters mainly symbolic significance, in this article in the first place.

The plot of the classic fairy tale is almost formulaic: the protagonist leaves home -- on an adventure or quest -- and returns home. Their theme is almost the same: the protagonist encounters people and events that are significant to life in the process, and either realizes a wish or achieves happiness. Such similar or repeated plots and themes are also typical features of bolton's fairy tales. From the perspective of plot, his protagonist often enters the unknown world from the world they are familiar with, meets strange characters, experiences changes in life, and finally returns to his own world. "" zombie bride," "" "Alice in wonderland "" and so on.

Due to stereotyped characters, similar plots and repeated themes, bolton's films are often criticized for their weak characterization, lack of plot, thin story, lack of depth of thought, etc. From one aspect, it is true that his movie fairy tales only seem to be satisfied with providing the audience with visual enjoyment and a story that they can understand immediately. But on the other hand, these defects and the cause of his audience: visual, characters, narrative and the subject's consistent style formed a kind of "efficiency" and "unexpected", to the audience in a kind of familiar feeling, like a child always know then what will happen in fairy tales, this makes "his best movie like all the good folk stories have the immutability, hitting the basic human emotions."

Bolton admits his films are all similar: "" I'm amazed that some people can go from one genre to another, and every film seems to be different, and I need some kind of connection. He also showed that the connection was his preference for fairy-tale patterns and coherent use: "I don't think anyone would have seen any of my films without immediately recognizing that it was mine. It has obvious clues, recurring themes and ideas That's why I always like the fairytale program because it allows you to explore different ideas in a very symbolic way, through less literal, more sensory images." This seems to be a self-justification for his criticism of people, and also an emphasis on the symbolism and sensibility of his work, for whom fairy tales are clearly the best medium for achieving this goal.

Fairy tale is an abstract, symbolic, the meaning of their emotional, mental, and spiritual touches is direct and strong, good fairy tales don't need wisdom explanation can be understand, bolton and admire for the evaluation of his movies so it does - "like any good fairy tale, in emotional level rather than at the first glance touches people wisdom level." When watching scissorhands, the audience would sympathize with the innocent Edward, instead of regarding him as a terrible killer. I can see from Edward's transient happiness and happiness how cold and hypocritical the secular small-town residents are, and feel the grief of his misunderstood heart that lovers can never get married. Edward's "scissorhands" -- symbols of the socially inept young man's "untouchable, uncommunicative" and "neither belong nor belong" -- caused the audience to produce deep psychic grief like him.

In addition, the connotation of burton's film fairy tales is as simple and rich as the excellent classic fairy tales, which is never reduced to superficiality due to the simplification of plot and the typology of characters. In the case of big fish, it is often seen as a fairy tale about love and understanding, but far from that, it is a fairy tale about the complexities of everyday life -- what is true and what is not; What is realistic and what is fanciful; What is life and fate? My father's stories reflect the hardships of life, the courageous exploration of life that never stops, the higher pursuit of success and happiness, the persistent pursuit of love, and so on. Each vivid fragment of color has different symbolic significance, and people of different ages and experiences will get inspiration and inspiration from it.

As for the criticism that his films, and even his cartoons, are too dark or scary, with too much violence and death, bolton has repeatedly used fairy tales in interviews. "Life is strangely complex," he says. But admit it in a way that is far from true. So I think it's more true." As a child, burton sought comfort in the creation of fairy tales by writers such as horror films, monster movies, comic books, classic folk tales, Dr. Seuss and roald dahl, so his knowledge and perception of fairy tales had distinct personal qualities, unlike most people who believe that fairy tales are just synonyms for warmth and beauty. He sees the harsh side of fairy tales, believing that they are basically horror stories Grimm's fairy tales, for example, are perhaps closer to films like "the undead brain," which are more brutish, harsh and full of strange symbols." Bolton USES dark elements to express such a creative idea: there are many imperfect things in life, there are many dark and abstract things, and the way to understand these things is to explore them. His films, like fairy tales, offer both a window into the harshness of life and a way to release pent-up anxiety, acting as a catharsis and a relief. That's how bolton came to be, and so, at least for the children's audience, was his original intention.

Bolton's preference for and use of classic fairy tale elements and themes in film production is almost instinctive, first of all, because he always likes good fairy tales and stories with symbolic meaning. This sincere love enables him to constantly have the impulse to create fairy tales. Secondly, his working experience as an animation artist makes him focus on the sensibility and symbolism of the film in his creation, while the fairy tale form is undoubtedly the most economical and emotional means. Fairy tale into black for bolton is not overthrow of classic fairy tale, because it is a dark fairy tale, but he did not abandon the traditional virtues such as fairy tale of true praise, so his films, though there are many dark fairy tale elements still can give people the warm heart and inspiration of life, this is the concept of fairy tale that he gave his practice in the creation of the film. Bolton believes that fairy tales are an important part of culture. He once said that America is a young country that lacks fairy tales, and he is willing to create them with people. So the phrase "his films are full of extreme, symbolic images that have become part of our cultural landscape" is a nod to his efforts and success.

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