Alfred_Lord_Tennyson

------------------------------------------------- Alfred, Lord Tennyson The Right Honourable The Lord Tennyson FRS | 1869 Carbon print by Julia Margaret Cameron | Born | 6 August 1809 Somersby, Lincolnshire, England United Kingdom | Died | 6 October 1892 (aged 83) Haslemere, Surrey, England United Kingdom | Occupation | Poet laureate | Influences[show] | Alfred Tennyson, 1st Baron Tennyson, FRS (6 August 1809 – 6 October 1892) was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language. Tennyson excelled at penning short lyrics, "In the Valley of Cauteretz", "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from acerebral hemorrhage before they were married. Tennyson also wrote some notable blank verseincluding Idylls of the King, "Ulysses," and "Tithonus." During his career, Tennyson attempteddrama, but his plays enjoyed little success. Tennyson wrote a number of phrases that have become commonplaces of the English language, including "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the ninth most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare [1] and others. Contents [hide] * 1 Early life * 2 Education and first publication * 3 Return to Lincolnshire and second publication * 4 Third publication * 5 The Poet Laureate * 6 The art of Tennyson's poetry * 7 Homoerotic imagery * 8 Partial list of works * 9 References * 10 External links | ------------------------------------------------- [edit]Early life Tennyson was born in Somersby, Lincolnshire, a rector's son and fourth of 12 children.[2] He derived from a middle-class line of Tennysons, but also had noble and royal ancestry.[3] His father, George Clayton Tennyson (1778–1831), was a rector for Somersby (1807–1831), also rector of Benniworth and Bag Enderby, and vicar of Grimsby (1815). The rector was the elder of two sons, but was disinherited at an early age by his father, the landowner George Tennyson (1750–1835) (owner of Bayons Manor and Usselby Hall), in favour of his younger brother Charles, who later took the name Charles Tennyson d'Eyncourt. Rev. George Clayton Tennyson raised a large family and "was a man of superior abilities and varied attainments, who tried his hand with fair success in architecture, painting, music, and poetry. " He was "comfortably well off for a country clergyman and his shrewd money management enabled the family to spend summers at Mablethorpe and Skegness, on the eastern coast of England."[3] Alfred Tennyson's mother, Elizabeth Fytche (1781–1865), was the daughter of Stephen Fytche (1734–1799), vicar of St. James Church, Louth(1764) and rector of Withcall (1780), a small village between Horncastle and Louth. Tennyson's father "carefully attended to the education and training of his children." Tennyson and two of his elder brothers were writing poetry in their teens, and a collection of poems by all three were published locally when Alfred was only 17. One of those brothers, Charles Tennyson Turner later married Louisa Sellwood, the younger sister of Alfred's future wife; the other poet brother was Frederick Tennyson. One of Tennyson's other brothers, Edward Tennyson, was institutionalized at a private asylum, where he died. ------------------------------------------------- [edit]Education and first publication Tennyson was first a student of Louth Grammar School for four years (1816–1820)[3] and then attended Scaitcliffe School, Englefield Green and King Edward VI Grammar School, Louth. He entered Trinity College, Cambridge in 1827,[4] where he joined a secret society called theCambridge Apostles. At Cambridge Tennyson met Arthur Henry Hallam, who became his closest friend. His first publication was a collection of "his boyish rhymes and those of his elder brother Charles" entitled Poems by Two Brothers published in 1827.[3] In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuctoo".[5][6] Reportedly, "it was thought to be no slight honour for a young man of twenty to win the chancellor's gold medal."[3] He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which later took their place among Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. ------------------------------------------------- [edit]Return to Lincolnshire and second publication Tennyson with his wife Emily (1813-1896) and his sons Hallam (1852-1928) and Lionel (1854-1886). In the spring of 1831, Tennyson's father died, requiring him to leave Cambridge before taking his degree. He returned to the rectory, where he was permitted to live for another six years, and shared responsibility for his widowed mother and the family. Arthur Hallam came to stay with his family during the summer and became engaged to Tennyson's sister, Emilia Tennyson. In 1833, Tennyson published his second book of poetry, which included his well-known poem, The Lady of Shalott. The volume met heavy criticism, which so discouraged Tennyson that he did not publish again for 10 more years, although he continued to write. That same year, Hallam died suddenly and unexpectedly after suffering a cerebral haemorrhage while on vacation in Vienna.[7]Hallam's sudden and unexpected death in 1833 had a profound impact on Tennyson, and inspired several masterpieces, including "In the Valley of Cauteretz" and In Memoriam A.H.H., a long poem detailing the 'Way of the Soul'.[7] Tennyson and his family were allowed to stay in the rectory for some time, but later moved to High Beach, Essex in 1837. An unwise investment in an ecclesiastical wood-carving enterprise soon led to the loss of much of the family fortune. He then moved to London, and resided for a time atChapel House, Twickenham. ------------------------------------------------- [edit]Third publication In 1842, while living modestly in London, Tennyson published two volumes of Poems, the first of which included works already published and the second of which was made up almost entirely of new poems. They met with immediate success. Poems from this collection, such as Locksley Hall, "Tithonus", and "Ulysses" have met enduring fame. The Princess: A Medley, a satire of women's education, which came out in 1847, was also popular for its lyrics. W. S. Gilbert later adapted and parodied the piece twice: in The Princess (1870) and in Princess Ida (1884). It was in 1850 that Tennyson reached the pinnacle of his career, finally publishing his masterpiece, In Memoriam A.H.H., dedicated to Hallam. Later the same year he was appointed Poet Laureate in succession to William Wordsworth. In the same year (13 June), Tennyson married Emily Sellwood, whom he had known since childhood, in the village of Shiplake. They had two sons, Hallam Tennyson (b. 11 August 1852) — named after his friend — and Lionel (b. 16 March 1854). Farringford - Lord Tennyson's residence on the Isle of Wight ------------------------------------------------- [edit]The Poet Laureate After William Wordsworth's death in 1850, and Samuel Rogers' refusal, Tennyson was appointed to the position of Poet Laureate, which he held until his own death in 1892, by far the longest tenure of any laureate before or since. He fulfilled the requirements of this position by turning out appropriate but often uninspired verse, such as a poem of greeting to Alexandra of Denmark when she arrived in Britain to marry the future King Edward VII. In 1855, Tennyson produced one of his best known works, "The Charge of the Light Brigade", a dramatic tribute to the British cavalrymen involved in an ill-advised charge on 25 October 1854, during the Crimean War. Other esteemed works written in the post of Poet Laureate include Ode on the Death of the Duke of Wellington andOde Sung at the Opening of the International Exhibition. Statue of Lord Tennyson in the chapel of Trinity College, Cambridge. Queen Victoria was an ardent admirer of Tennyson's work, and in 1884 created him Baron Tennyson, of Aldworth in the County of Sussex and of Freshwater in the Isle of Wight. Tennyson initially declined a baronetcy in 1865 and 1868 (when tendered by Disraeli), finally accepting a peerage in 1883 atGladstone's earnest solicitation. He took his seat in the House of Lords on 11 March 1884.[3] Tennyson also wrote a substantial quantity of non-official political verse, from the bellicose "Form, Riflemen, Form", of the French crisis of 1859, to "Steersman, be not precipitate in thine act/of steering", deploring Gladstone's Home Rule Bill. Virginia Woolf wrote a play Freshwater, showing Tennyson as host to his friends Julia Margaret Cameron and G.F.Watts;[8] Tennyson was the first to be raised to a British Peerage for his writing. A passionate man with some peculiarities of nature, he was never particularly comfortable as a peer, and it is widely held that he took the peerage in order to secure a future for his son Hallam.[citation needed] Thomas Edison made sound recordings of Tennyson reading his own poetry, late in his life. They include recordings of The Charge of the Light Brigade, and excerpts from "The splendour falls" (from The Princess), "Come into the garden" (from Maud), "Ask me no more", "Ode on the death of the Duke of Wellington", "Charge of the Heavy Brigade", and "Lancelot and Elaine"; the sound quality is as bad as wax cylinder recordings usually are. Sketch of Alfred Tennyson published one year after his death in 1892, seated in his favourite arbour at his Farringford House home in the village ofFreshwater, Isle of Wight. Towards the end of his life Tennyson revealed that his "religious beliefs also defied convention, leaning towards agnosticism and pandeism":[9] Famously, he wrote in In Memoriam: "There lives more faith in honest doubt, believe me, than in half the creeds." [The context directly contradicts the apparent meaning of this quote.] In Maud, 1855, he wrote: "The churches have killed their Christ." In "Locksley Hall Sixty Years After," Tennyson wrote: "Christian love among the churches look'd the twin of heathen hate." In his play, Becket, he wrote: "We are self-uncertain creatures, and we may, Yea, even when we know not, mix our spites and private hates with our defence of Heaven." Tennyson recorded in his Diary (p. 127): "I believe in Pantheism of a sort." His son's biography confirms that Tennyson was not an orthodox Christian, noting that Tennyson praisedGiordano Bruno and Spinoza on his deathbed, saying of Bruno, "His view of God is in some ways mine," in 1892.[10] Tennyson continued writing into his eighties and died on 6 October 1892 at Aldworth aged 83. He was buried at Westminster Abbey. A memorial was erected in All Saints' Church, Freshwater. His last words were; "Oh that press will have me now!".[11] He was succeeded as 2nd Baron Tennyson by his son, Hallam, who produced an authorisedbiography of his father in 1897, and was later the second Governor-General of Australia. ------------------------------------------------- [edit]The art of Tennyson's poetry Alfred Tennyson, portrait by P.Krämer-Friedrich Bruckmann Tennyson used a wide range of subject matter, ranging from medieval legends to classical myths and from domestic situations to observations of nature, as source material for his poetry. The influence ofJohn Keats and other Romantic poets published before and during his childhood is evident from the richness of his imagery and descriptive writing. He also handled rhythm masterfully. The insistent beat of Break, Break, Break emphasizes the relentless sadness of the subject matter. Tennyson's use of the musical qualities of words to emphasize his rhythms and meanings is sensitive. The language of "I come from haunts of coot and hern" lilts and ripples like the brook in the poem and the last two lines of "Come down O maid from yonder mountain height" illustrate his telling combination ofonomatopoeia, alliteration and assonance: The moan of doves in immemorial elms And murmuring of innumerable bees. Tennyson was a craftsman who polished and revised his manuscripts extensively. Few poets have used such a variety of styles with such an exact understanding of metre; like many Victorian poets, he experimented in adapting the quantitative metres of Greek and Latin poetry to English. He reflects the Victorian period of his maturity in his feeling for order and his tendency towards moralizing and self-indulgent melancholy. He also reflects a concern common among Victorian writers in being troubled by the conflict between religious faith and expanding scientific knowledge. Like many writers who write a great deal over a long time, he can be pompous or banal, but his personality rings throughout all his works—work that reflects a grand and special variability in its quality. Tennyson possessed the strongest poetic power; he put great length into many works, most famous of which are Maud and Idylls of the King, the latter one of literature's treatments of the legend of King Arthur and The Knights of the Round Table.[citation needed] ------------------------------------------------- [edit]Homoerotic imagery The poem, In Memoriam about a man’s love for another man includes sexual imagery, for example the poet compares his sorrow to the sorrow of a loving widower who misses his late wife in bed. Tears of the widower, when he sees A late-lost form that sleep reveals, And moves his doubtful arms, and feels Her place is empty, fall like these;[12] This is not the only case and material that can be interpreted homoerotically is widespread in Tennyson’s work. There has been speculation that Tennyson may have experienced gay feelings for his friend though there is no question that Tennyson was strongly attracted to women. If Tennyson had bisexual feelings it is unclear whether he acted on these feelings. Tennyson certainly concealed any gay feelings or actions that may or may not have arisen.[13] ------------------------------------------------- [edit]Partial list of works * From Poems, Chiefly Lyrical (1830): * The Dying Swan * The Kraken * Mariana * Lady Clara Vere de Vere (1832) * From Poems (1833): * The Lotos-Eaters * The Lady of Shalott (1832, 1842) - three versions painted by J.W. Waterhouse (1888, 1894 and 1916). Also put to music by Loreena McKennitt on her album The Visit (1991). * The Palace of Art * St. Simeon Stylites (1833) * From Poems (1842): * Locksley Hall * Tithonus * Vision of Sin * The Two Voices (1834) * "Ulysses" (1833) * From The Princess; A Medley (1847) * "The Princess" * Now Sleeps the Crimson Petal - it later appeared as a song in the film Vanity Fair, with musical arrangement by Mychael Danna * "Tears, Idle Tears" * In Memoriam A.H.H. (1849) * Ring Out, Wild Bells (1850) * The Eagle (1851) * The Sister's Shame[14] * From Maud; A Monodrama (1855/1856) * Maud * The Charge of the Light Brigade (1854) - an early recording exists of Tennyson reading this. * From Enoch Arden and Other Poems (1862/1864) * Enoch Arden * The Brook - contains the line "For men may come and men may go, But I go on for ever" which inspired the naming of a men's club in New York City. * Flower in the crannied wall (1869) * The Window - Song cycle with Arthur Sullivan. (1871) * Harold (1876) - began a revival of interest in King Harold * Idylls of the King (composed 1833-1874) * Locksley Hall Sixty Years After (1886) * Crossing the Bar (1889) * The Foresters - a play with incidental music by Arthur Sullivan (1891) * Kapiolani (published after his death by Hallam Tennyson)[15