Blues_Analysis

Blues Analysis Blues analysis Lighting Hopkins, Mojo Hand Blues legend, Sam ‘Lightning’ Hopkins’ long career might be said to have begun in 1920s, but it was not until the blues revival of the late fifties that Hopkins’ music began to reach the white audience. He had a great ability to improvise songs. He didn’t rehearse his songs; he lived them. He made up songs about things he experienced in his neighborhood. When he went into the studio he recorded whatever came into his mind. He recorded a total of more than eighty-five albums and toured around the world. What makes him special among his many contemporaries is his uniqueness; he leaps out and makes you notice him. He’s like no one else. The first thing that strikes you is his voice. It’s like a snicker and a laugh. Then there is his guitar playing. He was a master and had a distinctive guitar style. Hopkins’ emotions are as tightly focused as his guitar playing throughout. He always sounds relaxed. He plays either solo or with a drummer nailing down the rhythm. One of the favorite songs guitar, songs, song, recorded, hopkins’, chord, verses, verse, solo, slight, rhythm, playing, perfectly, one, makes, hopkins, drummer, changes, blues, , ‘mojo, ‘lightning’, york, world, white, whatever, voice, vocal, very, until, uniqueness, toured, total, times, time, tightly