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Historical Analysis of the Film The Great Gatsby

2019-05-22 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Historical Analysis of the Film The Great Gatsby,供大家参考学习,这篇论文讨论了电影《了不起的盖茨比》的历史分析。众所周知,有些电影是与时代紧密相关的,这些电影实际上可以看作是他们所生产的时代的写照。电影《了不起的盖茨比》围绕20世纪20年代的美国展开。那是在咆哮的二十年代,所谓的爵士时代,在那个时代,时髦的裙子和铜管爵士乐队的烟火让夜晚变成堕落的代名词。这部电影围绕着主人公盖茨比从穷到富的故事展开,似乎讲述了一段受挫的浪漫爱情。但事实上,这部电影的主题包含了一个更大更不浪漫的范围,那就是美国梦的衰落。

The Great Gatsby,了不起的盖茨比,essay代写,paper代写,作业代写

Introduction

It is known to us that some films are closely related with times and these films can actually be regarded as the portrayal of the era they are produced. The relationship between films and their times are so close that most people even say that some films may not be produced if they are deprived of the times. Also, the creation of some films is for depicting the social reality to the wide public so that the vast majority of people can know clearly about the society they are living in. Therefore this paper will focus on the historical analysis of the film The Great Gatsby, which can well indicate that this film has really portrayed the American history of the decline of the American Dream.

Historical Analysis of the Film The Great Gatsby

The film The Great Gatsby, released on 30 August, 2013 in China, surrounds the novel of F. Scott Fitzgerald about America in 1920s (Baz Luhrmann. 2013). It was about the roaring twenties, the so-called Jazz Age, an era when flapper dresses and fireworks set to brass jazz bands sent nights spiraling into debauched infamy (Baz Luhrmann. 2013). Just as in the novel, the mansion of Gatsby is described in this way that “The one on my right was a colossal affair by any standard—it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool and more than forty acres of lawn and garden” (Francis Scott Fitzgerald. 1925), which has well depicted Gatsby’s mansion to be a fairly splendid and sumptuous one. Also, Daisy’s reaction in the film when she is shown the gigantic mansion of Gatsby and her decision to date with Gatsby can also account for a part for the description of this flimsy era. And she says that “You must understand that I like all things that are modern” (Baz Luhrmann. 2013), which can really show the characteristics of this era.

To put it more specifically, this film surrounds its protagonist Gatsby who rises from rags to riches and it seems that this film may tell a story of the thwarted romantic love. But as a matter of fact, the main theme of this film encompasses a much larger and less romantic scope, which is the decline of the American Dream. In this film, Gatsby pursues Daisy all the time and all his efforts are for gaining the love of Daisy even if Daisy has married Tom. In order to win back Daisy’s love, Gatsby tries his best to become wealth and he holds the party every night. Gatsby’s desire to win back Daisy’s love is so fervent that winning back Daisy’s love can actually be regarded as his dream. But he was involved in the swamp of love so much that he had even sacrificed his life for his dream to win back Daisy’s love at last when Daisy hit Martle by car and killed her. In front of this accident, Daisy and Tom just left to shirk the responsibility for the occurred accident while Gatsby took the responsibility for the accident Daisy had caused. What is ridiculous is that Gatsby died for that accident, which implies that this film definitely conveys the theme of the decline of the American Dream in an effective way.

Concerning the popular perception of the ear, what is a must to say is that the spirit shown in this film of the roaring twenties can be marked by a general feeling of discontinuity associated with modernity, a break with traditions. The appearance of West Egg stands for the “new” rich while the original East Egg signalizes the old aristocracy. The representatives of the East include the characters like Daisy, Dan Cody, Jordan, Meyer, Tom, Wolfsheim and what these characters symbolize is carelessness, corruption, emptiness, and shallowness. In opposite to the East, the Midwest is the representation of conservatism, morality and practicality. People in this era all have the common American Dream and they all believe that they can pursue money and wealth through personal efforts. Besides, they can do anything in order to reach their dream, which can be used to account for why Gatsby will become wealthy by making money in an illegal way. There is no doubt that many people at that time also make money in an illegal way as Gatsby.

From the perspective of Ronald Berman, the death of Gatsby in the film perfectly suggests that the American Dream was destined to dash (Ronald Berman. 1997). American Dream was just a kind of desire, a kind of material pursuit. And most people in the early 18th century deemed that American Dream means to pursue money and wealth via endeavor and hard work. But what is a pity to say is that though Gatsby worked hard and really became rich in the end, his American Dream was not always available. It may always be the same conditions for other people in that era as well. Endeavor and hard work may not make one reach their dream. These phenomena are not only the accurate illustration of the real American society, but also the warning for the prospective society. This film aims to arouse people’s consciousness of coming down to earth but not keep pursuing their American Dream anymore because the whole process of pursing their American Dream is totally useless and meaningless. When comparing the film and what has been stated by Ronald Berman, it seems that this movie is accurate while depicting the decline of the American Dream.

Moreover, Henry Dan Piper as well mentions that the film The Great Gatsby is a highly symbolic meditation on the roaring twenties’ America as a whole, particularly the disintegrated American Dream by the vulgar pursuit of wealth in a period of unprecedented (Henry Dan Piper. 1970). According to this, a fair knowledge can be obtained that this film can absolutely be seen as a historical snapshot of life in the 1920s in America and the general picture of people’s life at that time has provided to the audience. The approval of Henry Dan Piper toward this film in accurately describing the decline of the American Dream can more or less strengthen the precision of this movie’s information and that this movie is successful in conveying its chosen subject.

Last but not the least, what is a must to mention is that history can really be a backdrop to tell a story in that the story happens in the historical background and the incidence of the story can not be in that way if it is without the historical context. Or maybe it can be put in another way that the historical background gives the writer and the director of film as for how to arrange the story and plot of the film. At the same time, events can be used in order to facilitate the telling of a story or pushing a modern message only when the chosen events are typical and exclusive to that specific era. Only in this way can the audience immediately match this film to the specific historical moment, contributing to the audience’s better understanding of the film to a certain degree.

Conclusion

To sum up, a reasonable conclusion can be drawn that the film The Great Gatsby is closely related with the era it was made and this film has really portrayed the American history of the decline of the American Dream in an effective way, which is right why F. Scott Fitzgerald can become the spokesman of The Jazz Age. The same case as well goes to other films and many other films are also associated with their concrete times and historical events. Therefore the analysis of a film should be done with the precondition to analyze the specific historical period the film was made; otherwise a film cannot be analyzed in a comprehensive way.

Works Cited

Baz Luhrmann. 2013. The Great Gatsby. A & E Television Networks.

Ronald Berman. 1997. The Great Gatsby and Fitzgerald’s world of ideas. University of Alabama Press.

Francis Scott Fitzgerald. 1925. The Great Gatsby. Scribner Book Company.

Henry Dan Piper. 1970. Fitzgerald’s The Great Gatsby: the novel, the critics, the background. Scibner research anthologies.

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