Hiromi Asai and Kimono-paper代写

下面为大家整理一篇优秀的paper代写范文- Hiromi Asai and Kimono，供大家参考学习，这篇论文讨论了Hiromi Asai与和服。Hiromi Asai是一名生活在纽约的日本人，职业是国际时装设计师。为了让更多的人们了解和服，Hiromi Asai把和服带到了纽约时装周，凭借着和服支持者的帮助，和服在纽约时装周上展示的效果非常好，Hiromi Asai也赢得了高度的赞赏。

Hiromi Asai is Japanese, and she is international fashion designer and lives in New York. She now enjoys a high reputation and wins a high admiration, for her bringing Kimono comes to New York Fashion Week. Hiromi is always firmly convinced kimono is a kind fashion without bound, so that kimono should has no cultural boundaries and nationality boundaries as well. She indeed is an important international fashion designer. This article analyzes the collection of Hiromi from the perspective of art, consisting the interpretations of existing challenges, aims and backers as well, to prove that art is border-less, or more specifically, to prove that Hiromi’s belief that the art of kimono should be border-less.

"Kimono" is famous all over the world at present. However, the native Japanese art of kimono creation should be on the verge of severe crisis at the same time. it has no artisans ‘successors and most importantly, the reduction of kimono market slowly fade the once vibrant art. The majority of the people around the world must know what on earth leads to the reduction of its market. It is obvious that the small population plays a great role in leading to the unfavorable conditions. Kimono artisans and stylists are eager to bring real kimono on runway to New York Fashion Week, and they really make many preparations for it. And there is no doubt that Hiromi is one of them who are fighting for saving artisans and the art of kimono creation.

Kimono is a traditional Japanese garment with many special characteristics. Despite the fact that many people in the world know the word “kimono”, the majority of them do not know what on earth kimono really is and how beautiful kimono is at all. Hiromi always think that kimono will be regarded as a universal formal wear which is beyond cultural and ethnic boundaries. And one of the aim of this collection is to demonstrate authentic kimono beauty and elegance and to punish it to the whole world fashion venues. On that condition, people will understand the art of kimono authentically.

The success of the collection is credited with Hiromi and her team. While the backers around the world also play an important role in it. It is unlikely or more accurately, a little difficult to raise such a large quantity of money among Japanese only. They really need the worldwide backers, and in other words, these universal backers are vital to the collection indeed. Just as she says, that If she can gain more money, she can get a bigger venue, more excellent models, and better artists to produce more attractive show, and vice versa. Finally, Hiromi succeed in reviving and revitalizing the world of kimono. And in return for these backers assistance, Hiromi and her team decide to give their backers some benefits. From this point of view, the art of kimono creation is inseparable to the worldwide backers. Thus, the art of kimono is zero- obstacles and boundless.

Hiromi Asai plays a vital role in saving artisans and spreading the art of kimono to the whole world. Since then, kimono is no longer only a clothes style, because more and more people in the world now know what kimono really is, and they also recognize how beautiful kimono is. Hiromi must believe that sooner or later, kimono will be spread all over the world. And her belief that art is boundless, and the art of kimono creation is also border-less will be soon realized.

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