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Assignment代写:Virtual aesthetics

2018-05-18 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Virtual aesthetics,供大家参考学习,这篇论文讨论了虚拟美学。数字影像时代的虚拟美学,可以在电影时空中运用虚构的手段来还原非虚构的场景,即运用数字技术手段来模拟现实生活中难以摄取的画面。从意义上来说,虚拟美学对传统电影美学是殊途同归,只是以“数字化”的形式拓展了电影的表现领域,但并没有本质上的区别。虚拟美学是以数字技术这样“最不真实”的手段,来最大限度地还原了真实的场景。

Virtual aesthetics,虚拟美学,assignment代写,美国作业代写,作业代写

Famous director James Cameron once it comes to digital technology: the visual image of art and entertainment technology is undergoing a revolution, so that we can only use the a digital Renaissance movement "to describe it. Digital technology has revolutionized the field of film. But in the early days of the use of digital technology, the filmmakers simply regarded technology as a means of presenting spectacle, and did not notice the revolutionary change that he brought to the film aesthetics. With the universal use of digital technology, people gradually realize that based on digital technology and the birth of new aesthetic forms are emerging, according to a 1998 meeting of the 14th international conference on aesthetics topic discussion of formulation, also known as "digital aesthetics" virtual aesthetics, space as well as for such as electronic digital 2 d and 3 d virtual reality and phenomenon such as aesthetic study called virtual aesthetics.

In my opinion, the cornerstone of this new aesthetic form is the subtle relationship between image and reality. Digital image of the era of film art, neither based on lenovo's lens set, is no longer a "photographic denotation" domesticating next to the preservation of reality, it can record the reality, also can create reality, from the "camera" to "he" of change, make the film art form the "false true and false" virtual aesthetics. Some people think that the film art in the era of digital video is a complete subversion of classic film theory. If the relationship between image and reality, virtual aesthetics has undoubtedly caused the disintegration of traditional film theory. However, if the concept of "real view" is to be taken into consideration, this new aesthetic form will be a subversion and an extension of the traditional film aesthetics led by baxan.

Virtual aesthetics of digital imaging era, which can be used in the movie time and space of fiction means to restore the fictional scenario, which use digital technology to simulate the real life is difficult to absorb. At this time, the film is only covered with a layer of "virtual clothes", which is also a high imitation of reality, and its connotation is not fundamentally different from that of traditional film aesthetics. Such as "Titanic", the great ship sank to the sea is the real event, synthesis of virtual images by digital technology, the "real" restore the disastrous scenario, to bring the audience a strong visual impact, so as to arouse the audience a strong emotion. In director feng xiaogang's famous film "assembly," "the tangshan earthquake" and so on in the film, is to use digital effects represent the scene, the camera cannot be captured by the main melody movie "the founding of a republic" the founding of such films, is to use digital effects to reproduce the history. In such a sense, virtual aesthetics is the same as the traditional film aesthetics, but it only expands the performance field of the film in the form of "digitalization", but there is no essential difference. Virtual aesthetics is the "most unreal" means of digital technology to minimize the real scene.

The virtual aesthetics of digital image era can also create a whole new world. It is not based on the restoration of reality, but creates a non-realistic scene based on subjective imagination. Some scholars are based on the characteristics of virtual aesthetics, and it is believed that virtual aesthetics has caused the disintegration of traditional film theory. In my opinion, although the use of digital technology to create images in real life, there is no corresponding has pointed out, but this does not mean that the virtual aesthetics is not the restriction of the reality, that is to say, even if no longer dependent on virtual aesthetics, but the audience will also consciously put it on the real dimensions to consider.

In the movie "king kong", despite the fact that the orangutan is the medium of computer generated virtual images, but the designer and the director must be constructed in a real animal, only the real gorilla, to quantify the various actions of "digital before it can be like in the movie" spectacular. James Cameron before filming "avatar", action performance capture, wearing equipment is developed, the actor body movement data transmission to the virtual character, in order to get the best realistic effects. As buzan says: "in fact, it is easy to from the Angle of film photography nature leads to film the authenticity of the conclusion, and the presence of myth and science fiction is far from damage to the image authenticity, but convincing proof to". Virtual aesthetics, which is the leapfrog inheritance of reality, is its greatest transcendence. Wang guowei once mentioned the concept of "writing environment" and "creation" in human speech, and the traditional method of documentary is like "writing environment". And "virtual aesthetics" is like "creating the environment". No matter which way of creation is adopted, it must be based on authenticity. It is in this sense that virtual aesthetics and traditional film aesthetics reach unity.

Barzan believes that all art cannot be separated from human participation. Only photography has "the privilege of not being involved". The long lens is based on the high integrity of time and space, and has the authenticity that montage does not have. Some people think that the so-called long is totally objective real record, this statement is remote, buzan the authenticity of identification, is only a concept rather than the means, as buzan himself once said: "any realistic technique contains a certain amount of distortion". In fact, it is impossible to achieve complete objectivity and truth in any form of art, and he is aware of the true relativity. Only in the age of bazan, due to the limitations of time and technology, only the long lens of the reality can be recorded to the fullest extent in accordance with the real concept that he agrees with.

Long has been the most expression of authenticity, until the popularization of the digital technology today is no exception, although digital image is created by a "real truth", but still with buzan is based on the use of long take real idea, for example, in "the wilderness hunter," is using CG special effects perfect presents long way of "digital" interpretation. The star, leonardo dicaprio, was bitten by a bear for more than two minutes. In this scene, although the bear is not real in the same lens with the actor, is the special effects of synthesis, but still long way to bring the audience can not be replaced by other forms of realism. That is to say, although the long lens is not completely the extension of photography in the form of virtual aesthetics, it is still the most realistic way of expression. And this reality is not based on recording reality, it creates a real feeling for the audience. "Although the long lens has changed to a certain extent in the digital age, it is not a subversion of the reality of time and space, but a transcendence." In the era of digital image, this kind of "digital modification" of long lens also shows that the traditional film aesthetics is not "out of date".

Virtual aesthetics not only included in the implementation of a lens "virtual effects" coexist with real people, can also according to the requirements of art will become a separate film camera connection size large long paragraphs, such a "long" digital provides the combination of long and montage with maximum likelihood, at this point, the significance of long start extension fuzzy, it is not in the integrity of internal space and time for a single request, can also be the ideographic function of both "montage". Film "birdy", for example, will be taken by a dozen throughout the film, "knot" in open piece of eight scenes, and use of CGI technology integration into a complete paragraph. Virtual aesthetics is not only created by technology, but also "sublimated" technology, which extends the connotation of traditional film aesthetics "real".

Andre buzan in ontology of the photographic image "mummy" as the source of human invention film, mummy is preserving human instinct of life, the film is copying of reality, the film is from this myth was born. In the era of digital imaging, technology serves as a powerful means of recording reality and provides infinite possibilities for the realization of myths. The dream of a complete film may eventually be realized with digital technology. But some people oppose to this, as once arne haim excessive intervention of technology reason, it is because of "complete" will maximize the alleviation of film and the boundaries of reality, because "the real effect is real itself, and the real itself is not art", because of this, technology step by step, although the myth of the complete movie, but at the same time driven film away from the essence of art. There are even those who believe that "the day of the complete film myth is the end of it". Digital images of the era of the so-called "integrity" has been far beyong buzan and traditional film aesthetes imagination, created in this era of virtual aesthetics is not the reality completely record, it not only can reproduce reality, more can create reality, highly predictive and imagination. Human thought of changing with the progress of practice and thought reversed transmission content generation will never stop, virtual aesthetic horizon, the integrity of the film, is not only save and copy of reality, and is a complete beyond reality. It is based on the possibility of human imagination that the myth of the "full film" will perpetuate the infinite expectation of the future world.

The virtual aesthetics of digital image era is the inheritance and development of traditional film aesthetics, and it has an epoch-making aesthetic significance in image production and viewing experience. However, the virtual aesthetics will bring the experience of spectacle to people, and it will make the real reality close to dissolving. Film is the product of the combination of art and technology, technology is changing, but the film as a reproduction of the artistic essence has not changed, although the digital movie can be "genuine", but still can't change people claim to the authenticity of digital images. Therefore, we should find a balance between "real" and "virtual", and pursue the high unification of both. As flaubert predicted a century ago: "art is becoming more and more scientific, science is becoming more and more artistic, and the two are separated at the foot of the mountain and will one day be reunited on the top of the mountain."

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