The_Symbolic_Nature_Of_Caves_In_E._M._Forster’s_A_Passage_To

The Symbolic Nature Of Caves In E. M. Forster’s A Passage To India A Passage to India, E. M. Forster’s best-known novel, illustrates the cultural dichotomy of Indian and British lifestyles in the age of imperialism. Perhaps one of the greatest incongruities in this dichotomy is the differing view of life held by the Christian, Muslim, and Hindu characters within the novel. Forster divides the novel into three sections – Mosque, Caves, and Temple. In each of these sections Forster addresses, albeit elusively, issues of spirituality and human existence. Forster’s symbolic elements within A Passage to India require the reader to contemplate the deeper issues of the human psyche. Perhaps the most important symbolic element within the novel – in both structure and theme – are the Marabar Caves. Here, deep within the recesses of the dark caves, the characters within the novel confront the deepest recesses of the unconscious mind. A Passage to India begins in the city of Chandrapore in British ruled India, a location best known for its proximity to the famous Marabar Caves. The most crucial events in the novel take place within the caves, and characters such as Mrs. Moore and Adela must face their deepest inner fears because of the passage, india, caves, marabar, human, forster, novel, within, unconscious, experience, mrs, cave, symbolic, spirituality, versus, moore, existence, dauner, conscious, both, between, adela, seen, one, life, forster’s, world, white, view, two, theme, serve, reader, perhaps