The value of modern pottery design

下面为大家整理一篇优秀的essay代写范文- The value of modern pottery design，供大家参考学习，这篇论文讨论了现代陶艺设计的价值。现代陶艺应该从属于现代陶艺文明，但其价值更多的是在精神领域的开拓和描绘。现代陶艺设计的价值在于观念的提升，这也是一切新的艺术和风格的前提，但它与起源的传承并没有根本的矛盾。还有多种学科的艺术形式，科技需要艺术的表现，艺术需要科技的支持，科技为现代陶艺的发展提供了无限的可能。另外，设计不能仅仅考虑实用性与审美，更需要关注的是独特的文化个性以及内涵，设计需要在延续历史文化底蕴的同时还能传递出时代的特色。

Ceramic with respect to its essence, it is to point to the silicate kind material that USES specific clay and stone generally, according to specific requirement and plan, pass choice to prepare, use the plasticity after mixing water to cooperate, process molding is the form that needs, all kinds of appliance that is fired in specific temperature next, these appliance are pottery and porcelain is provided. Chinese modern pottery belongs to modern pottery civilization, but its value is more in the spiritual field of exploration and description. The value of modern ceramic art design lies in: the promotion of ideas, which is also the premise of all new art and style, but it has no fundamental contradiction with the inheritance of national origin. The art form of a variety of disciplines, science and technology needs the expression of art, art needs the support of science and technology, science and technology for the development of modern pottery has provided infinite possibilities. In the creation of modern ceramics, scientific and technological achievements should be appropriately adopted. Design should not only consider practicality and aesthetics, but also pay attention to the unique cultural personality and connotation. Design should not only continue the historical and cultural deposits, but also convey the characteristics of The Times, because ceramics is a unique cultural phenomenon in China, with multi-dimensional value elements and cultural implications.

From the perspective of human development history, ceramics are closely related to human life. Up to today, ceramics are still used in many areas of people's life, such as cups, plates, dishes, bowls and tea sets, and practical ceramic creation still occupies a high proportion in the creation of potters.

It may be because of the long history of Chinese ceramic design and the mature inheritance of skills, as well as the complete modeling concept, that our modern ceramic design lacks a certain strangeness, a lack of strange faces, strange forms and methods. Even if we only change the expression way of old works, there will be strangeness. This is the tolerance, possibility and key of art. Such inclusiveness is closely related to designers, that is to say, works do not mean that there can only be a form of expression, contemporary visual art is just a variety of levels of expression.

In addition to the strangeness, the appeal of a piece of work is also an indispensable value factor in the design of modern ceramics. The independence and appeal of the work can inform the audience of the designer's needs and integrate them into the whole. Each designer has his or her own personality, which makes each piece of work have a unique personality. Their different personalities and regions affect the personality of a nation.

Through the analysis of Chinese ancient poetry, calligraphy and painting works, it can be found that the poetry expresses aspiration, the painting is happy, and the book aspirations. Since ancient times, Chinese people have not only paid attention to the "transfer and writing" of external things, but also paid more attention to the creation of "vivid" works with their best efforts. Wang changling once said with emotion, "when you write poetry, you must set your heart on the object, and then hit it with your heart, penetrating the surroundings. As in the top of a mountain, as in the palm of your hand. This vision, the mind, when the use of this." From this, we can clearly feel the author's artistic creation process of careful observation, careful experience and blending of scenes. At the same time, this point of view and shi tao "search all the strange peaks and draft", all the world in mind, to explore the "painting from the heart" of the artistic concept coincides. In traditional Chinese painting creation, we pay attention to "outside creation, in the heart source", "the idea of the brush first, the idea of the painting", effectively integrating the basic theory, creation mode and aesthetic realm of Oriental art into an organic whole.

Literature can be divided into descriptive and inspirational, and painting can be divided into two categories. Generally, inspiring works are more touching than descriptive works, which can be seen from the different feelings people have towards the Mona Lisa. For the design of a building project, this principle represents that the building may be permitted to be applied as the designer wishes. For example, a good construction project is equivalent to a good platform on which people can live freely, instead of arranging their lives according to the designer's wishes. A good pottery art design work should be a enlightening point, the audience can be placed or applied at will when appreciating or using, but not according to the designer's predetermined plan to step by step, without their aesthetic interest.

Ceramic design accompanies our daily life, we use it every day and look at it. In recent years, in our country with an ancient ceramic civilization and a big country producing ceramics in the contemporary world, sample processing occupies a dominant position in the production of daily-used ceramics. Few products are designed independently. This is not only because we lack good design, but also because we lack strong technology support.

Every ceramic designer, can use the process materials and technical conditions are different, created by the work is bound to have a certain difference. Ceramic modeling design must rely on the objective conditions of materials and technologies, including basic clay composition, clay properties, glaze preparation, etc., and technologies including production technology and firing technology, etc., any of which cannot reach a certain standard, the designer's idea is only "armchair strategist". In order to make the development of Chinese contemporary ceramic with Chinese characteristics, must take the scientific outlook on development as the basic principle of promoting innovation and development, pay attention to brand strategy, the value of science and technology into the development strategy of the modern ceramics, prompted by the ceramic manufacturing power development in China for ceramic creation power, promoting China's ceramic again standing on the world stage.

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