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建立人际资源圈How use art to elevate the status of fashion---Essay范文论文
2016-08-04 来源: 51Due教员组 类别: Essay范文
Essay代写范文：How use art to elevate the status of fashion 这篇Essay范文将简要分析如何使用艺术提升时尚地位,在他之前和之后分析了时尚界的地位，他做了什么来提升时尚地位.在被认为是高级时装之父，值得是现代时尚界的先锋，时尚的创造者表演和时装模特。在另一方面，他也完成了服装制作的全过程。因此，他也是先锋时尚的生产和推广。第三，他的设计，取消传统的巨型钢架作为支点，造就了现代雏形时尚。因此，从三个方面，运用艺术来提升时尚的地位。
Charles Frederick Worth, one of the most influential fashion gurus in the 19th century, born on 13 October 1825 and died on 10 March 1895, experienced the most fast developing fashion industry evolution in Europe, before the era of tremendous prosperous fashion industry boom in the second half of 19th century in Europe, especially in Paris, France (Joseph, 2014). Worth created the promotion method to exhibition new clothes by choosing pretty girls in his studio to wear to show to customers. By this way, he created the new exhibition method, which is popular in all of the major metropolitans world widely and welcomed by both the major fashion giants and ordinary people. This show also created a new career, the fashion model. He is also the first person who created and completed the whole Paris fashion industry prototype; to handle all the process of cloth making and sales by one studio, from selecting cloth material, designing, cutting and seaming, and timely exhibition his own work by fashion models to customers. By sewing his band the clothes, he also created the concept of brand. He was the first designer to sell design to the United States and the United Kingdom apparel manufacturers.His achievements attracted many designers to follow. At his time, thehaute couture gradually developed to mature. This essay will briefly analysis how Worth use art to elevate the status of fashion on analyzing the status of fashion industry before and after him, and what he did to elevate the status of fashion.
The status of fashion before Worth – Women Dress 沃斯出现之前的女装的时尚地位
Affecting ethnic dress in Europe has declined since about 1675 and 1800, fashion design has been internationalized.Until about 1820 women continue to reflect initiated by the French style. This fashion is said to be based on the ancient Greek classic dress. Ladies dressed in loose, draped, high waist dress white color. Woman wearing thin clothes and lowest which makes it unsuitable dress in winter mode, a small lingerie. In an attempt to fight the chill, women took threequarter gowns, from warm materials and a variety of shawls, jackets, and redingotes made. The 1830s brought more color to a more natural level closer waistline. Fuller, a shorter skirt, legs; mutton sleeves, large-brimmed hat or scarf has become a norm (Standish, 2013).
With the advancement of women of the 19th century gradually revealed the actual form of the body. In 1820--1830 years waistline deepened, back to its natural position. Due to the natural waist bodice return requires close coordination and contrast skirt becomes more comprehensive, bell-shaped. There are several different sets of style, but short-term and long sleeves puffed sleeves usually wear one night. Bras continue to be worn. These are lightly boned and quilting, with profound entertainer. Sometimes several layers of horsehair petticoat and flounced hem were worn to support the full skirt. Some skirts 1840s are feathers sewn. The 1850s and 1860s is an example of the late 'CRIN 'and made of steel hoop. The term' lining' is from the French word which means horsehair CRIN sources.
Also wear a hat or a hat outdoors and linen cover indoors. In the 1820s hair becomes very complicated to raise the topknot and a hat or cap crown designed to accommodate them. By mid-century, by contrast, it has become smooth hair with a central division and the small ring is done on both sides of the face and a small bun at the back or simply swept back from the facial hair (hair mass arranged pad In the back of the head, instead of holding nets or networks). Hats and caps continue to wear until the 1860s, when a small, elegant style appears, it simply perched on his head. Smaller hat appears in the hair rise elaborate chignons of the 1870s when the form. Hair in the 1880s and 1990s is still 'up', but did not retain the 1870s-style height or bulk. Decorated with birds and feathers, artificial flowers small hat is fashionable. Skirts in the 1860s very well, wear lining in a cage made of steel hoop is holding it away from the frame support legs petticoat. A boned corset is worn on the petticoat. Sometimes, they put large shawl worn indoors or outdoors, rather than a coat or cloak.
The Fashion Art of Worth 沃斯的时尚艺术
When Worth established his fashion salon in Paris in 1858, it immediately gained the attention of the European royalty, who has money, reputation and influence, which marks the start of fashion (Hall, 2013). “Oscar Wild said that fashion is a form of ugliness so intolerable that we have to alter it every six months” (Langdown, 2014, p.34). When the time comes to the 20th century the iteration of fashion has been accelerated based on the development of the fashion industry in the 19th century.
Worth emerged as a designer just build the Second Empire and France. The restoration of the royal family in 1852, and Napoleon III (1808-1873) as the new emperor, again made Paris the imperial capital and set a number of important national occasions. Napoleon III, the implementation of the big picture of Paris and France, the two began to change and modernize the revitalization of the French economy, and have made Paris to become a model for Europe. For luxury goods, including textiles and fashion needs, reaching the level it has not been since the French Revolution (1789-1799) before. When Emperor Napoleon III married Houourenni (1826-1920), her taste set styles on (1978.403,01.21) court. Patronize ensure the success of the Empress of value, from the 1860s, a popular tailor.Worth of design is remarkable. He uses luxurious fabrics and decorative elements of the company's established history of his dress, his attention to fit. The designer has created one of a kind still works, his most important client, he is particularly known for the preparation of varieties, both in the house is worth in the design of real-time display of the model. Customers make their choice, and have clothing tailored Value Workshop.Although the value is not the first or only designer to organize his business this way, his aggressive self-promotion as he won the championship and the 'father of haute couture,' 'the first fashion designer.' 19 1970s, Voss's name appears frequently in the ordinary fashion magazines, women spread his fame beyond the palace circle.
Until the 1870s, women dresses shrink from a huge dome-shaped thing, and this time looks more like a right triangle. Because the dresses, she has been removed exaggerated lined steel. At this time dresses, we have been able to see the shadow part of modern fashion. But in order to highlight the female waistline, excess fabric designer, shrink back from the waist up.
In the 1860s, in the hustle and bustle of the changed shape after lining, which is popular in the 1870s and 1980s. Only in the 1890s did a skirt restored to a relatively slender shape, but there is a narrowing of the corset in no go. Under normal circumstances, the style of the late 19th century, is an elegant, but not easy to wear. Their movement is limited and they are multi-layered, sophisticated decor, the absolute amount of material.
The survival of a large number of ready-made garments worth colleges, and other institutions of the permanent collection in the United States to prove the value of the immense popularity wealthy American diners, as well as European royalty and aristocracy. Many customers went to Paris, from the value of the purchase of the entire wardrobe. For wealthy woman, a complete wardrobe will include morning, afternoon and evening dress, and luxurious 'undress' items such as tea, clothes and pajamas, which is the only wear their home privacy. Women also provide dresses worth looking at special occasions, including weddings and ornate masquerade ball, a favorite entertainment both the US and Europe. Worth customers include theater and concert arena points. Costumes and personal wardrobe of him attracted as the leading actress and singer, such as Sarah Bernhardt, Jenny Lind, etc.
Conclusion 结论
In conclusion, as being considered as the father of haute couture, Worth is the pioneer of modern fashion industry, creator of fashion show and fashion models. On the other hand, he also completed the whole process of garment making. Therefore, he is also the pioneer of fashion production and promotion. Since the “the emergence of ready-to-wear clothing can be seen as a triumph of industry over art” (Green, 1994, p.723). Thirdly, his design that removing the traditional giant steel frame as crinolette also release women and created new trend of fashion, which makes the prototype of modern fashion. Therefore, from the three aspects, Worth elevate the status of fashion by art.
51Due原创版权郑重声明：原创范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。
51due为留学生提供最好的作业代写服务，想获取更多Essay代写范文，亲们可以进入主页 www.51due.com 为留学生提供essay辅导服务，了解详情可以咨询我们的客服QQ:800020041哟。-lc
Charles Frederick Worth, one of the most influential fashion gurus in the 19th century, born on 13 October 1825 and died on 10 March 1895, experienced the most fast developing fashion industry evolution in Europe, before the era of tremendous prosperous fashion industry boom in the second half of 19th century in Europe, especially in Paris, France (Joseph, 2014). Worth created the promotion method to exhibition new clothes by choosing pretty girls in his studio to wear to show to customers. By this way, he created the new exhibition method, which is popular in all of the major metropolitans world widely and welcomed by both the major fashion giants and ordinary people. This show also created a new career, the fashion model. He is also the first person who created and completed the whole Paris fashion industry prototype; to handle all the process of cloth making and sales by one studio, from selecting cloth material, designing, cutting and seaming, and timely exhibition his own work by fashion models to customers. By sewing his band the clothes, he also created the concept of brand. He was the first designer to sell design to the United States and the United Kingdom apparel manufacturers.His achievements attracted many designers to follow. At his time, thehaute couture gradually developed to mature. This essay will briefly analysis how Worth use art to elevate the status of fashion on analyzing the status of fashion industry before and after him, and what he did to elevate the status of fashion.
The status of fashion before Worth – Women Dress 沃斯出现之前的女装的时尚地位
Affecting ethnic dress in Europe has declined since about 1675 and 1800, fashion design has been internationalized.Until about 1820 women continue to reflect initiated by the French style. This fashion is said to be based on the ancient Greek classic dress. Ladies dressed in loose, draped, high waist dress white color. Woman wearing thin clothes and lowest which makes it unsuitable dress in winter mode, a small lingerie. In an attempt to fight the chill, women took threequarter gowns, from warm materials and a variety of shawls, jackets, and redingotes made. The 1830s brought more color to a more natural level closer waistline. Fuller, a shorter skirt, legs; mutton sleeves, large-brimmed hat or scarf has become a norm (Standish, 2013).
With the advancement of women of the 19th century gradually revealed the actual form of the body. In 1820--1830 years waistline deepened, back to its natural position. Due to the natural waist bodice return requires close coordination and contrast skirt becomes more comprehensive, bell-shaped. There are several different sets of style, but short-term and long sleeves puffed sleeves usually wear one night. Bras continue to be worn. These are lightly boned and quilting, with profound entertainer. Sometimes several layers of horsehair petticoat and flounced hem were worn to support the full skirt. Some skirts 1840s are feathers sewn. The 1850s and 1860s is an example of the late 'CRIN 'and made of steel hoop. The term' lining' is from the French word which means horsehair CRIN sources.
Also wear a hat or a hat outdoors and linen cover indoors. In the 1820s hair becomes very complicated to raise the topknot and a hat or cap crown designed to accommodate them. By mid-century, by contrast, it has become smooth hair with a central division and the small ring is done on both sides of the face and a small bun at the back or simply swept back from the facial hair (hair mass arranged pad In the back of the head, instead of holding nets or networks). Hats and caps continue to wear until the 1860s, when a small, elegant style appears, it simply perched on his head. Smaller hat appears in the hair rise elaborate chignons of the 1870s when the form. Hair in the 1880s and 1990s is still 'up', but did not retain the 1870s-style height or bulk. Decorated with birds and feathers, artificial flowers small hat is fashionable. Skirts in the 1860s very well, wear lining in a cage made of steel hoop is holding it away from the frame support legs petticoat. A boned corset is worn on the petticoat. Sometimes, they put large shawl worn indoors or outdoors, rather than a coat or cloak.
The Fashion Art of Worth 沃斯的时尚艺术
When Worth established his fashion salon in Paris in 1858, it immediately gained the attention of the European royalty, who has money, reputation and influence, which marks the start of fashion (Hall, 2013). “Oscar Wild said that fashion is a form of ugliness so intolerable that we have to alter it every six months” (Langdown, 2014, p.34). When the time comes to the 20th century the iteration of fashion has been accelerated based on the development of the fashion industry in the 19th century.
Worth emerged as a designer just build the Second Empire and France. The restoration of the royal family in 1852, and Napoleon III (1808-1873) as the new emperor, again made Paris the imperial capital and set a number of important national occasions. Napoleon III, the implementation of the big picture of Paris and France, the two began to change and modernize the revitalization of the French economy, and have made Paris to become a model for Europe. For luxury goods, including textiles and fashion needs, reaching the level it has not been since the French Revolution (1789-1799) before. When Emperor Napoleon III married Houourenni (1826-1920), her taste set styles on (1978.403,01.21) court. Patronize ensure the success of the Empress of value, from the 1860s, a popular tailor.Worth of design is remarkable. He uses luxurious fabrics and decorative elements of the company's established history of his dress, his attention to fit. The designer has created one of a kind still works, his most important client, he is particularly known for the preparation of varieties, both in the house is worth in the design of real-time display of the model. Customers make their choice, and have clothing tailored Value Workshop.Although the value is not the first or only designer to organize his business this way, his aggressive self-promotion as he won the championship and the 'father of haute couture,' 'the first fashion designer.' 19 1970s, Voss's name appears frequently in the ordinary fashion magazines, women spread his fame beyond the palace circle.
Until the 1870s, women dresses shrink from a huge dome-shaped thing, and this time looks more like a right triangle. Because the dresses, she has been removed exaggerated lined steel. At this time dresses, we have been able to see the shadow part of modern fashion. But in order to highlight the female waistline, excess fabric designer, shrink back from the waist up.
In the 1860s, in the hustle and bustle of the changed shape after lining, which is popular in the 1870s and 1980s. Only in the 1890s did a skirt restored to a relatively slender shape, but there is a narrowing of the corset in no go. Under normal circumstances, the style of the late 19th century, is an elegant, but not easy to wear. Their movement is limited and they are multi-layered, sophisticated decor, the absolute amount of material.
The survival of a large number of ready-made garments worth colleges, and other institutions of the permanent collection in the United States to prove the value of the immense popularity wealthy American diners, as well as European royalty and aristocracy. Many customers went to Paris, from the value of the purchase of the entire wardrobe. For wealthy woman, a complete wardrobe will include morning, afternoon and evening dress, and luxurious 'undress' items such as tea, clothes and pajamas, which is the only wear their home privacy. Women also provide dresses worth looking at special occasions, including weddings and ornate masquerade ball, a favorite entertainment both the US and Europe. Worth customers include theater and concert arena points. Costumes and personal wardrobe of him attracted as the leading actress and singer, such as Sarah Bernhardt, Jenny Lind, etc.
Conclusion 结论
In conclusion, as being considered as the father of haute couture, Worth is the pioneer of modern fashion industry, creator of fashion show and fashion models. On the other hand, he also completed the whole process of garment making. Therefore, he is also the pioneer of fashion production and promotion. Since the “the emergence of ready-to-wear clothing can be seen as a triumph of industry over art” (Green, 1994, p.723). Thirdly, his design that removing the traditional giant steel frame as crinolette also release women and created new trend of fashion, which makes the prototype of modern fashion. Therefore, from the three aspects, Worth elevate the status of fashion by art.
51Due原创版权郑重声明：原创范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。
51due为留学生提供最好的作业代写服务，想获取更多Essay代写范文，亲们可以进入主页 www.51due.com 为留学生提供essay辅导服务，了解详情可以咨询我们的客服QQ:800020041哟。-lc
