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Image modeling of Chinese and western paintings

2019-11-18 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Image modeling of Chinese and western paintings,供大家参考学习,这篇论文讨论了中西绘画的意象造型。中国与西方一些现代绘画艺术虽然在艺术家个人表达这点上是殊途同归的,但是二者还是存在着显著的差异。中国传统的绘画更多是受到传统道家哲学思想的影响,在意象造型上体现出了道家思想的审美趣味。而西方现代主义绘画受到了精神分析学说、超自然主义等多种哲学思想的影响,不同的流派意象造型的特点也大不相同,不像中国传统绘画那样出现高度的一致性。另外,中西绘画意象造型体现的精神内涵也大不相同。

There is a big difference between Chinese painting art and western painting art. In contrast, Chinese painting art pays more attention to the expression and expression of the artist's own emotions, while western art pays more attention to the pursuit of truth and realism to reproduce the objective world. However, this is only from the overall perspective. In fact, there are certain similarities between the two aesthetic systems of Chinese and western art, especially after western art enters modernism, it pays more and more attention to the expression of subjective feelings of artists. Image exists in both Chinese and western fine arts. There are similarities and differences in image modeling between them.

Image is an important concept in traditional Chinese painting. There is a close relationship between the image modeling of Chinese painting and Chinese traditional culture. Chinese classical aesthetics and philosophy are the direct origin of the image modeling of painting art. Influenced by the concepts of Chinese philosophy, such as dynamic and static, virtual and real, Chinese painting developed aesthetic categories, such as shade, shape and spirit, far and near, dry and wet, which shaped the unique characteristics of traditional Chinese painting different from western painting. Influenced by the concept of "complacency but forgetting the image" in traditional Chinese philosophy, the concept of freehand brushwork was born in Chinese painting very early in aesthetic appreciation and creation. The role of "idea" is more important in painting, and "image" usually exists as a medium to express "idea".

In image on modelling, the Chinese traditional painting not shaped like a, but beg forms and grasp the essential characteristics of things, by a few pen to stand out, through highly concise brushwork to the nature of the material are derived, eliminating external side-issues, makes the work features of the more prominent, more impact, in give a person leave deep impression at the first glance. For example, zhu da da shan man's lonely bird map is extremely obvious to reflect this feature. In the whole picture except for a lonely bird, there are usually only a few dead branches left as background ornament, or even there is only one bird in the whole picture, leaving a lot of white space in the picture. At the same time, the shape of birds is also very simple, through concise brushwork outline its external outline, for the relevant details such as feathers, but very little description. In some of his paintings, the most prominent detail is the birds' eyes, which vividly convey the loneliness of seeing people with white eyes through the simple use of black and white. The characteristics of image modeling are closely related to the artist's own emotional expression. As a descendant of Ming dynasty royal family, zhu da was facing the situation of the destruction of his country and his family, forming the characteristics of grief, anger, depression and loneliness. Therefore, his thoughts and personality would naturally be revealed in his paintings.

In image modeling, Chinese painting also pursues a state of abstraction and concreteness, "the beauty lies between likeness and unlikeness". In the process of painting creation, the painting artist takes the objective image as the basis and carries out subjective creation and artistic processing through generalization, refinement, exaggeration and other techniques. Finally, the image presented is not only the original objective image, but also the subject emotion and aesthetic idea of the artist. Through the created paintings, we can not only see the shadow of the objective image, but also interpret the artist's personal emotion and aesthetic pursuit through the refined image. For example, through zheng banqiao's paintings of bamboo, we can directly understand the outstanding characteristics of bamboo, and also deeply understand the author's praise and pursuit of the spiritual qualities such as integrity and bua. At this time, the bamboo in the painting is not only the concept of nature, but also has the characteristics of personality, from the real nature to the real art, has a more unique artistic charm.

Traditional western painting pursues the objective representation of nature and reality. After the 19th century, western paintings were also influenced by eastern paintings, and many eastern painting techniques were borrowed from western paintings in this period. In addition, the social trend of thought centered on people, many painters began to express their own inner world instead of reproducing the outside world, and gave more personal feelings and spiritual connotation to the picture in their paintings, which led to a significant change in western painting creation. The western modernism painting no longer simply pursues the detailed and realistic description of the reality, but makes the modeling factors serve more for the artist's inner world and the expression of the subject's emotion.

In image modeling, western paintings are more fond of using various colors to express their inner feelings and subjective feelings. Western painting artists have a great preference for various colors. Different colors usually symbolize different emotions and feelings, which have become an important means for western painting artists to express their ideas. The use of color is most evident in the works of the Dutch post-impressionist painter van gogh. In "sunflower", van gogh used yellow, an extremely intense color, in his paintings, to display his understanding of life incisively and vividly, and to convey the artist's warm and sincere emotion, full of passion and upward passion. This is the most real expression of the author's emotion and inner world. The colors in starry sky are in sharp contrast to those in sunflower. The painting USES a large number of cool colors, mainly blue. The emotion it conveys is more mania, struggle, anger and helplessness, which is the most real expression of the author's mood and situation at this time. Through the bold use of contrasting colors, van gogh conveyed his feelings to the world in his works and revealed his inner world.

At the same time, artists also use highly exaggerated, distorted image modeling to highlight their own inner and spiritual world. The western post-modernism painting has changed the perspective of creation from the real world to a surreal world to convey one's inner feelings and spiritual world, which is especially evident in the paintings of surrealist painter Dali. In his work "eternal memory", the author presents a strange world through the images of wriggling clocks, sibuxiang monsters and so on. The main images in the picture are distorted to a large extent and are organized into a picture without logic, revealing personal dreams and illusions, just like the subjective world in the subconscious of mental patients, expressing a painful and helpless life reality. In "premonition of civil war", Dali broke apart the human body and recombined it into a grotesque and horrible image to construct a surreal phenomenon, allowing viewers to deeply feel the terror and destructive power of war from the picture. The author expresses his accusation of war crimes in this highly exaggerated and realistic way.

For a long time, Chinese painting has been influenced by Oriental aesthetic and philosophical thoughts, and image has always been in the dominant position in artistic expression, forming a unique Oriental aesthetic system, while the development and transformation of western painting is much more tortuous. In the middle ages, western paintings mainly served religion and conveyed religious doctrines through paintings. In the Renaissance, they were influenced by the trend of thought of humanism, and many different art schools emerged, such as classicism, romanticism, impressionism and modernism. With the continuous development of western philosophy, great changes have taken place in the artistic expression of western paintings. The individual spirit and inner world of artists have become the focus of painting art, and expressionism, abstraction, brutalism and other painting schools that use image expression as the technique have emerged. Therefore, the similarities between Chinese paintings and western paintings in this period are that they focus on the expression of the artist's personal subjective feelings, inner feelings and spiritual world. In order to realize this kind of artistic appeal, both Chinese and western paintings abandoned the accurate representation and description of objective things, and turned to inject subjective expression into the paintings through deformation, exaggeration, refinement and other techniques. The image modeling in the works is for the personal expression of the artist, not to reproduce the objective world.

Although some modern painting art in China and the west are different in terms of individual expression, there are still significant differences between them.

First of all, China is far from western modernism in terms of ideological origin. The traditional Chinese painting is more influenced by the traditional Taoist philosophical thought, which shows the aesthetic taste of Taoist thought in image modeling. However, western modernism painting was influenced by psychoanalysis, supernaturalism and other philosophical thoughts, and the characteristics of image modeling in different schools were quite different, which did not show a high degree of consistency like Chinese traditional painting.

Secondly, there are great differences between Chinese and western paintings in the way of image modeling. The image modeling of Chinese painting is mainly represented by ink, brush and rice paper, and the black and white lines are used to shape the image modeling with the unique meaning of Oriental philosophy. Image modeling has a high degree of generality, more simple and plain. His use of color is mostly black and white, which also highlights the philosophical pursuit of "returning to pu-shang-su" pursued by Taoist philosophy. In contrast, western painting is more complicated in expression techniques. Although it no longer follows the traditional artistic pursuit of reproducing the objective world, many painting expression techniques have been inherited and developed. In terms of image modeling, western paintings will realize the personal expression of artists through the changes of lines, shapes, light and shade, and light and shadow. In terms of color treatment, it forms a sharp contrast with traditional Chinese paintings. Different from traditional Chinese paintings, which focus on black and white, western paintings express different emotions through various colors and reflect the inner world of the author at different stages. Almost all colors can be used in the shaping of image modeling. In addition, in terms of artistic techniques, traditional Chinese paintings emphasize highly refinement and generalization, abandon details, and point to the core essence of the real image. The image created does not appear too exaggerated deformation, nor does it distort the original things. Western painting, on the other hand, reconstructs images that do not exist in reality through disassembling, reassembling and stitching objective objects, so as to serve the personal expression of artists, such as the paintings of Picasso, the Spanish painter.

Finally, Chinese and western painting image modeling reflects the spiritual connotation is also very different. The image modeling of traditional Chinese painting reflects the pursuit of "tao" and nature by Chinese painting artists. The spiritual expression of western art has experienced the evolution process from divinity to humanity and finally from humanity to artistry. This makes the image modeling of western paintings in different stages reflect different characteristics, and there is a huge difference between each other.

To sum up, under the influence of relatively unified artistic thoughts, the evolution of artistic creation techniques in traditional Chinese painting has not changed dramatically. Therefore, image modeling has a great identity and a lot of common characteristics. However, due to the alternations of aesthetic thoughts in western paintings, the expression techniques have been updated frequently. Although there is a relationship between inheritance and development during this period, it shows more obvious diversity. Therefore, image modeling is more diversified and complicated.

In a word, the development of painting art will be influenced by many factors such as different nationalities, cultures, historical backgrounds and lifestyles, thus presenting different characteristics. In history, Chinese and western paintings followed their own development and evolution trajectory, forming two sets of completely different aesthetic systems. However, with the cultural exchanges becoming more frequent, mutual influence and mutual reference between different countries, different nationalities and different regions of painting art has become inevitable. By studying the image modeling of Chinese and western paintings, we can clarify the development track of the painting art of the two systems, so as to point out the correct direction for the further development of Chinese painting art under the background of globalization.

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