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Damien Chazelle

2019-07-08 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Damien Chazelle,供大家参考学习,这篇论文讨论了达米恩·查泽雷。达米恩·查泽雷是电影《爆裂鼓手》和《爱乐之城》的编导,他继承了好莱坞善于讲故事的传统,并且将故事的展开建基于现实生活之上。查泽雷电影下的人物不再是善恶分明的类型化人物,而是具有更复杂的内心世界和情感失落的真实的人。他的电影没有眼花缭乱的特技效果,却具有直抵心灵的影像奇观。

Damien Chazelle,达米恩·查泽雷,essay代写,paper代写,作业代写

Damien Chazelle is the director of whiplash and la la land, two American films. He inherited Hollywood's tradition of storytelling and based it on real life. His characters are no longer good and evil typified, but have a more complex inner world and emotional loss of real people. His films don't have dazzling special effects, but they have "visual wonders" that reach to the heart.

Damien Chazelle is the writer and director of whiplash and la la land, two recent critically acclaimed films. His films are a kind of "formal" type of film creation. He still carries on Hollywood's tradition of storytelling, but tries to lay the groundwork for the story to unfold. In a word, the exterior of entertainment, the interior of realism.

Damien Chazelle's film is about dreams, but the background is black. Speaking to the reporter, the director said, "I always think I am an ambitious person. I will pursue a dream or goal wholeheartedly until it is achieved, even if I don't know whether it can be achieved or not. I can relate to dreamers." But at the same time, damien Chazelle's film is different from the dreamlike reality of ordinary American films, which focuses more on the difficulty and difficulty of the protagonist in the process of pursuing his dream. Whiplash features Andrew, who dreams big to become one of jazz's greatest drummers. For this, he is in strict division to adjust below, forget food and sleep ground practice to beat a drum, grind on the palm a thick calluses, even for more attentive practice, he puts forward to part company with the cummer that hits it off actively. This is a dreamer who can give up everything for success. La la land features a down-and-out musician and a little-known actor. In the film, mia's audition fails, her solo performance fails and her job hits a wall. At one point, she even gave up her dream and fled back to her hometown. The pursuit of dreams is full of torture, loneliness, frustration and embarrassment. This is the dark side of the dream. The hero's experience is actually a reflection of the director's own. After his graduation, Chazelle went to Hollywood to pursue his film dream. As a young man, he ran into many difficulties. No one thought much of his plays. Sometimes he went straight to a producer with a script, only to be thrown out on the spot. Even his scripts were blacklisted. "I felt like I was falling apart, like I was stuck in a traffic jam."

Chazelle's characters are more like real people, and they all share with half an eye the same thing: an obsession with ideals. "I wanted to express myself by borrowing other people and telling other stories," Chazelle said. It can be seen that Chazelle director has been to borrow others' wine glasses to pour their own barriers, his character has been his own "spokesman". Andrew, the hero of whiplash, is a paranoid dreamer. Born into an ordinary, middle-class family, he dreamed of becoming one of jazz's greatest drummers. He even gave up his girlfriend to pursue her dream. Mia in la la land is also a dreamer. Mia is a young actress in Hollywood. She is intelligent, beautiful and talented. She can write and act. Her dream is to become a playwright and stage actress. She keeps losing, keeps losing. They are "dreamers".

Spectacle has become an integral part of mainstream cinema. Chazelle's films also focus on spectacle. "In modern film language, the so-called spectacle refers to those purely ornamental pictures that have no necessary connection with the narrative plot. It includes both natural scenes: clouds, rainbows, cangshan, ripples; and the human landscape: sex and violence; It also includes movie stars who have been glamorized, objectified and woven into the narrative." The spectacle in Chazelle's film is a kind of cultural spectacle, the music performance scene in whiplashes, and the beautiful singing and dancing scene in la la land. For Chazelle, the use of various types of techniques is more of a packaging technique, a rhetorical strategy designed to make the film easily acceptable to the audience. The essence of his films is realism. As Mr. Shen yizhen put it, "if the history of American movies is sorted out, it will be found that all the movies in the history of Hollywood movies are the appearance of entertainment and the inside of realism. In other words, all good Hollywood classic films are realistic in their inner spirit.

Director Chazelle has absorbed and discarded the classical Hollywood tradition, absorbed its reasonable factors and discarded its outdated elements. Only the exquisite and gorgeous artistic presentation can make the film become a truly excellent creation. It must inwardly infuse "thought" and "the power of emotion itself" with the universal meaning of human beings, which is the basis for film to become a real art. Such is the case with Chazelle films.

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