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Russian theatrical stage art

2019-10-16 来源: 51Due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Russian theatrical stage art,供大家参考学习,这篇论文讨论了俄罗斯的戏剧舞台艺术。俄罗斯的传统戏剧在世界文化发展进程中有着悠久的历史,在世界艺术发展上享有盛誉。19世纪,俄罗斯传统戏剧发展走向了繁荣时期,文艺复兴带来的浪漫主义创作形式影响了俄罗斯的戏剧艺术,俄罗斯戏剧艺术走向成熟。发展到近代,尽管目前俄罗斯已经走上了发展市场经济的道路,但是俄罗斯人举全国之力保留了俄罗斯戏剧文化的传统形式,经典的戏剧表现形式不但没有被商业式的戏剧艺术所冲垮,反而出现了更多表现俄罗斯传统戏剧艺术的新的剧团甚至剧院。

Russian traditional drama has a long history in the development of world culture and enjoys a high reputation in the development of world art. According to research, Russian drama originated from folk, originally from the street performers singing and dancing performance form evolved. Then, in the early 18th century, drama became a vehicle for Russian government officials to promote their ideas of political reform. To celebrate the queen's birthday, Russian drama was brought into the theatre and staged. In the 19th century, Russian traditional drama developed into a prosperous period. The romantic creation form brought by the Renaissance influenced Russian drama art, and Russian drama art became mature. After the October revolution, Russians in different industries began to actively organize employees and nearby residents to watch and participate in theatrical performances, and the former Soviet union's theater industry gradually began to flourish. Development to the modern times, although the Russian already on the path of the development of market economy, but the Russians to lift force of the country has kept the traditional form of Russian drama culture, classical drama form not burst by business type of drama, it appeared more show Russia's traditional drama troupe even new theatre.

Traditional Russian drama enjoys a high status in the world art world, but according to the development of theater layout, the number of theaters in Russia is far lower than other European countries. Although the number of official state and municipal theatres of the Russian government is steadily increasing and the theme of theatrical performances varies, the limitations of preferences can only meet the spiritual needs of some Russian residents for Russian drama. Therefore, Russian art theaters cannot meet the spiritual needs of most Russian residents in terms of the number and number of performances, and a large number of Russian residents cannot enjoy the high-quality experience of watching plays. Although the development of Russian drama stage is faced with challenges due to the imperfect infrastructure and the shortage of theaters, the aging of traditional drama, which is not suitable for teenagers, is also an important factor hindering its development.

Despite the positive development of Russian dramatic art in recent years, due to the social and economic changes, Russian theater has a lot of negative influences on the aesthetic education system and artistic interpretation. The lack of the corresponding construction system of children's theatre leads to the vacillation of the status of traditional Russian drama in children's drama. The result, therefore, must be a sharp decline in the interest of Russian adults in traditional Russian drama. In Russian drama culture, the barren drama suitable for teenagers' aesthetic concept is not only a problem of Russian regional culture, but also has an important correlation with the social problems of Russian traditional drama art.

The Russian government is experimental and rich in supporting the self-owned private theater, which can further develop the traditional Russian drama in stage art. The group performing in the self-owned private theater is the backbone of the stage art performance. The performance artists of the traditional theater have devoted their value to the traditional Russian theater stage through their promotion abroad.

Although Russian traditional drama is flourishing in Russia, it is necessary to strengthen the training and guarantee of traditional drama talents in face of the shortage of talents in the transmission and inheritance of Russian traditional drama culture. Then to promote the development of traditional Russian drama stage. Government organs can set up continuing education schools to strengthen the training of professional talents. In addition, according to the requirements of the traditional Russian drama art talent training plan for professional talents in drama performance, traditional folk stage performance and other teaching means can be used to guarantee the basic stage performance activities in drama teaching.

The relevant government departments in Russia should pay more attention to and support the work of Russian children's traditional drama theater, so as to increase the number of traditional drama performances suitable for the aesthetic views of Russian children and teenagers. The government should also study and promote the experience of traditional drama applicable to children and teenagers throughout Russia. Schools and relevant educational institutions should use professional theaters to attract primary and secondary school teachers to study, implement, participate in and develop programs for drama education, and support the touring activities of companies with children's and youth plays.

In solving the entertainers, staff, and audience's future problems, countries still should increase private theatre can burden on economic performance, such as enlarging the rehearsal facilities and other infrastructure construction, and build proprietary private theatre legal support structure, so as to provide the corresponding policy loans. Promoting the creation of modern new drama, new music drama and other works should become an important task for Russia to promote the development of drama in the new era.

Russia's traditional drama stage should grasp the aesthetic character and artistic characteristics of literature, in the aesthetic interpretation of the writer's artistic creation idea and the thought of finally, in the drama stage show the modern drama concept with various features of theatre, from basic art form within the text analysis tends to extension of the text connotations, from stage to explain to the director of the script the ideals of discourse reconstruction, make them form the text and the writer, director concept and dramatics variation, the transformation from the change with the time change of the history of each other.

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