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Korean multicultural films

2019-08-15 来源: 51Due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Korean multicultural films,供大家参考学习,这篇论文讨论了韩国多元文化题材电影。艺术来源于生活,韓国多元文化题材电影随之产生。越来越多的多元文化角色设定出现在韩国电影中,多为展现韩国基层民众人物群像,而韩国电影又最善通过生活细节刻画人物性格,从而塑造饱满的人物形象。多元文化角色虽然少为主角,但却帮助电影更具可看性,脱胎于生活实际和社会现实的多元文化题材电影就此形成,成为了韩国电影中最有特色的类别。

South Korea is a single Korean nation state, has always been a cultural unified society, but the word "multicultural" has a very early origin. According to the standard mandarin dictionary published by the national mandarin institute of Korea, "multiculturalism" refers to the cultural coexistence of multiple ethnic groups or countries in a society. According to the data and projections of the statistics department and the ministry of justice of the republic of Korea, the number of foreigners detained in South Korea rose rapidly from 269,000 in 1995 to 1261,000 in 2010, and is expected to reach 2539,000 in 2020 and 4091,000 in 2010. For South Korea, which has a population of only 50 million, the proportion of foreigners is rising every year, and is expected to make up 9.2 percent of the population by 2050. What types of foreigners are there in Korea? According to South Korea, according to data from the administrative department of homeland security in the Korean foreign workers accounted for about forty percent of the total number of foreigners, foreigners children and international marriage migrants are 11.9% and 11.2% respectively, thus a lot of work to Korea aliens, their children and the formation of the international marriage is a major cause of formation of South Korea's multi-cultural.

Art comes from life, and Korean multi-cultural films come into being. Can be called a successful south Korean multicultural film is released on October 20, 2011, directed by Li Han, punch, yu a in the main actor's film "young Wan too", shows the life of the people of South Korea's underlying condition, among them the protagonist Wan must have never seen a mother is the Philippines to South Korea to work, the lack of a mother's love laid the foundation characters; Released on January 9, 2013, the comedy film my little hero, directed by jin chengxun and starring jin laiyuan, zhao an, chi Korea and li guangzhu, sets the role of yingguang as a Filipino teenager of mixed blood, who is full of enthusiasm for musical theater and influences people around him with his optimistic and cheerful attitude.

More and more multicultural roles are set in Korean films, mostly to show the characters of ordinary people in South Korea, and Korean films are good at depicting characters through details of life, so as to create full characters. Although there are few multicultural roles as the leading roles, they help the films to be more interesting. The multicultural films, which are born out of the reality of life and social reality, have thus been formed and become the most distinctive category of Korean films.

Thanks to the rise of South Korea's multicultural film, "cultural state" development strategy, the cultural industry as a strategic pillar industry of national economy development in the 21st century development priority and the policy, capital, institutions, personnel training, etc, provides the government support, provide a solid backing for South Korea's culture industry development: south Korean presidents will culture industry development and support as the key object, the south Korean government every year by financial allocation, investment and other ways to culture industry, and with the help of all kinds of special fund, Korean translation give full compensation; The Korean multicultural film art association has been established, which is specially responsible for the distribution and production of this theme film and the technical guidance of the content, to promote the sustainable development of multicultural film. We not only offer film and television programs in major comprehensive universities, but also encourage people to set up all kinds of formal performing arts training institutions in accordance with the law, providing fresh blood for the industry, but also actively introduce foreign talents to help artists from different nationalities and countries stand on the world stage through the packaging of South Korea.

South Korea is at the center of the Asian cultural circle. Asian countries share similar cultural backgrounds and values in the same context, which is easy to attract the recognition of audiences from other countries. Together with South Korea's heavily influenced by the Confucian tradition of moral value, and after the founding of the independent study the thought of western democracy, equality, but the two did not become a contradiction, is South Korea instead of creative create distinctive culture idea, namely "and, absorption and innovation", the use of the advantages of cultural geography aggressive expansion of cultural industry, absorb the inclusive world art form, through innovative transformation so as to form a new mode of "South Korea characteristic", this point in the development of multicultural film is especially striking.

The most prominent feature of Korean multi-cultural film and television works is realism, which reflects the daily life of every ordinary person watching the works through artistic expression and interpretation, thus obtaining a strong sense of substitution and a better movie-watching experience. He is also good at showing details in life, depicting full characters, and presenting perfect film and television works combined with solid story plots. These are inseparable from the focus and understanding of the current real life, focusing on reflecting the present, can quickly trigger the topic discussion among the audience, play a good enlightening effect. At the same time, it also shows the emotional life, way of thinking and life concept of south koreans to the world in this way, which plays a positive role in improving the international image of South Korea. In addition, multi-cultural films focus on domestic audiences, give consideration to overseas Chinese, and then expand to Asian audiences. They deeply analyze the psychology of audiences, and strive to impress audiences with their works and achieve box office success, rather than making use of marketing and publicity means to create stunts.

Chinese minority films due to its unique technique of expression and the profound thought connotation gradually by the general audience, has its place in the open inclusive of literature and art market, more and more people are aware of the "national is the world", pay more and more attention to the importance of ethnic minority literature, but due to the shortage of ethnic minority film creation, there are many don't know of ethnic minorities of ethnic culture creators dabbling in the movie, leading to poor similar movie word of mouth. Nowadays, development of ethnic films is weak, lack of spontaneity update and breakthrough, more is through various policy measures to maintain the change of ethnic films, and even formed a certain stereotype, this kind of movie is haunted by the old society more personal or family with the help of the communist party turn liberation, Mongolia boundary film is under the centralized and unified leadership of the party to face more difficulties and challenges of the new era, unite as one, run off, southwest minority films focus more accurate for poverty alleviation, tour development, depicting the outstanding individual and collective. In the long run, minority films have gradually lost their status in the film market. In the film and television market competition, there is no distinction between fields and types, and the most important thing to pay attention to is the preferences of the audience. How can the minority films get rid of the narrative style of "biography" type and regain their popularity? The most important is to strengthen the national minority theme of modernity, both in the domestic market and international market, the audience most looking forward to, today's ethnic minority areas is the most curious people real life state and emotional trend, only "ethnic minority own story" is the future for the development of ethnic films is far from China.

In his book beyond culture, Edward hall, an American scholar who proposed the concepts related to cross-cultural communication, put forward the most famous theory in cross-cultural communication -- high-low context theory: the semantic carrier in high-context culture is not mainly linguistic, but non-linguistic and contextual. Communication does not depend entirely on language, because people are well aware of its limitations. Semantics are derived mainly from the non-linguistic and contextual aspects of storage, and information is not contained in linguistic transmission. However, in low-context culture, language plays a more prominent role, because information is mainly transmitted through language, and language is always at the center of people's communication. The decoding of information in high context relies more on the Shared cultural conventions and the situation of communication between the two parties, while the decoding of information in low context is mainly in speech, with little dependence on context. Belong to China and south Asian cultural circle, all belong to "high culture" context, so the significance of reference to the similar subject matter between the film and television works is, for most western countries belong to the "low context culture", to set language, music, the language of the lens in a similar "encoding" type of film will be values of the east, especially the mysterious ancient minority theme is to convey to the international market is extremely difficult, this is also why often ethnic films in competition for foreign film festival, film awards, the phenomenon of the "water". American scholar Paul clapper pointed out that the most effective way to promote the film to have "Chinese style" is to go deep into the most heterogeneous cultural regions of our nation. We are required to cultivate writers and themes from ethnic minorities and help them tell "ethnic stories" well. Between the two, the author is more important, in the control and treatment of minority subjects, they have the most appropriate and sensitive thinking. At the same time, we should help other film creators who are not from ethnic minorities, provide corresponding policies, funds and academic guidance, sink down and go on, understand the customs and customs of ethnic minority areas, and impress the market with good works on ethnic minorities.

Stuart hall put forward in the coding and decoding of TV discourse published in 1973 that the asymmetry of codes between coding and decoding is rooted in the structural differences between the sender and receiver of information, such as the cultural relationship, social background, status and interests, which contains the operation of ideology and the hegemony of media culture. In a broad sense, the encoding of information includes the systematic, visual and logical expression of all information by symbols such as words, charts, data, sound, image and color. Decoding is the translation of signals and symbols into the thought content they express. It refers to the complete or basic reduction to the original information, and it is also a process of mutual manifestation of meanings. Even in the same language system in China, audiences are unable to know and understand the films about ethnic minorities. In the international market of cross-cultural communication, the dilemma of "encoding" and "decoding" is more prominent. This dilemma of both suppliers and suppliers will not only affect the creators' judgment of the audience's psychology, thus affecting the overall style direction of the works, but also lead to meaningless misunderstanding of the works by the audience, thus affecting the viewing impression of the works and reducing the value of the film.

In order to solve this problem, will need more professional cross-cultural communication field of academic research, research areas and different culture background, and linguistics, anthropology, history, culture, economy, politics and other multidisciplinary cross combination of knowledge, broaden the research enterprise, provides a new perspective for creation of ethnic minority film. At the same time, it is also necessary to pay attention to the practical guiding role of academic research, turn the theories in books into methodology that can effectively guide practice and solve practical problems, and lay emphasis on the application of cross-cultural communication.

As President xi jinping pointed out at the conference of Asian civilizations dialogue, different civilizations can exchange, learn from each other and develop through mutual learning. We should respect each other and treat each other as equals. We should be open, inclusive, and learn from each other. We should keep pace with The Times and pursue innovative development, so as to consolidate the cultural foundation for building a community of Shared future in Asia and for mankind. China and South Korea are adjacent to each other. China is famous for its ethnic groups. South Korea has formed a multicultural society in the process of internationalization.

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