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The painting Six Persimmons

2019-05-10 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- The painting Six Persimmons,供大家参考学习,这篇论文讨论了水墨画《六柿子》。牧谿的六个柿子以笔法精湛而闻名。在这幅水墨画中,牧谿创造了四个不同“颜色”的柿子,色彩明快。仔细看左边和右边的两个柿子。木齐用粗细的笔触塑造了两个形状各异的最轻柿子。如果观众想要找出这两个最轻的柿子之间的区别,他们必须把目光从其他四个柿子身上移开。另外,我们可以看到木齐故意摆放柿子。两个较暗的柿子,视觉分量较重,在这幅画中轴线的右侧。为了达到不对称的平衡,艺术家在左下角放置了一个不太暗的形状。这种微妙的变化所传达的明度,形状和位置给观众一个生动的场景。

Six Persimmons,六柿子,assignment代写,paper代写,北美作业代写

Ink painting, like other types of paintings, has certain requirements on its mediums, including brush, ink and paper. Ink used for painting has a binder, usually gum arabic, which gives a gloss and adds clearance other than simply being suspended in water.

The following part defines and explains ink painting in the painting Six Persimmons by Muqi, an artist from southern Song dynasty of ancient China (Muqi, Six Persimmons, page 141).

Muqi's Six Persimmons became famous for the excellent skills of brushstrokes. In this ink painting, Muqi created four persimmons in different "colors" with the lightness of color. Look closely at the two persimmons on the left and right sides. Muqi used thick and thin brushstrokes to model two lightest persimmons in quite distinguishable shapes. The audiences have to move their sights past all other four persimmons if they want to find out the differences between these two lightest persimmons. According to the different lightness, the audiences can see distinctive qualities of the six persimmons. The darker ones seem softer, hence more ripe and juicer, ready to be eaten. In contrast, the lighter ones are harder and have smooth surface. Their peels glow in the light. And the rest of persimmons are somewhere in between the two kinds.

The treatment of stems and leaves recall Chinese characters. To avoid the persimmons being too orderly, besides the changes of lightness, the artist made changes on the length of the stems. In this way the five persimmons standing in a row vary in height.

The six persimmons are placed freely. But we can see Muqi arranged the persimmons intentionally. The two darker persimmons with heavy visual weight are on the right part to the central axis of this painting. To reach asymmetrical balance, the artist placed a less dark shape on the left lower part. We can see that the artist made his efforts to avoid being too intentional.

This subtlety conveyed by changes of lightness, shapes and positions presents the audiences a vivid scene. This ink painting is represented by ink lines and washes only. However, the simplicity is unprecedented creation.

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