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The perceptual expression of sculpture language

2019-12-12 来源: 51Due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- The perceptual expression of sculpture language,供大家参考学习,这篇论文讨论了雕塑语言的知觉性表达。雕塑家利用全然不同于二维艺术表现手法的技术来塑造三维作品的体积、形状、线条、色彩、比例、平衡性和统一性。直接导致了立体的雕塑艺术向我们传达其精神内涵的方式的与众不同。相对于平面视觉艺术,雕塑最明显的特征之一就是其触感上的独特性,我们可以通过对雕塑的触摸,感受材料赋予雕塑的不同手感,与肌理感,粗糙或是光滑,冰冷或是温暖,带给观赏者的感受是截然不同的。

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In the face of a work of art, when we are impressed by the exquisite technique of expression and the exquisite aesthetic characteristics presented to the public on the surface of the work of art, we often draw such a question in our hearts, what is it? What does it mean? How does he convey its mind to us? Whether it is painting, photography, paintings, prints, etc on a two-dimensional piece of visual art, or architecture, the three-dimensional sculpture art, we can all intuitive feel the so-called art form of expression, also can know and receive art techniques used in the content, dot, line, face, pattern composition, color is tie-in, overall modelling, material selection, layout, and the unity of these content under this link works.

Sculptors use techniques that are completely different from two-dimensional techniques of artistic expression to shape the volume, shape, line, color, proportion, balance and unity of a three-dimensional work. Led directly to the three-dimensional sculpture art to the way we convey the spiritual connotation of extraordinary, with Italian artist ah mui generation, modigliani's work, for example, he is expert at lines, his line is used to make the picture look clever, flexibility, and rich sense of rhythm, which made his works the image looks elegant and lean instead of being at home. His paintings in yellow sweater janet bout the sea "is one of the typical representative, female images in the painting is fine thin, long, small nose, no eyes eyes and a small mouth, under the shape of the decorative lines, concise characteristic of the highlights of the author's unique performance. The use of large areas of color, almost flat and bright, is the subtlety of his work. On the other hand, in modigliani's early sculpture creation, the face and torso are also deformed and elongated, but the means of expression are quite different. Take the woman's head created in 1910 as an example, the presentation of the work completely reveals the materials used in the sculpture creation, the limestone material and the shape of the half-naked head sculpture, which gives a cold and fuzzy synesthesia in texture, as if we can already feel its touch and temperature. The unbalanced face is unusually symmetrical, the bridge of the nose is long and straight, and the eyes and mouth are raised, giving the work a magical vitality. Compared with the form of painting, sculpture can stimulate the viewer's perception system from more angles, giving the viewer a more comprehensive and direct experience.

Compared with flat visual art, one of the most obvious features of sculpture is its unique tactile sensation. We can feel the different hand feel given to the sculpture by materials through the touch of the sculpture, which is totally different from the texture, rough or smooth, cold or warm. Clay sculpture of the simple sense, jade carving a warm feeling, softness of silk material, feather qualitative material lightsome feeling, glass material cold feeling, are we to receive the material information as well as in the produce of tactile stimuli to us at the same time, to guide the direction of our understanding of the sculpture, even if not directly touch, we can still through the judgment of its material is transformed into imagination and brain inherent knowledge system in the sense of perception. New art form has been trying to be unearthed situation in today's art, artists have discovered a new way of camouflage materials, wood can be polished shape of soft fabric, hard stone can also through the ground appears to be sufficiently elastic skin, this will affect our perception, to some extent, of course, to reach the purpose of the artist.

The use of sculpture materials will bring viewers an indirect feeling of temperature. Taking two opposite materials as an example, the sculpture of glass materials brings people a sense of coolness due to its hard and cold nature, while the application of fur materials will bring the audience a warm feeling due to its soft and warm effect. And visual stimulation can also achieve the corresponding effect, can most directly in the brain receives the color information, also can produce the corresponding changes in temperature, color science, depending on the purity of hue and divided it into cool color and warm color and neuter color, red, orange, yellow will make us feel warm, green and blue is cool, cool, cool color in brings a person feel hot at the same time, also brings the emotional stimuli, warm color because of the nature of the sun, fire, such as the lingering feeling of synaesthesia, can let a person feel warm, lively, long time in this state will be agitated, People can also feel calm and even depressed when they are overly influenced by cool colors. In the creation of sculpture, the artist may grasp this aesthetic psychology, through the application of these natural psychological effects to achieve their own pursuit of the artistic effect, to choose materials and the use of color.

Body is the most basic language of sculpture art. The shaping of body shows the dynamic force of sculpture and is the framework of the whole work. This dynamic change brings a sense of force, a sense of life and a sense of tension to the sculpture. At the same time, due to the quality of the sculpture, its volume and scale greatly affect its visual stimulation to the viewer, and we will respond to this visual stimulation physiologically. Even if the material is exactly the same and the way to deal with it, works of different sizes will give people totally different intuitive stimulation. The four giant statues on mount rushmore are solid, stable and huge, with faces eighteen meters high. Their quality and proportion and rigid lines make them more intimidating and oppressive. Let a person's respect arise spontaneously. These four large sculptures are built against the mountain, so it can be said that the mountain is a whole work of art, and the natural environment is its display space. The effect of sunlight also affects the overall presentation of the works. Such an environment makes the sculpture works of art have to face the impact of time, obviously, the natural factors such as wind, water, light under the deposition of the time, can cause varying degrees of erosion, shape and texture will be changed, that point, "age" of the works of uncontrollable characteristics is also unknown sculpture is a big breakthrough point for our perception of sexual stimulation.

As information receivers, we always want to explore the cultural connotation endowed by the artist and the thinking concept and mental process that the artist wants to express through understanding the artist's sculpture creation. In fact, artists have already guided our thinking step by step through artistic aesthetic skills and the potential psychological implication of the audience.

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