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Art design under semiotics theory

2019-10-19 来源: 51Due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- Art design under semiotics theory,供大家参考学习,这篇论文讨论了符号学理论下的艺术设计。在生活中,处处都充满着符号的含义,在艺术设计中同样也不例外。设计师将表达不同情感的符号重组编排起来,形成一种新的符号文化内涵。同时,设计师通过这个新的符号内涵来表达设计的想法与思路,以此来展示设计师在自己的设计中内在的精神文化。艺术设计是将符号学运用在不同形式和不同载体上的设计,可以是听觉上的或者是视觉上的,更可以是视听相结合的。艺术设计离不开符号学的支撑,符号学也不能少了艺术设计的这一分支,它们相互联系又相互作用。

Art design,符号学理论艺术设计,essay代写,作业代写,代写

The Swiss linguist saussure believed that symbols, like paper, are divided into two sides, namely "signifier" and "signified". From the perspective of material object, "signified" refers to the material object that can be perceived by people, and "signified" refers to the meaning that the material object refers to. Symbolically, "signified" is the language image of the symbol, and "signified" is the concept of the meaning of the symbol. Art symbols are also included in the symbol system. The "signifier" of art symbol is the image expressed by art, while the "signified" is the designer's expression of human emotions through the artistic image. As the signifier of art symbol, artistic image is usually a symbol, and itself has a dual relation between signifier and signified. Art design expresses the external image of art design through people's subjective will, which is the yearning for a better life or the expression of people's inner feelings.

Moreover, the connotation of symbol also plays an important role in art design. In today's art design, designers should not only understand the design from the surface of the design, but should seek deeper meaning from the connotation of the design and the symbol of the art design display. Understanding the meaning between art design and symbol connotation makes us make deeper efforts to design better art design. In my opinion, while paying attention to the external form of artistic design, we should also pay attention to the symbol meaning at the core. Therefore, displaying the symbol connotation is the direction we need to further understand and explore.

In artistic creation, whether it is architecture, landscape or furniture, artistic creation needs to show the symbolic meaning of the creator through the hands of the designer. Usually, designers express different feelings and long-cherished wishes through different shapes, techniques and images. All good works of art show the inner feelings of the creators while having the inner feelings of the sign language. They integrate the deeper meaning into their works through such a technique, which makes the works thought-provoking.

In traditional Chinese garden landscape, people will express their good wishes for life in a variety of decorative design patterns. People collage pebbles and shingles on the ground to make them into a variety of concrete or abstract animal or life patterns, so as to express people's desire for peace and happiness. For example: cranes, deer, bats and so on, are the symbol of good meaning of the design elements. There are many elements like this which symbolize the beautiful meaning, whether in the landscape courtyard or in the architectural design. In the theory of semiotics, symbol is the universal function of symbol. In this understanding of the meaning, symbolic can be said to be the general function of the symbol. No matter what kind of symbol and symbolic object, it is people's expectation of novelty or expression of good wishes.

In life, everywhere is full of symbolic meaning, in art design is no exception. The designer reorganizes the symbols expressing different emotions and forms a new cultural connotation of symbols. At the same time, designers through the new symbol connotation to express the idea of design and train of thought, in order to show the designers in their own design of the inherent spirit of culture. Art design is the design that applies semiotics to different forms and carriers. It can be auditory or visual, or it can be combined with audio-visual. Art design is inseparable from the support of semiotics, semiotics can not be without this branch of art design, they are interrelated and interactive.

In our art design, usually hidden symbol spirit of culture. For example the expression of stylist exaggerated and novel idea, blessing look forward to, different mood and all sorts of wonderful ideas, revealing the expression of emotion in all its artistic design works. In China, there is an idea called "the unity of man and nature". People believe that everything should be harmonious and unified. Under the guidance of this idea, the design will give full play to the designer's works with rich emotional expression, so that his works have the characteristics of both expression and expression.

Deconstruction, from the literal meaning, is a symbol of rebellion, split, torn rebellion. Deconstructivism evolved from constructivism, and deconstructivism and constructivism have some similarities in visual elements, both of which try to emphasize the structural elements of design.

The initiator of constructivism was tatlin, who advocated that art should serve politics, and he made his works abstract and geometric. Later, he created the "third international monument", which is also one of the representative works of constructivism.

However, what constructivism wants to express and emphasize is the integrity and unity of the overall structure. Individual components serve the overall structure. Deconstructivism, on the other hand, believes that the individual component itself is an important individual, so it pays more attention to the study of individual structural shape than the study of the whole structure and shape. It combines things that are not related to the structure together, and deconstruction is the criticism and negation of orthodox principles and orthodox order.

Deconstruction is a break and dilution of traditional modernist architecture. It USES exaggeration and deformation to highlight each part of the architecture. In addition, deconstruction is rich and diverse, breaking the traditional "glass box" prevalent in modernism. While breaking the characteristics of modernism, deconstruction is a deconstructive structure.

Symbols represent one kind of things as well as another kind of things. They are the transmission of information, and they also have the relation between signifier and signified. The signifier of deconstructive architecture is the technique of breaking, exaggerating, transforming and twisting, presenting a novel and weird architectural form. Its meaning is to express the characteristics of breaking the rules and square of traditional modernism through these novel, weird and broken buildings, and also to express a kind of ambiguity of social order. Although deconstruction has always created a chaotic, distorted and broken form of architecture, it cannot escape the regularity and restraint of architectural rationality. Therefore, deconstructivism and structuralism influence and contain each other.

Vitra furniture museum is a very important work of gehry and one of the representative works of deconstruction. The overall architecture of vitra furniture museum embodies the distorted and dynamic morphological characteristics of each part. Vitra furniture museum combines different forms with exaggeration and deformation, which is the product of the dynamic distortion of each part. Vitra furniture museum is one of the representative architectures of typical deconstruction. Its focus is not on the whole and integrity of the whole building, but on the exaggerated deformation of each part of the building. The overall unity of other buildings is totally different from that of traditional buildings, which is an exaggerated expression of its structure.

From the aspect of appearance, vitra furniture museum is composed of different deformed geometries, and the whole seems to be free combination of different elements and forms, forming a random architectural shape.

At the same time, the interior space of vitra furniture museum is interrelated and permeated, and all the interior Spaces are communicated and integrated. Similarly, due to the distortion of the external structure and the connection with the interior environment, vitra furniture museum is like a sculptural building, with closely connected internal Spaces and a well-lit environment. Its indoor environment is different from the previous building, but also gives people a unique shape feeling and good natural lighting needs.

The concept of urban park emerged in the middle of the 19th century. With the increasing population of urban residents and the increasing pressure from society and work, people wanted to enjoy the city and be exposed to the natural environment. Through the idea of garden to make up for the shortage of the city, the natural environment full of green plants and reinforced concrete society together, the same, the nature placed in the city, is to reduce energy saving and environmental pollution, but also to improve people's living environment. So the idea was to lock in an area that would be heavily planted with greenery and equipped with infrastructure and structures that would make it a green space in a city. After such an idea and plan, the city park was born, and ravelette park was born.

The park is located in the northeast corner of Paris, the edge of the city, at the same time, it has a large population, mostly from the world's overseas immigrants. In order to meet people's living and production needs, tschumi places different building systems in different areas of the park, which also play different roles.

Transformation and unity is the point of view emphasized by tschumi in the design of ravelette park. On the premise of this point of view, the design of ravelette park is carried out. Although there is a great contrast between architectural elements and plant elements in the whole park, the treatment methods and architectural colors of the whole park are completely consistent. It also reflects the overall unity of the partial change of view.

In such an environment, people enter the park as if they were entering the real nature. Although it is a combination of artificial creation, after the novel and exaggerated deformation, the architecture and a large number of green plants are combined together to release people's mind, and at the same time, it is also a change to the traditional reinforced concrete city. This design not only does not separate the park from the city as a whole, but also infuses the city with the breath of life and fresh blood.

The guggenheim museum in New York is the headquarters of the guggenheim gallery group. The building is a famous New York landmark, designed and built by frank Lloyd Wright, the most famous American architect of the 20th century. The guggenheim's exterior resembles a teapot or a giant spring. The guggenheim has long been considered a museum gem, so much so that in recent decades no other museum has come close.

The guggenheim museum deconstructs the construction of the building and combines it with irregular forms such as distortion and tilting. However, the reconstructed guggenheim museum still has its beauty of form. Although it makes people feel that the shape of the building is a group formed by random stacking and transformation, people from different perspectives all present a balanced composition of the middle high and the lower side. The exterior of the building spirals upwards and outwards, while the middle of the spiral forms an open space that is illuminated by a circular layer of glass.

In terms of architecture, the guggenheim museum USES deconstruction to decompose and reorganize it. Its exaggerated modeling and sense of design, curved interior space and reasonable use of natural light make guggenheim museum better than other art galleries on the whole.

In people's life and production design, we can't get away from the knowledge of semiotics, as well as various forms of design art. I think excellent art design should have good design connotation, and every excellent art design should be endowed with power and cultural symbol. If art design is separated from people's sign cognition and sign culture, then art design will lose its charm.

In ancient China, the idea of "harmony between man and nature" is to integrate our thoughts with all things and integrate human and nature in harmony. In terms of the idea of "the unity of man and nature", the idea of the integration of thought and everything can also appear in our art design. Good art design works, whether architecture, patterns or products, should have a soul, they should also be injected into the concept of symbols, they should both be able to point and point. Only with the characteristics of both theory and creation can we get a better artistic design.

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