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Ceramic art design

2019-09-29 来源: 51Due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- Ceramic art design,供大家参考学习,这篇论文讨论了陶瓷艺术设计。陶瓷艺术具有独特的艺术感染力与丰富的文化底蕴,是世界文化的瑰宝。现代陶瓷制作应该讲理性美与感性美相结合,设计既要满足消费者使用需要又要具有美感,使材料与意蕴有机结合,满足现代陶瓷需求。

Ceramic art design,陶瓷艺术设计,essay代写,作业代写,代写

Ceramic art, with its unique artistic appeal and rich cultural deposits, is the treasure of Chinese national culture. With the rapid development of human society, people's ideological change at the same time, aesthetic forms also changed, ceramic art in the context of social life style of the big shift, facing the development of severe test, the article detailed analysis of modern ceramic art mode, and expounds the combination of ceramic art design and modern life style.

Chinese ceramic art has been bred in the long history of thousands of years, enduring, becoming a bright flower in the world culture. With the advancement of the socialist modernization process, people's material living standards have been improved, aesthetic began to produce changes. Traditional ceramic art is impacted by the modern industry and cannot meet the requirements of diversified forms in today's development. Therefore, ceramic creators have improved their works to form modern ceramic art.

Chinese ceramics is a great invention of mankind. Pottery appeared in the early neolithic age about 10,000 years ago. With the progress of human civilization, the art of "earth and fire" has been enriched, matured and innovated. In the shang dynasty, more than 3,000 years ago, primitive porcelain appeared. After thousands of years of creation and accumulation, in the eastern han dynasty, the porcelain craftsmen in zhejiang region first created and burned mature green porcelain. Since then, the porcelain with various styles has been endless and beautiful. Chinese ceramics have experienced the development process from pottery to porcelain, pottery, porcelain qi drive, has been hailed as the symbol of Chinese culture.

Different patterns in ceramic works represent different things. The basic elements of ceramic design works are Chinese painting elements, color elements and text elements. In the primitive society of majiayao culture, symbols were used for simple decoration of ceramic vessels, which played a decisive role. Symbols could not only be used as a way of recording and expressing information, but also could be applied in artistic creation to make ceramics more diversified. Character symbol itself has multiple forms of artistic expression, which can convey the emotion of the artist. Compared with traditional Chinese painting, it is more intuitive and has the advantages of both precipitation and introversion. The quality of graphic symbols is directly related to the quality of ceramic works, which reflects the creative ability and level of art writers. Art usually has a "inscription" and "signature", ceramic works use text symbols requires that draw art, close to the modern plane design and ceramic sculpture, advertising font design is used to transmit information, is one of the decorative symbol means of expression, the creator to borrow text symbols show works connotation, to express creative emotion. The color of the ceramic works is also an important element, the appearance of the ceramic works with color expression, high temperature glaze color production usually adopts the form of jizhi glaze, splash ink and salt painting, with a strong romantic color or show the grand artistic conception. The combination of color and symbol can directly affect the emotional trend of viewers, and is an important link of aesthetic strength. Its expression form is either implicit and gentle, or bold and exaggerated, which is very interesting.

The Chinese love of calligraphy constant, the expression of good writing is a noble sentiment, change the font design of ceramic work more diversity, need according to the characteristics of the vessel, design a suitable writing style, ensure the overall coordination of ceramic works, which makes the ceramic font beautification, blunt calligraphy can make the work is boring, so will use its own characteristics to improve calligraphy style, ceramic can better show ceramic art charm. Good ceramic works can not be separated from calligraphy signature, through font marking, people can more easily remember the ceramic style, distinguish the type of ceramics. Text decoration can enhance the aesthetic function, and the improvement and abstraction of calligraphy can make modern ceramic art more interesting. Ceramic collectors and related art lovers are also keen on their own creation, on the original basis of the text to annotate, make ceramic art more attractive.

Color is the aesthetic core of ceramic art and modeling, which can enhance the expression of the inner emotion of the work. With the change of historical times, the preference for color in different periods is also different, forming different aesthetic trends. The tang dynasty, advocating color saturation, therefore the tang tri-colored glazed pottery is the most famous; The song dynasty was the most popular period for literati, advocating indifference to fame and wealth, the gentleman's way, so the blue glaze is the most popular; To "celadon" the good name description such as "qianfeng cui color" "kind of jade kind of ice", blue and white porcelain up to now is the most people love the color; When the han dynasty was restored to the Ming dynasty, yellow returned to the peak of aesthetic appreciation and became the most noble color, which implied the son of heaven and was the royal color. The color of the ceramic works is closely connected with human history, the national customs to use ceramic colour also has a certain influence, such as red is prosperous, white represents dies, different from western culture, western white for purity and peace, so in ceramic art creation, should be reasonable use of color psychology, according to the work itself characteristics choose the right color for sublimation, satisfy people aesthetic demand.

Innovation is a vocabulary with vitality, and ceramic art creation makes the work itself more vivid. Traditional ceramic works are mainly created according to the needs of the productivity and aesthetics of The Times. With the pace of socialist modernization construction, science and technology level and people's quality of life have different degrees of ascension, more rich material life, people no longer content with food and clothing problem, and puts forward higher requirements on spiritual level, China's 19 major held the third plenary session, provides theoretical basis for the social development, xi jinping, the general secretary in his speech stressed that "we should firmly cultural self-confidence, national self-confidence, and strengthen the innovative spirit". Ceramic art, as a traditional culture, should follow the trend of The Times to avoid the traditional culture remaining in the copying stage. The present status of the ceramic manufacturing industry in China is not optimistic, some companies still stagnant, ceramic art design thinking behind, poorly made, the problem such as material single, therefore, ceramic innovation is imminent, relevant enterprises and designers should try to improve on form, style, study the application of various new materials, new modelling design, improve related smelting craft, break through the traditional limitations, in keep original advantages, on the basis of exploring the way to adapt to the era of creation. Designers should avoid overcorrection and enrich their artistry on the basis of preserving the use value of traditional ceramics. The diversification of social development broadens the development direction of modern ceramic art. In the design, more attention should be paid to humanized experience, so that the works can resonate with users and viewers and show the individual beauty of the works.

Meaning is refers to the "god", a good work of art is not as long as "treasures outside its," one must do it, and god is interdependent relationship, the two complement each other, not the shape of god is vulgar, invisible god is talking, traditional Chinese art beauty of implication, pay attention to the "pious", vividly through form, more thinking space for the viewer, in combination with the author emotion on the basis of further to sublimate the moral for ceramics, can meet the demand of modern spirit. Through landscape painting, poetry and calligraphy, the ceramic art works show the artistic conception that the author yearns for, and reflect the excellent artistic value of the works, so that the life experience and personality cultivation of the makers are reflected, with the meaning of beauty.

The shape of ceramic works is the direct expression of its value, is the basic content of artistic creation, through the color of the ceramic itself, the formation and linear change as well as the combination of different surfaces and space, contour ups and downs, glaze color and other forms of business performance. Ceramic modeling is created according to a certain rule, not an independent existence, it has the product of The Times, by life, art and techniques combined to form, can meet people's use needs and aesthetic needs, good works are practical and aesthetic both. Rational beauty of ceramics is presented by modeling features. For example, the practicability of ceramics in daily life should be stronger, and the modeling should be fully adapted to the use needs. Generally, precision instruments are used for unified processing to ensure the rationality of the main body and components, which is the concrete embodiment of rational beauty. Perceptual beauty focuses on the embodiment of artistic value, and the production process is more complex, usually manufactured by artificial, with different specifications. It emphasizes the expression of meaning and pays more attention to the overall artistic charm. Modern ceramic production should combine rational beauty with perceptual beauty, and the design should not only meet the needs of consumers, but also have a sense of beauty, so that the material and the implication of organic combination, to meet the needs of modern ceramics. =

The fineness of ceramic works is directly affected by the production process, and the glaze color, fetal quality of ceramics are combined with modeling and color to express the inner feelings of the designer. Production process is complex, to practice mud, casting, printing blank, blank, drying blank, engraving, glaze, kiln, painting, glaze color change. Clay training: from the mining area to take porcelain stone, with a hammer to break into egg-size blocks, and then use water mill to beat into powder, wash, remove impurities, precipitate into brick clay. Billet: billet is the first process of forming, to be familiar with shrinkage; Billet: the shape of the impression is according to the billet body shape arc rotary cut, will air to the half-dry billet covered in the mold species, then demoulding; Billet: it is a process with high technical requirements, which can determine the shape of the utensil. Bask in billet: the billet after processing and forming is placed on the wooden frame to be dried; Engraving: cutting tools made of bamboo, bone or iron are used to carve patterns on the dried body; Glaze: glaze technique is one of the techniques of making ancient ceramics, which is to apply glaze paste on the surface of the formed ceramic body. Dip in the main glaze, swing glaze, pouring glaze, brush glaze, sprinkling glaze, round glaze and other seven methods; Finally, paint. With the application of computer, ceramic art is becoming more sophisticated. Computer-aided design can simulate special lighting effects. The application of computer technology can provide more three-dimensional visual effects for the author.

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