Film development in the context of globalization

下面为大家整理一篇优秀的paper代写范文- Film development in the context of globalization，供大家参考学习，这篇论文讨论了全球化背景下的电影发展。随着全球化进程的加快，各国的电影都迅速被迫进入这一进程，在全球文化中占据着重要的地位。这将对电影的世界地图产生深远的影响。一个新的全球电影生态的逐步建立，一方面是对好莱坞世界霸权的挑战，另一方面也有可能促进文化多元化的崛起。

Globalization makes digestion and convergence of cultures, and at the same time, it also continue to transform a variety of original characteristics of culture, forming diversified new situations (Denby, 2012). It is the pursuit of capitals for profits that extends from the economic field to the cultural field, which promotes the process of cultural globalization (Denby, 2012). The cultural globalization is the reflection of capitalist development in the field of culture. The film, as a cultural pioneer, is an important media of organization and expression of capitals, so the capitals will naturally make full use of every space for film production and communication. This paper will compare and contrast the industry, ideology and technology of films in China and the US. They both gained favorable box office in 2015, but they produced different film types, ideologies and technologies.

The steady development of Hollywood was inseparable from the local market. After more than a century of continuous innovation, the American film market has entered a phase of balanced development, so the cinema, audiences and film constitute a stable self circulation system, which shut out almost all external challenges (Child, 2015). The Hollywood film market has also formed a pattern of commercial blockbusters and independent works. Relying on a strong industrial advantage and creative power, Hollywood produced a large number of high-tech visual spectacle movies, such as disaster, science fiction, fantasy, and action movies. In 2015, 691 films were released in North America, but the box office was mainly contributed by blockbusters (Statista, 2016). The top fifty box office in North America contributed 71% of its total box office, of which up to 27 movies were based on high tech magic, science fiction, and action movies. The 27 films grossed more than $5 billion, accounting for 73.6% of the first fifty movies and 52.2% of the total box office in North America(Statista, 2016). The top ten movies in the box office were also full of sci-fi action blockbusters, including animated cartoons. This fully reflected Hollywood movie highly concentrated in sci-fi action blockbusters, which attracted the audiences. 70% of the top ten films belonged to the series of films(Statista, 2016). On the one hand, it could reduce the risk, enhance brand effect, and create derivative products; on the other hand, it showed the Hollywood also in the bottleneck of creation, pioneering and original development to some extent.

All in all, it has compared and contrasted the industry, ideology and technology of films in China and the US. With the acceleration of globalization, each country's movies have been quickly coerced into this process, occupying an important position in the global culture. This will profoundly influence the world map of the film. The gradual establishment of a new global film ecology, on the one hand, constitutes a challenge to the world hegemony of Hollywood, and on the other hand, it is possible to promote the rise of cultural pluralism.

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