The religious consciousness in Golding's works

下面为大家整理一篇优秀的paper代写范文- The religious consciousness in Golding's works，供大家参考学习，这篇论文讨论了戈尔丁作品中的宗教意识。戈尔丁小说中渗透着浓厚的宗教色彩，甚至许多评论家认为威廉·戈尔丁是一位宗教作家。读他的作品我们会发现，尤其是早期创作中，存在着大量的宗教内容。带有宗教色彩的人物，典故及象征，随处可见，上帝的神威和形象更是无所不在。

Golding's novels are permeated with strong religious overtones, and the critics have noticed the sage or Christ archetype in Golding's early novels. such as Nathaniel Martin, "The Dark Zhao", Tracy McGrady, and so on. Golding often gives these characters a brief appearance, but it can have an important impact, showing the power of faith.

Golding's novels are permeated with strong religious overtones, and many commentators believe that Golding is a religious writer. Reading his work, we will find that, especially in the early creation, there is a lot of religious content. Religious characters, allusions and symbols are everywhere, and God's divinity and image are omnipresent.

Both the Lord of the Flies and the inheritors are thought to be a metaphor for the loss of innocence and the separation from the Garden of Eden. "Product Beecher Martin" describes how an extremely selfish soul struggles to resist God's meaning after death and refuses to be destroyed by God's story. The end of the novel was unexpected, and was crowned with a "trick". "Maybe I made a mistake," said Golding. I overestimate the modern understanding of theology. I thought readers were interested in theology. But that does not seem to be the case at the moment. "Likewise, the Sami in the fall of freedom" betrayed God like Martin. The story of the spire itself is set in medieval churches, where the relationship between man and God is an important theme. In Golding's late masterpiece "Dark Zhao", the allegorical metaphor structure of the early novels was out, and the symbolic meaning of religion was more prominent. In the works, a large number of allusions in the Bible, compared to the modern society of Satan in the eyes of the hell, is a "visible darkness" of society, like an evil, tyrannical, athwart sui "hell on Earth."

In addition, the critics noted the sage or Christ archetype in Golding's early novels. such as Nathaniel Martin, "The Dark Zhao," Tracy McGrady. Golding often gives these characters a brief appearance, but has an important influence, showing the power of faith. It can be said that the religious content in Golding's works abound, theologian Anderson said that Golding's novels have a theological tendency. There are critics who call it "Calvin", Golding replied: "In my work, this is not too harsh." I am not a Calvin, but I would like to believe that my creative abilities, my character and my experience determine that I can deduce Calvin in my work. ”

Golding called himself "an unqualified pious", that is not a strictly Christian, does not observe or observe religious precepts and rituals. His purpose in writing a novel is not to praise God, nor to preach to the reader, but to depict the reality of society, to convey to the reader his view of human life. In the writer's own words: "I don't belong to any religious sect, so I will not do anything accordingly." "For Golding, the belief in God is a moral issue, because it keeps people away from the ego swell that manifests itself in the theory and the overly optimistic audience, and the arrogance of man is the beginning of evil and depravity." Golding argues that moral principles cannot be deduced from scientific rationality. He thought that Newton conceived, or Einstein's conjecture, that even the universe that the astronauts had detected was just a human imagination, a product of the human mind. Another is the absolute truth that encompasses all truths, and unlocks the mysteries of all mysteries. In the face of this great truth, man is humble. "I can't believe in God," Golding said in an interview. The point is if you believe in God, you don't believe in yourself. "The writer has a deep understanding of his limitations and human frailty." "We now understand that, in every way, we have reached the boundaries that human beings can find, describe and even feel," the writer said. For me, it is infinitely merciful. We understand the mysteries of ourselves and the limitations and mysteries of our situation. This is the leading factor in my life and my creation. "Therefore, he believes that the treatment of religion, and the treatment of life, as well as philosophy, is to explain the imperfect man." However, it is undeniable that Golding's novel is the most striking, because of his religious level of sin and the power of salvation.

The work of the Lord of the Flies contains a wealth of Christian thought. Peter Green once said: "The moral framework of Golding's novels is based on the traditional Christian spirit." "The King of the Flies" is such a work, the novel about Christ's ideological plot abound, in many ways saturated with the Christian doctrine spirit. The work of the "human nature of evil" has been exposed and written naked, this view of sexual evil and the Christian "original sin" consciousness is inextricably linked. In addition, the "King of Flies", which is used to symbolize the evil of the human heart, is the symbol of the Devil in the Christian legend.

Golding argues that evil is inherent in human nature, not as a result of political institutions or social systems. He believes that the original sin of Christianity says that the human nature is evil, that people bring evil into the world, that "the King of Flies" is the representative of his evil, it allows us to see the human heart of the enormous potential of evil, so that we have a deeper understanding of ourselves. In a certain environment, people's evil ideas will be highlighted, in the no internal binding environment, the Beast ambush in the "evil" is like gradually from hibernation in the wake of the snake, eager to, this "evil" is the human itself and the inherent permanent destructive force. Golding saw the blindness of modern people and the lack of sense of guilt, and only the recognition of guilt can make people have the desire to get rid of the physical needs of sin and atonement. Therefore, Golding is to arouse people's understanding of the ego and the recognition of sin, as existentialism philosopher Kierkegaard said: "As long as in the sense of guilt, can find entrance into Christianity." ”

Theologian Augustine argues that greed, lust and lust are original sins, and that the original sin is the source of sin. The protagonists in Golding's works are guilty of such sins in varying degrees. Product Beecher Martin is a Life eater. He had a greedy appetite and swallowed whatever he met, always unable to satisfy. He has his own philosophy of life, that is, the theory of eating people and all the self-centered self-interest. "The Lust for Life is a major motivation in his nature," Golding said. The motive forced him to reject the selfless act of death. So he continued to exist alone in a world of his own vicious nature. ”

"Dark Zhao" the heroine of the twin sisters Sophie and Toni is also "very evil" incarnation, the Sisters both use drugs, sexual intercourse and violence to enrich their lives. These people are like Henry in the Pyramid, "in addition to a reasonable price, it is impossible to pay more", all in the self-interest of the center, with this "reasonable" weighing the direction of life, thus giving up love, art, ideals and beliefs, has become T.S. Eliot's "Hollow Man."

Although Golding's work is generally related to dark evil, his exploration of life is positive, and his work has permeated his thoughts on the salvation of humanity. For example, Golding's image of martyrs and Christ-like figures set in the novel, they all sparkle with the divine radiance and reveal the desire for salvation. Simon is such an image, he is the representative of goodness and virtue, as the author himself says, Simon is the incarnation of Christ Jesus himself. He is the only child who has never been meat, holy and self-made, and he is the only child who has not abandoned his faith and given up his prayers. He has the courage to pursue the truth, to recognize himself, to Ralph, Simon predicts: "You will return to the original place." "And the same prophecy of his fate, that is, to convey the truth of the dead." Simon's sacrifice is tantamount to the crucifixion of Jesus, with special theological significance and redemptive power. Simon was the first saint in Golding's works, and he was a holy man, but in a world of fallen beings, he could not escape. The death of Simon means the absence of God and the rupture of the relationship of Man and God. Therefore, Simon plays a Christian role, a martyr who sacrifices himself to spread the truth.

In Golding's work, the human life is at stake, facing the crisis of nowhere to hide. The threat to mankind is not from any internal strength, but from the deep hibernation in the human soul of the Beast of Evil. Golding believes that "evil" is the nature of man, when human beings betray God and violate the teachings of the Bible, "evil" will be tempted, even Shine, squeezing people's lives, so that people carry heavy sins. Only through God can we get rid of the body of sin and the salvation of the soul.

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