作业代写：The lens language in animation film and television

下面为大家整理一篇优秀的paper代写范文- The lens language in animation film and television，供大家参考学习，这篇论文讨论了动画影视中的镜头语言。镜头语言，指的就是运用形象的类似电影电视画面或画面组合的符号表达来表现事物的一种语言方式。动画中的镜头语言大多借鉴电影的表现形式，通过镜头的交互式切换在叙事上突显不同的人物性格，形象化的再现人物矛盾以及相互冲突的地方，故事的发展更加激烈化。对于不同的视觉效果，镜头语言在此发挥了巨大的作用，不仅仅局限于传情达意，更多的是诠释。

The so-called "lens language" refers to a language way to express things through the use of symbols similar to film, TV picture or picture combination. Lens language is the art of visualization, that is, the so-called art style of expressing one's feelings as a kind of expression. Lens language is not empty lyric, abstract philosophical, boring argumentation and straightforward preaching with the help of concepts, judgments and doctrines. But through the basic unit of "image" to realize the value of the film, complete the function of "language". Image exists in life, image is the product of "reality", image is the real "material".

Animation for art forms, in the narrative, expressing ideas, show life formed in the process of the creation of the comparative grammar textbook animation, by the "word" to "sentence", to "section", to the film, have similar composition of grammar and rhetorical skills and means, these will constitute the unique language of animation. This is different from the traditional video mode, which cannot be compared with movies and TV. The design of animation lens can go beyond the norm, and it can be set in some places beyond human power, which can strengthen the persuasion of the lens. This is also the charm of animation lens language, and it is also the more attractive place of animation.

There are many ways to classify lenses, such as fixed lenses and moving lenses. In order to facilitate appreciation and analysis, we divide the "lens language" into five categories according to the scene: vistas, panoramic views, mid-shot, close-up and close-up. This is an important representation of video creation and an essential element of visual language. According to the needs of the creator of the shooting footage will be edited and combined to make it a coherent, coherent story line. Animation is also part of video. What is important is vision. Since there are visual elements, we need to use lens language to narrate. Lens language design plays a very important role in the animation film, and tells the emotional stories to be expressed through a large number of lens language. Animated video camera can do when using conventional film is hard to realize the span, for example: in the bolt, the lens with the hero in dungeons, and slitting and lens of the earth, and to follow straight into space, and so on a series of lenses to an otherwise plain story even more dramatic, visual effect is more intense. The super long following shot not only prolongs the audience's sense aesthetics, but also stimulates the audience's psychology, and pulls the heartstrings with the shot.

The lens language in the animation mostly refers to the expression form of the film. Through interactive switching of the lens, different characters' personalities are highlighted in the narration, and the characters' contradictions and conflicts are vividly reappeared, making the development of the story more intense. David lean rarely USES overlapping scenes in Lawrence of Arabia to drive the story with ever-changing footage. For example, in the first half of the film, Lawrence's instant picture of the match being blown out is switched to the pre-dawn sky. This kind of lively editing makes people enjoy the almost perfect picture. Rapid lens transformation and back cutting create a visual impact effect, and use the slow-motion lens of rapid shooting to repeatedly render the connection of fast rhythm. The picture has an inspiring visual effect, which has been used in the animation film "the lion king". The technology in these traditional films has been used in the existing animation films. What is different is that the hero of the story changes from human to CG creation, and the hero's performance is even more exaggerated. In the same way, the protagonist simba's split-second scene of firefly extinguishing in the cave switches to dawn sky. Although the two films were shot decades apart, they still enjoy nearly perfect images.

Lens language depends on the movement of the lens to reflect the form. The motion form of the lens is the modification and expansion of the scene and Angle and complements each other according to the shooting of the fixed position. Motion photography is a unique expression of film art. Motion photography can continuously represent the transformation of time and space, which mainly depends on the position of the camera. The main motion of the camera includes pushing, pulling, rolling, moving, lifting, and following. At the same time, the lens is also the potential form of the picture, and also the most basic element that constitutes the picture. Without understanding or discrimination of various lenses in film and television art, it is difficult to master the rules of film and television art creation and appreciation. Usually there are two basic conventions for the motion of the camera. One is to move according to the plot, and the other is to keep a good picture effect in the process of movement. Editing mode becomes a supplementary way to enrich the animation shot language. A variety of editing modes can also make up for the insufficient narrative language, ideographic mode and the visual effect closer to traditional films.

The use of animation lens is no less than the film, TV drama, the same emphasis on the use of the scene. The narrative process is completed through the transformation of time and space. It is inevitable to apply some skills to the processing of film and television pictures. The difference is that animation can be achieved beyond reality with the help of CG technology, which is brought about by the development of modern CG technology. Montage in the traditional cutting technology is the most difficult to control lens language, montage is French montage, a former assembly, shear, refers to a series of in different locations, from different distance and Angle, arranged in different approach taken by the camera together, is one of the major means of narration and expression means of films. It can be roughly divided into "narrative montage" and "performance montage". The former mainly aims to show events, and the general parallel splicing and cross splicing belong to this category. "Performance montage" is to strengthen the artistic expression and emotional appeal, through the "irrelevant" lens connection or the content of mutual contrast to produce the original does not have the new connotation. CG technology makes such editing methods have a bigger breakthrough in the change of lens. In the film "spider-man" series, the footage of spider-man dancing back and forth over New York City is impossible for the camera to shoot, and the animators, after their intricate production, have the footage we see in the film. Of course, there are many ways to edit, in "exhausted" luc godard on the revolutionary jump of editing, showing the powerful lens language, the world was shocked. This approach is more concise in the hands of animators, and the jumping back and forth lens language of time and space is more complete than before. The new animated film "apple core" not only fully embraces these, but also goes beyond them.

Different editing techniques create different visual effects, and the lens language plays a huge role here, not only in conveying emotions, but also in interpreting. At the same time, it is the transcendence of technology. The expression of lens language is more direct, powerful and complete. The second is the transcendence of thinking. With strong technical guarantee, we can do it boldly and present the idea limited by traditional equipment faithfully. "Kung fu panda" in 2008, the performance of the lens, but also with the help of animation technology, the omnipotent effect. Animation fans should remember the celestial, whirling camera tracks in the action scenes of "child of the fallen". Depending on the content, the positions and perspectives of "kung fu panda" are not that complicated, but they are also elegant and full of changes, which convey the sense of space and position to the audience. As the camera zooms through the space like a gazelle, the screen seems to take on a wider depth of field, as if it were sucking the audience in.

The lens language of animation comes from film and TV. With the support of computer technology, it has developed a lens language with its own characteristics. It is more perfect, more real, more convincing and more attractive to the audience.

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