北美作业代写：Miyazaki movies

下面为大家整理一篇优秀的paper代写范文- Miyazaki movies，供大家参考学习，这篇论文讨论了宫崎骏电影。宫崎骏是日本非常著名的动画制作人，他的电影对现代社会、和政治等问题进行广泛关涉性的反映，并且在作品中从可持续发展的角度对历史发展进程中人性的发展，人类与自然的关系等内容进行了深刻的反思。

With the continuous development of film technology and the increasing of film types, animated film has gradually become one of the important types that cannot be ignored in film art. In a nutshell, animated film takes animation as the expression form and artistic expression technique of film art, and expresses and interprets the content, plot, characters and theme thoughts of the film through animated pictures. From the perspective of the development process of animated films, so far, in the historical stage of world animated films, western animated films and Oriental animated films are mainly represented by the animated films created by American Disney animation and Japanese boy jun respectively, and have obvious cultural differences. In the movie of the narrative process, the Disney animated film on narratives favor's prose, brief and to the point to define this plot of the film, and to shape the exaggerated characters, narrative is full of bizarre, absurd, interesting strong story content such as artistic technique of expression and form of expression as the film. On the other hand, the animated films of hayao miyazaki, no matter in the natural environment, social environment or the characters in the films, are basically consistent with the real life, and have the classical aesthetics in traditional Japanese culture such as implicitness, elegance and sentimentality. At the same time, miyazaki hayao's animated films are full of modern elements. The ingenious references of modern elements make the films also have modern aesthetics. That is to say, in animation film, appropriate hayao miyazaki Japan's traditional culture in classical aesthetics and modern aesthetics that exist in the real life, as a medium, the carrier of the contents of the works, such as characters, themes, detailed and vivid performance, in the art of animation film entertainment properties at the same time, through the cultural connotation of the film art performance activities of Japanese culture and world cultural ideas and make a deep and comprehensive reflection, causing the audience for the culture of thinking, human development and other problems, make animated films has cultural value and practical significance. Taking some of miyazaki's animated films as examples, this paper probes into the coexistence of classical aesthetics and modern aesthetics in miyazaki's works, in order to show miyazaki's unique artistic expression skills, ways and methods, as well as the unique artistic charm and value of his animated films.

In the description and evaluation of miyazaki's animation works, media, critics and audiences often focus their evaluation on the description and expression of Japanese native culture in miyazaki's works. In other words, the local culture in miyazaki's animation works is an important factor that constitutes his film content and theme. For example, miyazaki hayao's animated films often use Japanese culture as the background elements to construct a fairy tale film context full of magic charm and infinite beauty. At the same time, based on this, the content of the film, the characters and the theme, such as the artistic expression activities. However, it is precisely because miyazaki has used a large number of Japanese cultural elements in his film artistic expression activities that his films show sincere emotions while presenting a strong classical aesthetics with traditional Japanese culture.

"Ai" is a classic of traditional Japanese culture artistic technique of expression and aesthetic thoughts, refers to the literature or other forms of art activities in the process, the creator will by the works of blend of subjective emotion and objective existence, so things in the works and landscape, environment and other objective factors and the characters of the creator or work, the combination of the inner world of the reach of so-called "nature and humanity" art realm. Among them, "ai" refers to praise, joy, pity, resonance, beauty, sadness, disappointment, moved and many other emotions and emotions. In the process of animation film creation, miyazaki skillfully applied the artistic expression technique of "wu ai ai" in traditional Japanese culture, paying attention to the unity of the natural environment and characters, story content and plot development in the film. In other words, in miyazaki's animated films, the setting of natural environment and scene is closely related to the shaping of character images and the narration of story contents, which reflects the artistic feature of "wu ai" in the classical aesthetics of traditional Japanese culture. For example, totoro, an animated film created by miyazaki based on stories he heard in his hometown when he was a child. In terms of picture composition, in the film "my neighbor totoro," miyazaki USES pure and simple colour in the film the outline of extremely agrestic breath, lush trees, the dappled sunlight through the trees, branches and leaves and flowing streams, colorful flowers, and in the depths of a forest is only able to see the elves of children, etc., in such a composition with the Settings of the scene, foil gives the human desire for peaceful and serene, peaceful life. When the little girl is lost in the rain night, the scene of the forest where the dragon-cat spirit holds an umbrella for her makes people feel unexplainably touched, which is the remarkable expression of "wu ai ai" in the classical aesthetics of traditional Japanese culture. In terms of the story content, plot development and character image building, the film "totoro" takes Japanese countryside and forest as the main scene of the story's occurrence and development, and tells the adventure experience of xiaomei and xiaoyue2 sisters in the countryside and forest to guard the elves totoro. It emphasizes two sisters' kindness, lively and naughty personality, as well as their lovely and friendly personality. Miyazaki describes the scenes and plots of the two sisters' friendly relationship with the goblin totoro in a reasonable way in the film, presenting incisively and vividly the thought of the "material sorrow" spirit that human beings live in harmony with nature. Of course, in the creation and artistic expression of "totoro", miyazaki also chose music with Japanese national style as the background music, which provides favorable conditions for the expression of "wu ai" aesthetics in the classical aesthetics of traditional Japanese culture. For another example, in the movie "the leopard cat", miyazaki miyazaki sings the Japanese children's song "cat, cat, shall we play?" As the beginning of the film, the documentary USES the third person perspective as the narrator to describe the original quiet and peaceful living environment of the leopard cat. Later, the film narrates the flourishing human society and the declining natural environment by means of comparison. In order to show the disturbance and destruction of human society's economic development to natural environment and biological creatures, miyazaki highlighted the destruction of large industrial construction machinery to the original villages in the picture of the film. With the farmland full of crops and fruit trees gradually disappearing with the construction site, the world of leopard cat was threatened, and the contradiction and dispute between human and nature became more and more obvious. In the process of expressing the content of "human and natural disputes", miyazaki's expression of the decadent scene of nature, as well as the emotions and emotions such as the dissatisfaction and helplessness of leopard cats, is a manifestation of the sadness and resentment of the Japanese classic aesthetic "material sorrow". Such classic aesthetic artistic temperament in the film "the leopard cat" miyazaki hayao to investigate the economic interests of mankind, unrestrained destruction of the natural phenomenon of the phenomenon was revealed and criticized. Thus, in the process of animation film of artistic expression, hayao miyazaki will classical aesthetic "cry" as the construction of film language environment favorable artistic technique of expression, in pursuit of more in line with the artistic conception of mood, emotion, further to the film contains profound expression, humanistic care for interesting and thought-provoking.

In addition to using "wu ai ai" as an effective technique of artistic expression in the film, miyazaki hayao also used the national element with simple and simple characteristics in the creation process of animated films as an important factor that constitutes the film scenes, story plots, ideological themes and other contents. For example, in the film "spirited away", hayao miyazaki, according to Japanese traditional architectural style in the film created a paranormal does not belong to human town, the town can be found in ancient books recorded in myths and legends, such as the mother tang, CAM, white dragon, etc., at the same time, the people on the town from clothing to food habits and the life of the people of traditional Japanese. In spirited away, the story of the chihiro family lost in the depths of a forest dovetails with the story of a mountain god named "bird dog" in traditional Japanese folklore who takes people who are lost in the mountains and forests into a different world. In addition, miyazaki chose the wooden village bow, who is good at the national music activity, to perform the final song of the film. The melodious music combines with simple and simple Japanese folk elements to perfectly present the classical aesthetics in the traditional Japanese culture. For example, in the film princess mononoke, miyazaki made a realistic artistic description of Tokyo ruled by the muromachi shogunate from the 14th to 15th centuries, and emphasized on the nobility and martial arts influenced by zen Buddhism. In the meantime, miyazaki takes this as the background of the film, telling about the conflicts and wars between human beings, gods and the nature of the shrimp yi tribe in northeast Japan at that time. The god and curse involved in the film is miyazaki hayao's interpretation of Japanese traditional culture of myths and legends and zen culture represented by beishan culture. Therefore, we say that in the process of artistic expression, miyazaki hayao not only relies on "material sorrow" to realize the artistic conception construction of the film, but also USES the plain and simple elements of nationalization to inherit traditional culture, so as to make the film more historical significance and appreciation value.

In the process of artistic expression, miyazaki hayao's animated films have shown the traditional Japanese culture from multiple perspectives and comprehensively. As technology learning technology for the role and influence of human life gradually strengthen, hayao miyazaki will also be a lot of modern and future science and technology, culture, politics, economy and other elements into their works, by abstracting or symbol of artistic technique of expression, such as social reality of the situation and existing problems of reveal and reflect the animation films on the sensory and mental has strong modern aesthetic.

From the appearance, the modern aesthetics of miyazaki hayao's animated films are mainly reflected in the extensive implications of his film content for modern or future social science, technology, culture, politics and economy. For example, in the movie "city of the sky", miyazaki made detailed and detailed descriptions of the aircraft and other relevant content, and invented the civil flapping aircraft, civil flying passenger ship, huge military flying warship and so on. In the film, miyazaki has not only portrayed the aircraft in a detailed way, but also successfully shaped the characters of various levels, such as the mysterious girl hida who is of royal descent, the boy bass who works as a mechanical worker in a mine, and the spy of the government intelligence agency romulska. Miyazaki has accurately described the aircraft and characters in the film city of the sky, and narrated the military, political, social and other contents involved in the film, so that the whole film has the artistic characteristics of magic realism and modern aesthetic sense of The Times. For example, in the movie nausicaa of the valley of the wind, miyazaki also USES magic realism to describe the living environment and the survival and development problems that human beings will face after 1000 years, and he also gives rich expression to the conflicts between human and nature. From a wide range of aspects of relevance, the modern aesthetic of miyazaki's animated films is manifested as the incisive revelation and reflection of his works on modern social politics, economy and the development of human civilization.

In essence, miyazaki's film is not only a comprehensive reflection of modern society, economy and politics, but also a profound reflection of human development and the relationship between human and nature in the process of historical development from the perspective of sustainable development. Movie "my neighbor totoro", or the movie changed civet cats ", from the point of view of the theme of the film, through the description of the mysterious natural beings, hayao miyazaki performance in ongoing modern human society in the process of construction and retrofit for the destruction of nature, which was a good natural environment cannot be preserved for a long time and development. In the movie "valley of the wind", the reason why human beings have to survive in the hellish horrible environment is that human beings have to destroy the natural environment in order to constantly satisfy their own desires, so that various fungi have large-scale invasion on the human world without natural barriers. In spirited away, miyazaki USES the image of a bedraggled, unclean river god to accuse humans of polluting the water supply. Chihiro's parents turned into pigs because they did not obey the shop assistants' rules to steal food, expressing miyazaki's contempt and disgust for the ugly side of human greed. Of course, in spirited away, miyazaki also USES faceless man, small white dragon and other characters to imply human's ever-expanding desire, while chihiro's work and life experience in the town represent miyazaki's inner longing and desire for human redemption. It can be seen that in miyazaki's animated films, both the artistic expression techniques of magic realism and the local cultural elements full of traditional classical flavor are only favorable tools for miyazaki to express and express his emotions, emotions and thoughts. The profound reflection on the sustainable development of human nature and the relationship between human and nature is the obvious artistic feature of modern aesthetics in miyazaki's films.

To sum up, in hayao miyazaki animation film art activities, flexible, clever use of its artistic technique of expression, sui generis succeeded in Japan traditional classical aesthetics and modern aesthetics together with characteristics of abstraction, the work has the beauty of classical and elegant, reserved, and under the modern art form but also has profound connotation, for Japan, and the east has made outstanding contributions to the development of animation films, and provides a good lesson.

51due留学教育原创版权郑重声明：原创paper代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。主要业务有essay代写、assignment代写、paper代写服务。

51due为留学生提供最好的paper代写服务，亲们可以进入主页了解和获取更多paper代写范文 提供作业代写服务，详情可以咨询我们的客服QQ：800020041。