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北美作业代写:Brahms

2018-08-07 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Brahms,供大家参考学习,这篇论文讨论了勃拉姆斯。约翰内斯·勃拉姆斯是德国浪漫主义时期著名的作曲家和钢琴家。勃拉姆斯拥有着自己独特的风格,即古典主义与浪漫主义相融合,所以被称为浪漫派的古典音乐家。勃拉姆斯虽然处于浪漫主义时期,但他非常崇尚巴赫贝多芬等人,并继承与发展了古典主义的精髓,产生多样的创作手法和丰富多彩的音乐内涵,最终形成了浪漫主义与古典主义的深度融合。

Brahms,勃拉姆斯,essay代写,paper代写,作业代写

Johannes Brahms, German composer and pianist of the romantic period. Under the influence of his teachers, Brahms formed her own unique style, that is, classicism and romanticism blend together, known as a romantic classical musician. Although he was deeply in the romantic period, he greatly admired Bach, Beethoven and others, and inherited and developed the essence of classicism, generating diversified creative techniques and rich music connotation, which formed the deep integration of romanticism and classicism. In Brahms's lifetime, the piano may not be his most important genre, but it is definitely the beginning of his other works. In this paper, his piano work rhapsody in g minor will be discussed in combination with music literature and the author's own experience. This paper covers the life of Brahms, works of music and music style to explore the performance of rhapsody.

Johannes Brahms is a deo romantic period of important composer, pianist, has important position in the history of European music. It not only inherits the technique of classicism creation, but also absorbs the essence of romanticism. Then, it integrates with each other in its own unique way, finding a balance point between two different styles and forming the deep integration of the two styles. However, there are few papers on Brahms's rhapsody in g minor as an example. On the basis of careful study of previous scholars and in combination with the author's own practice performance, Brahms's piano works, such as rhapsody in g minor, are viewed more comprehensively.

Brahms has an important and special place in the history of music throughout Europe. In the romantic period, he respected the traditional techniques of classicism and formed his unique style. Although it has been proposed that Brahms's classicism and romanticism merge, few people have made specific analysis. In this paper, rhapsody in g minor is taken as a typical example of the deep integration of classicism and romanticism, which further enriches and enriches the current research situation of Brahms, and plays a leading role in the exploration of this topic in the future. In this work, it is far from enough to have only playing skills. It is necessary to have a comprehensive and in-depth understanding of the work for in-depth analysis to be more appropriate to the author's creative ideas, and to play the essence of Brahms music. Therefore, I also hope that this paper can give some hints to the players of rhapsody in g minor.

Article or monograph of Brahms music for both inside and outside have published a lot of, such as the UK Paul holmes, king empress wanrong translation "Brahms"; Li jinzhu, the last master of classical composition of deao. Shi hui's Brahms forever; Germany, John foer, compiled, Su Dexin translation of "Brahms"; Written by mathews, UK, translated by yu shaowei "music Brahms piano"; Li jing wrote the spiritual journey of thinking about death: an analysis of Brahms music's "emotion of death". The character characteristics of Brahms and her music creation by guo xiaopin; Zhou weijuan, focus person: Brahms, etc.

Johannes Brahms is a famous German composer and pianist. Born in the northern German city of Hamburg in 1833, his mother is said to have a high level of cultural literacy. His father is a musical instrument player of the band and the whole family has a low income. When Brahms was seven, his father hired kessel to teach him how to play, giving him a solid foundation. When he was ten, kesser introduced his teacher, maxson, to learn piano and composition for Brahms. In the following years, maxson cultivated Brahms's love for classical music and German folk music. Meanwhile, Brahms's music talent was deeply appreciated by maxson. After Mendelssohn's death, maxson said, "the grandmaster is dead, but another master is emerging, and this is Brahms." In 1853, Brahms cooperated with the violinist Edward on a tour and got to know the violin masters joachim, liszt and schumann, which was of great significance to Brahms.

In terms of quantity, Brahms's independent piano works are not many, but the number alone cannot prove that this is not the most important genre, because all works start from the piano works. In general, Brahms's creation can be divided into three periods:

Under the influence of his first teacher, mark sen, Brahms gradually developed a deep interest in composition and completed the first piano work, banter in E flat major, in 1851. Brahms also wrote the first piano trio in B major from 1853 to 1854.

During this period, he created the piano concerto no. 1 in d minor, after which Brahms completed the Handel theme variation and fugue, and created two piano quartets and two piano sextet.

Later Brahms settled in Vienna and got to know the pianist tohig. In 1862-1863, he wrote the paganini theme variation for him.

In 1865, Brahms completed the sonata for the cello in E major and the trio for the horn in E flat major. After a period of touring performance, he created string quartet in c minor. At the end of 1866, he returned to Vienna and wrote the German requiem, a work whose great success established Brahms as a mainstream composer. After the franco-prussian war, the chorus song "the song of victory" was created to express his joy.

In 1873, after the completion of Haydn theme sonata, he began to study the creation of symphonic music. After the completion of the first symphonic work, symphony no. 1 in C major in 1876, the work was a great success in 1877 because of the serious imitation that was accused of.

In 1875, Brahms wrote the violin concerto in D major for joachim, which was also a great success and was called "the most important work after Mendelssohn and Beethoven". Important works of the same period include: string quartet no. 1 in c minor, string quartet no. 2 in a minor, string quartet no. 3 in B flat major, piano concerto no. 2 in B major, sonata and quartet, piano quartet in three and four piano narrative pieces.

Schumann once described Brahms's piano work as "a symphony with a veil on it", which could be regarded as a prelude and an experiment for his four upcoming symphonies. And this work is exactly one of the representative works of this period. In the music, a large number of 368degrees are used and the interval is strengthened, resulting in the fullness of the symphony from the piano. This work is full of the national flavor, which has made a good balance between the classic and the romantic. On the basis of inheriting the tradition, the romantic elements are combined to bring us a good aesthetic feeling. Therefore, it is not necessary to add the label of classicism when playing this song. In essence, it expresses the feelings of romanticism in the form of classicism and can add romantic feelings.

This piece is not a big problem to read and play, but many details need to be paid attention to. There are some connections that are easy to ignore, and if you pay attention to those connections, it's a good way to contrast them with the jumping part at the back, add the pedal properly and connect them with your fingers. Through the analysis of Brahms's rhapsody, we can understand that his music style is unique in the romantic period, which not only reflects the respect and persistence of classicism, but also combines emotional romanticism. The second rhapsody in g minor is the most widely performed work in Brahms's piano works. Through the exploration of its performing methods, the author has a deeper understanding of the works. It is hoped that this paper will enable the players to further understand the second rhapsody in g minor and provide some help for the actual performance.

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