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美国作业代写:The innovation of Painting

2018-01-05 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The innovation of Painting,供大家参考学习,这篇论文讨论了绘画的创新。绘画的创新不只是造型上的创新,因为绘画是造型艺术,也是空间艺术。造型问题与空间问题关系相当密切,有时还有重叠之处,但两者并不等同。艺术史表明,造型观念先于空间观念。也就是说,空间观念的变革是当代绘画创新的一大趋势。

Chinese painting,绘画创新,essay代写,paper代写,美国作业代写

Painting is the space art, the space question about the painting art, has been the research hot spot for a long time. Chinese painting is no exception. In recent years, it is not uncommon for academic journals to take "the space concept of Chinese painting" as the name. In general, however, these papers have two features or two defects: firstly, the paper sums up the spatial characteristics of traditional Chinese painting, which belongs to the study of art history, and does not find that the space problem of Chinese painting is a real theoretical problem, which is related to the essence of Chinese painting. Second, limited to the Chinese painting space of the established, and did not take into account the possibility of Chinese painting space. The space problem of Chinese painting, as the essential factor of Chinese painting, must be closely related to the innovation of contemporary Chinese painting. Nature is not a constant eternal essence, it is only platonic nature. In the Western modern philosophy of the 20th century, the Platonic concept of nature has been abandoned.

In his study of "tragedy", Moritz, a phenomenological aesthetic, pointed out that "we cannot use a certain immutable concept of essence--the archetype of this essential concept exists in mathematics--to study it, and only to use a dynamic concept of nature to study it." "Nature is the essence of development, the future-oriented, the full possibility." Therefore, the study of the space problem of Chinese painting, in addition to pointing out its existing characteristics, but also to reveal the contemporary changes in the concept of space.

The two dimensions that were missing in the previous research, namely the dimension of nature and the dimension of innovation, are closely related. Art is a historical existence, the development of art has a very obvious historical continuity, artistic innovation is often expressed as "back to the new open." Therefore, any real innovation will not give up the essence of a certain painting for the sake of innovation, but only develop the essence that the painter realizes. For example, pan that the main line of Chinese painting, line is the lifeblood of China's painting, he said: "The shape of Chinese painting, to rely on the line, with the line to shape, this is the most original and basic." So his innovation attempt, in any case, refused to give up the line. Fu generally see that. He thinks that "line drawing is the basis of Chinese painting", "the basic problem of Chinese painting, that is, the problem of lines." The line of sight is the essential language of Chinese painting, and its expressive force expands and pan the art of painting and Fu. Just as Fu said, line is "The modelling foundation of Chinese Painting", it is belong to "modelling" aspect of painting language or painting element. Fu created independently "hold stone chapped", "Hold stone chapped" is modelling innovation: it can be said to be lines, pen and ink, modelling of the Trinity, and attributed to modelling.

The innovation of the modelling is not the whole of the painting innovation, because the painting is the plastic arts, is also the space art. Modelling problems are closely related to space issues and sometimes overlap, but they are not equal. For example, sculpture is not the shape of the sculpture space. Ancient Egyptian sculptures often adopt a "positive law" of symmetry, often make the works form a "cube" form, the Ancient Egyptian sculpture was also known as the art historian "Li stool" style, this style of sculpture is often attached to the wall. Although the physical existence of Egyptian sculpture works is also three-dimensional, but its spatial concept is mainly two-dimensional plane, sculpture space awareness has not yet awakened. Ancient Greek sculpture began to break the symmetry, the abolition of the "cube" form, so that the statue from the back of the wall support, and let the characters appear in an S-shaped posture to stand, increased the face of different angles, which means the formation of three-dimensional space concept. From a modelling standpoint, Egyptian sculptures are not necessarily inferior to Greek sculptures; from a spatial point of view, the Greek sculpture is clearly a step ahead of the Egyptian sculpture.

Art history shows that the concept of modelling is prior to the concept of space. Today, including Xu Beihong, pan, Fu and other people in the 20th century Chinese painting masters, their Traditional Chinese painting innovation is a different direction, but in general are in the "modelling" field of innovation. The innovation of Chinese painting has not yet been completed. Further innovation will transcend the concept of modelling and turn to the concept of space. In other words, the change of the concept of space is a major trend of contemporary Chinese painting innovation. Or, the Times calls for us to innovate in Chinese painting, the focus of innovation from the concept of modelling to the concept of space. This makes our research on this subject has the urgency of the times.

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