Manhattan Transfer

下面为大家整理一篇优秀的assignment代写范文- Manhattan Transfer，供大家参考学习，这篇论文讨论了小说《曼哈顿中转站》。帕索斯的《曼哈顿中转站》以一战前后的纽约为社会背景，描写了普通大众的普通生活，他们有梦想却被无形的枷锁桎梏着命运，成为精神空虚的失意者，反映了战后的迷惘和颓废。

In 1925, passos published "Manhattan Transfer", which was based on his military service experience and took the New York before and after world war I as the social background, describing journalists, sailors, actors and other frustrated people with spiritual emptiness, reflecting the lost generation after the war. At present, the research results of "Manhattan Transfer" mainly focus on its narrative mode and language style, while there is no detailed and systematic research on the post-modernity of this novel. Based on the existing literature at home and abroad, this paper intends to interpret the novel from three aspects of post-modernism aesthetic appeal, text structure and subversive human design, so as to provide a new perspective for readers to read the novel.

In the creation of the novel, vonnegut insisted on the uncertainty principle of postmodernism, and expressed the theme and art in such diverse ways as ambiguity, discontinuity, randomness and games. The world is no longer unified and the meaning is no longer single. Post-modernity reflects the sense of fragmentation, confusion, multilayer meaning and uncertainty. One of the outstanding manifestations of post-modernity in slaughterhouse five is metaphorical contrast. The title of the novel originates from the New Jersey railway station. The novel starts and ends with the ferryboat echoing the people going to and fro. New York is like a big transit station. They come to Manhattan for all sorts of reasons, and if it's bad, they leave; If it's better, they stay. Manhattan is a beacon of hope and despair. Outsiders do not go in had to leave the scene, once new yorkers returned home to find that this is not their home, the same is still New York. Bustling outsiders follow coal trucks, trams and steamboats around the city's central reference. The whole novel, in order to avoid focus to describe a single individual character, so paso multichannel narrative method, in the third person, second person and indirect discourse between switch, makes every effort to describe homogeneity of the community, will shift the character's emotional material, ai pain even is the pain of the electric light, emotion through urban emotional refraction, set off more people into machines without emotion, the postwar decadence and emptiness through these metaphors can be seen, a deep reflection.

Post-modernity is good at showing the sense of fragmentation, confusion, multilayer meaning and uncertainty. Everywhere there is a center, everywhere there is no center. In Manhattan Transfer, post-modernity is especially represented as deconstruction and construction center. Narrative is the act or activity of telling a story itself, and the story expressed is the narrative. The novel has a novel and unique writing style, and the movie script and numerous fragments have been cut and pasted together to form a post-modern text. The novel does not have the story plot and characterization in the traditional sense, and the narrative features of many news reports are concise and lively, with some specific scenes vivid, and the meaning behind the dialogue is also extremely rich. The novel USES multi-frame switching to form a decentralized narrative from a synchronic perspective, with irrelevant passer-by a and passer-by b: Looking for young people in the centre of the city, have just arrived at the harbour of mother and son, seek dream actress, etc all kinds of characters, as they are in a hurry, image switching, this narrative puts the reader center, participation of novel text meaning construction and deconstruction of the center, construct the center, to achieve the aesthetic appeal of postmodernism, authorizes a futuristic art, sharp contrast with the traditional time-space, traditional way of expression has become pale, unable to express, paso attempt and groping, and post-modern novelists set off a postmodern aesthetic innovation movement.

Generally speaking, there are tall and glorious central characters or heroes in traditional novels. At more than 400 pages, "midtown Manhattan" has no central character, each reduced to dust. New York is a mecca for the American dream, and millions of people have come here in search of it. Bud and Allen are the epitome of the many dream-seekers who come to New York, beginning with the same idea but ending with a different ending. Bud, dreaming but unable to get close to the center, takes a hopeless leap, lamenting the emptiness and nothingness of life. Following in the footsteps of Sister Carrie, Allen came to Broadway at the age of 18 to realize his dream of performing arts, but through marriage to change the fate, she did become a star on Broadway, but from his heart's dream more and more far. The description of the characters is extremely simple. Many of them are fleeting, and almost all of them disappear by the end of the novel. Just as the name of the novel, Manhattan seems to be a big transit station, many dream seekers come in large Numbers but leave the scene in different ways, the emptiness and nothingness of postwar life is reflected incisively and vividly by these simple character Settings.

Passos's "Manhattan Transfer" takes the New York before and after world war I as the social background, describes the ordinary life of ordinary people, who have dreams but are shackled by the invisible shackles destiny, become spiritually empty frustrated, reflecting the post-war confusion and decadence. This paper attempts to interpret postmodernity from three aspects: post-modernity metaphor contrast, post-modernism aesthetic appeal and minimalist design, in order to provide readers with a new perspective of reading this novel, in order to arouse readers' deep thinking.

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