The narrative strategy of gossip girl

下面为大家整理一篇优秀的assignment代写范文- The narrative strategy of gossip girl，供大家参考学习，这篇论文讨论了《绯闻女孩》的叙事策略。美剧《绯闻女孩》自开播以来，迅速流行，吸引众多受众，其叙事策略起到很大作用。巧妙的蒙太奇手法是《绯闻女孩》剧很显著的艺术特色，蒙太奇给《绯闻女孩》创造了独特、多样的影视时间和空间。此外，《绯闻女孩》剧采用开放性的叙事结构，编剧鼓励观众的参与反馈，根据观众的喜好决定人物的去留和情节发展。

Since its debut, gossip girl has become rapidly popular and attracted many audiences, and its narrative wisdom plays a great role. The play presents three narrative strategies: "subversive" narrative perspective, "creative" montage narrative and "open" narrative structure.

A narrative is "a detailed description of a series of facts or events and the determination and arrangement of their relations". Roland barthes, a famous semiotic theorist, said: "narration itself has no distinction between behavior and purpose. Narrative can be said to include everything of human language, because narrative is an ancient phenomenon that transcends history and culture after the invention of language by human enlightenment. Therefore, as long as there is information exchange, there is narrative, and any material is suitable for narrative.

As a basic way for human beings to understand and reflect the world and themselves, narrative is the basic means of creation of all narrative works of art. Therefore, to attract the audience, the most direct way of TV drama is to adjust the storytelling method and effectively tell the story. American TV series gossip girl is a youth idol TV show that integrates fashion and Internet. The show shows the life of a wealthy kid at a private school on Manhattan's upper east side, and in a flamboyant way shows the psychedelic youth filled with money and high society. The play follows the fast pace of American TV series, without any delay, and has the characteristics of The Times and youth. The students use their mobile phones and computers to browse the "gossip girl" blog, and use their mobile phone text messages to get and spread the latest gossip.

Since the broadcast of the show, it quickly became popular and attracted many audiences, and its narrative wisdom played a great role. The play presents three narrative strategies: "subversive" narrative perspective, "creative" montage narrative and "open" narrative structure.

Narrative perspective, also known as narrative aggregation, is a specific perspective to observe and tell a story in narrative language. It is about the interrelationship between the narrator and the story being told: "what is the time relation of the narrative to the story? Is the narrative mechanism inherent in the story space, or just the opposite? How present is the narrator in a narrative?"

The TV series basically adopts a single third-person "omniscient narrative", and the camera is the ubiquitous eye, that is, the perspective of merrier's "music conductor" in the early film start-up period. The narrative perspective of contemporary American TV series breaks this creative convention and USES multiple narrative perspectives imaginatively, giving audiences a new and novel experience. Instead of narrating as Mary's soul in desperate housewives, gossip girl features a mysterious character who never appears on the show.

The teenage characters use their mobile phones and computers to read "gossip girl" 's blog and send gossip and photos to "gossip girl" via text messages. "Gossip girl" is gossiping about the secrets and actions of upper east siders, especially the show's main characters. "She" is not only the disseminator of gossip, but also the observer and witness of the characters' life in the play. But they can't find out who "gossip girl" is in the real world, and the character's identity is one of the show's biggest cliffhangers.

The show opens with the words "gossip girl" : "hey guys, gossip girl is here. I have the biggest news in history to share with you... "The narration of the special identity of" gossip girl "is more observed and involved in the plot, and it is placed in the same narrative discourse context with the dialogue of the pictures and characters. Through her unique way of seeing the world and examining the upper class society, audiences can experience the plot more deeply. The narration of "she" in the play is concise and pithy at the same time, full of humor and humor of black humor, and its mysterious tone is unforgettable.

The clever combination of narration and picture plays the role of metaphor and summary of the theme. At the end of episode 10 of season 1, for example, the voice-over reads, "people often say that no matter what the truth is, people only see what they want to see." Lily sees Serena and Dan dancing together, as she did with Rufus when she was a teenager. "some people might look back and realize that their desires were always the same," she says. Blair and Nate used to love each other a lot. "some people probably always knew what was going on." Chuck, who lost Blair and his heart to his own scheming, wants to leave, "and there are people who will run away so they don't have to look at themselves." The theme of the episode is summed up in the same part of the picture and voiceover.

When the voiceover is involved in the narrative context ontology, it strengthens the enlightening and thought-provoking role it can play in the interpretation of the theme, and then reflects on its own life. For example, at the end of episode 11 of season 2, the show is celebrating Thanksgiving, and the scenes of Nate and Chuck, Serena and her boyfriend, Blair's family and Rufus' family are cut to show gratitude for friendship, romance and family ties. Finally, as Vanessa sneaks open Jenny's letter, the voice says, "but I'm most grateful that people do unforgivable things even on days of greatest devotion."

In addition, the clever montage is a significant artistic feature of gossip girl. Montage is the main means of narration and expression in film creation. According to the content to be expressed in the film and the psychological order of the audience, a film is shot into many shots respectively, and then the separate shots are assembled to narrate the plot and depict the characters. Montage was first extended to the film art, and later it was widely used in the derivative fields of visual art.

It can be said that as long as there are film and television works, montage will have the space to exist and play an important role. Montage has created unique and diverse film and television time and space for gossip girl.

In season 1, Georgina broke Serena with her appearance

A quiet life. When Georgina threatens Serena, Serena reminds her friend of the ugly past. The present tense, when Serena cries to her best friend, and the past tense, which is made up of flashbacks between the characters, create two completely parallel time and space that drive the plot. In this parallel montage, the viewer searches for logical connections and gradually learns why Serena left Manhattan for boarding school.

In episode 7 of season 1, Chuck was absolutely mesmerized by a beautiful woman dancing on a dark bar stage with her back to the camera. But the story doesn't go on here, it goes back to two days ago, starting from two days ago. Flashbacks are used here to tease the audience with a glimpse of the plot, so that the audience's confusion and curiosity at the beginning of the series can be relieved with the development of the plot.

Season 1 episode 3, ivy week is coming up, and the main characters are going all out. From the beginning, the characters begin their morning grooming with a cross montage, to sitting down at school to listen to the teacher's announcement. The main characters sit in the auditorium in the present tense, crisscrossing the events of their morning

Blair's dreams reflect her subconscious unease and anxiety and serve as a metaphor for the plot. For example, in the fourth episode of the first season, Blair watched Serena steal her halo from tiffany's window. As the show progresses, Blair blames Serena for stealing her mother's love and honor.

Narrative structure is how the story is told. In the traditional closed TV series narrative mode, each episode has a beginning, development and ending, and the narrative structure is typical closed. The result of a structured story always follows the end of the broadcast, and in most cases, the audience can expect the result. American TV series adopt the system of separation of production and broadcasting, and the form of shooting and broadcasting at the same time, which directly brings the unpredictability and infinite possibilities of the plot development of TV series.

Gossip girl adopts an open narrative structure. The scriptwriter encourages audience participation and feedback, and decides the characters and plot development according to audience preferences. Writers can also adjust their plots and even add or subtract actors, depending on current events or unforeseen circumstances. For example, the actor who plays Georgina in the play has a full schedule, so her scene in the play ends with "she runs away with a man who claims to be a Russian prince."

Of course, in addition to the above interaction with the audience and meeting the needs of actors, the role of open narrative structure is mainly reflected in the following three aspects.

The open structure allows the imbalance and uncertainty on gossip girl to play a role, leaving suspense. By creating "suspense" Settings of multiple narrative lines to promote the development of the story, the audience always maintain a high level of interest and expectation. For example, in the first six minutes of the first season, the writers reveal the "suspense" Settings of multiple narrative lines: the mysterious return of Serena, Rufus' marriage problems, Dan's emotional direction, Nate's emotional entanglement with Serena, Blair's friendship with Serena, Eric's reason for being in a nursing home, and who is "gossip girl"? It was a secret "she" would never tell. None of the characters can find out, and the character's identity is the main suspense. In addition, the series will leave a huge suspense at the end of each season, allowing the characters to go to an unknown fate, so as to stimulate the anticipation of the audience. For example, Chuck's soulful speech at the wedding at the end of season 1 won Blair's heart. So how will Chuck and Blair's relationship evolve next season? At the end of season 2, Georgina returns to New York and asks Blair to be her roommate at NYU. Carter Baizen returns to New York with the secret of Serena's biological father. At the end of season 3, Georgina returns, claiming to be pregnant with Dan; Chuck was shot. What happened? These suspense points undoubtedly hold the audience's attention.

The open structure introduces new characters and storylines each season, creating suspense that keeps viewers tuned in. The appearance of Vanessa in season 1, Lily's baby with Rufus at the end of season 2, Serena's father, and so on, has thrown the cast into a new situation that continues to unfold in multiple episodes. In each season of the broadcast, the story plot is compact, each episode has a relatively complete plot, but the suspense, plot intensity is gradually increasing, to the next season, the writers have to add new characters to inject new vitality into the plot. However, it is precisely because the addition of new characters sometimes connects with the main character, which leads to more complicated emotional relationships. Therefore, some leading characters leave negative images of emotional unspecificity and fickle character for the audience. Even though many characters are set in the two sides of good and evil, it is a major feature of the play.

The open structure leads to the unification of the virtual and the real. Such as Christmas, Thanksgiving, the protagonist will also be on TV "holiday"; The two actresses were inspired by two of New York's hottest talking heads, Tinsley Mortimer and Lydia Hearst. Every season, even every episode has a different music, and most of the popular music; In the play invited many current flow star guest star.

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