Art philosophy

下面为大家整理一篇优秀的assignment代写范文- Art philosophy，供大家参考学习，这篇论文讨论了艺术哲学。艺术哲学作为学科名称和学术用语，如同哲学、美学、文艺学、文化学、社会学等等一样，是舶来品。世界学坛享有盛誉或比较著名的艺术哲学，就有德国古典哲学的代表人物之一谢林的艺术哲学，法国史学家、艺术批评家丹纳的艺术哲学，美国哲学家奥尔德里奇的艺术哲学等。另外，还有那些虽然不以艺术哲学名之而实为艺术哲学的著作，例如德国古典哲学的代表人物黑格尔的美学，美国实用主义哲学家杜威的艺术即经验，英国哲学家、史学家兼考古学家科林伍德的艺术原理。

So far, there have been more than ten works of art philosophy written and translated by Chinese scholars. One is the art philosophy of schelling, one of the representatives of German classical philosophy. He tried to define the position of art in the universe, explored art with the idealist dialectics formed in his analysis of nature, and proposed that art is absolute self-intuition, thus establishing a new aesthetics. Secondly, danner's philosophy of art, based on the three factors of race, environment and era, and from the historical perspective, investigated a large number of artistic facts in western history, and expounded his basic aesthetic concepts. Danner was a big influence on China. Third, Dewey's art is experience. He advocates the art theory of returning to daily life, and proposes that art is not used for external purposes. Its function is to enhance life experience, rather than to provide some understanding of external affairs. Dewey's philosophy of art seems simple and kind today, which should be studied and used for reference. Fourth, CAI yi's new art theory expounds that art is the reflection or recognition of real life through materialist epistemology, and the highest achievement of art lies in its authenticity and typicality. At that time, it was the forefront of academic thought, in the vanguard position.

As a subject name and academic term, philosophy of art, like philosophy, aesthetics, literature and art, culture and sociology, is imported. Translated into Chinese, work of art philosophy, there have been several special investigation and statistics, I didn't do it alone and I think I could find on hand enjoys high reputation in the world to learn or is famous, is one of the leading figures in German classical philosophy schelling's philosophy of art, the French historian art philosophy, art critics danner, American philosopher aldrich's philosophy of art, etc. Add that although not is to the art of philosophy of artistic philosophy, it would be more, such as the German classical philosophy of Hegel's aesthetics, the representative of American pragmatism philosopher John Dewey's artistic experience, the British philosophers, historians and archaeologists colin wood art principle of polish philosopher, phenomenology, and one of the representative figure of aesthetics Luo Manying ogaden understanding of literary works of art, American philosopher and the representative figure of art symbol theory Susan lundgren emotion and form and artistic problems and so on. In modern China, there are also some works of art philosophy, such as CAI yi's new art theory in the 1940s and realism in the 1950s, MAO xing's papers on the characteristics of art in the 1950s.

I would like to mention four of the works of philosophy of art that are randomly listed above. One is schelling's philosophy of art. Is this the first academic work in the name of philosophy of art? I'm not sure, but it was at least one of the first of its kind. It was schelling's influential lectures at the university of jena from 1802 to 1803 and at the university of wurzburg from 1804 to 1805. But the formal publication of philosophy of art came in 1859, five years after schelling's death, when his son published it in volume 5 of the schelling collection. The Chinese translation of xie Lin's philosophy of art was not published by China society press in 1996 until nearly 200 years after xie Lin's death. In the introduction to schelling and his philosophy of art, the translator said: schelling tried to define the position of art in the universe, thus its inherent necessity and metaphysical significance. Art seemed to him to be the perfect form of the universal spirit; Subjective and objective, spiritual and natural, internal and external, conscious and unconscious, necessary and free, in the form of the finite.

Danner's philosophy of art, in 1864, danner was employed in Paris school of fine arts to teach the history of art, and philosophy of art was the lecture at that time. About 200 years later, danner's philosophy of art was translated into Chinese by famous translator fu lei and published by people's literature publishing house in 1963. This book is probably one of the most widely read foreign academic works among Chinese readers. Once this philosophy of art was published, literary and art theorists, cultural workers, university teachers and students of liberal arts, and even writers and artists were eager to buy it. Since then, danner's views of art philosophy were often quoted in literary and art theories and aesthetic papers published in Chinese newspapers. By the second printing in 1981, 37,500 copies had been published, and an unknown number had been printed since. Danner was deeply influenced by the natural sciences in the 19th century, especially Darwin's theory of evolution. He was also influenced by Hegel in Germany and kontiac in France.

Dewey's art is experience, and like the first two books, art is experience and a lecture. In the preface to the book, Dewey says: in the winter and spring of 1931, I was invited to Harvard University to give a series of ten lectures. Lectures on the philosophy of art were the origin of the book. It is very clear that although the title of art is experience, and in fact is a genuine work of philosophy of art. The book was first published in 1934, but it was translated into Chinese in 2005 by my young colleague Dr. Gao jianping. Dewey's position in the history of American philosophy and the history of world philosophy is indisputable, and he has a special relationship with China. In addition, he lived in China for more than two years from 1919 to 1921, gave several lectures and carried out a series of academic activities, which had a far-reaching impact. But Dewey's influence in China is mainly in philosophy, pedagogy, social thought and so on, and Dewey's influence process in China is quite tortuous. In the early 1920s, Dewey was warmly welcomed in China. Before long, due to the special situation of social change in China, it was ignored. In the 1950s, he was criticized for being tied together with hu shi. By the 1980s, Dewey was cleared.

CAI yi's new art theory, which is his first monograph, is the philosophy of art. It talks about art from the perspective of philosophy and aesthetics, and finally comes down to what the beauty of art is. CAI yi's philosophy of art can be summarized in a single sentence: taking the materialist epistemology as the cornerstone, he elaborated that art is the reflection or cognition of real life, and its characteristics are the reflection or cognition of image; The highest achievement of art lies in the true reflection of reality. In order to achieve the unity of the truth of phenomena and essence, the truth of individuality and the truth of universality, it is necessary to reflect the universality with individuality, that is, to create artistic models. This idea has been consistent for decades and has never wavered or changed. If there is any change, it is all the same. In CAI yi's view, authenticity, typicality, supremacy. CAI yi's seemingly complete and enormous system of art philosophy was built on this basis. The first chapter is about art and reality, art and science, art and technology, and the characteristics of art. The second chapter is devoted to the understanding of art. First, the general understanding is the reflection of reality. Secondly, art is a kind of knowledge; Again, art recognizes particularity. The third chapter is about the expression of art, which should be shown after the cognition, and the artistic expression is the imitation and transmission of the artistic cognition, and discusses the technique of artistic expression. The fourth chapter talks about the attributes of art: content and form, subjective and objective, personality, class nature, time nature, permanence, etc., which is still about the materialist understanding of art and art reflection.

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