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The aesthetic view of Peter greenaway

2018-12-28 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- The aesthetic view of Peter greenaway,供大家参考学习,这篇论文讨论了彼得·格林纳威的美学观。英国导演彼得格林纳威主营影片内在的细节,通过对细节的刻画表现电影美学。彼得格林纳威是首批利用现代化技术改变影片固有的叙事风格,用新型技术方法展示影片内在的美学思想的电影导演之一。在电影中,他在剧情发展的过程中巧妙地采用关联点式的方式,用各个点将影片的部分联系成一个整体,使影片从整体角度看叙事明了,层次清晰,展现出一种新的叙事方式。通过此种方式展现电影美学,同时也提升了电影美学的欣赏价值。

Peter greenaway,彼得·格林纳威,assignment代写,paper代写,北美作业代写

British director Peter greenaway adopt unique style show the aesthetic characteristics of the bold imagination made him. Enjoying Peter greenaway creative movie, will be very easy to find one special, every detail can reflect greenaway type film aesthetics. In his world view, he believes that anything can be expressed in the form of films. He USES his creative thinking to create films and firmly believes that films are "omnipotent books". It is this unique concept that makes him a vane of the film industry.

British director Peter greenaway adopts unique narrative means, have new idea for people to create a number of films. In these films, greenaway breaks the traditional way of thinking and creates something unprecedented, which reflects the characteristics of film aesthetics. This article analyzes the director Peter greenaway movie content, understanding of greenaway film aesthetics.

Film aesthetics as a unique form and exist, for there are many types of its interpretation, in a sense can be interpreted as: "through a variety of narrative method, will the contradictions in the article, let a person feel complicated plot and structure, describes emphatically the plot of the film narrative disrupted, change the original fixed pattern of the article." In addition, due to the rapid development of film production technology and the increasingly wide application of high-tech technology, film aesthetics can be more easily expressed after post-production and other steps. At the same time, it also provides technical guarantee for the new creative ideas of film creators, so that the film can better reflect the diversity of narrative methods and make the audience feel different customs.

British director Peter greenaway's main internal details of the film, based on the detail of movie aesthetics. He was also one of the first film directors to use modern technology to change the inherent narrative style of the film and show the inherent aesthetic thoughts of the film with new technology. In the post-production process of the film, greenaway used many independent exposures and scene addition methods, so as to present the film in front of people's eyes from a more perfect perspective and achieve the purpose of presenting profound meaning to the audience. The plot is narrated in the form of association points in the construction. The correlation point here refers to that the film reflects the integrity of each part through different points, and connects all parts together in the form of points. In this process, one point can connect multiple parts. That is, no matter what part of the story breaks down, it can make up for it in other branches. This kind of creation of association points highlights its flexibility in the film. It can switch different positions according to the actual situation, and at the same time, each part can be connected by association points to some extent. It can be concluded that the relevant points can be arbitrarily applied between two or more plots, and there is no fixed core point. In the movie pillow book, the creator skillfully adopts the method of connecting points in the process of plot development to connect the parts of the film into a whole with each point, which makes the film clear and clear from the overall perspective of narration, and shows a new narrative mode. In this way, film aesthetics is presented and its appreciation value is enhanced.

From the part to the whole, the two are closely linked, which abandons the narrative method of the original film only based on the main line of time. From the perspective of the whole, these association points roughly divide the network diagram into several major parts. These parts are connected by association points, which reflect continuity and correlation in specific content. At the same time, the association points represent different periods of the plot in the network diagram, and become the representatives of time and space. Taking a specific correlation point as an example, the function of the same point in different parts is quite different, which can make the film narrate many things at the same time and make the narration more diversified. Audiences can also interpret the film from different perspectives and explore its inherent film aesthetic art.

Highlight the charm of the film, highlight the profound theme. It juxtaposes the functions of various points, innovates the traditional narrative mode and the construction of plot, and highlights the characteristics of diversified narration. The development of the plot is introduced from the relevant points, and the audience is allowed to think about it while the story is introduced. At the same time, the diversified nature of connection points also makes multiple images develop together, effectively solving the original unitary narrative method.

Break through the shackle of traditional concept, develop toward diversification direction, reflected the circumstance of free development. It can be connected with any part of the narrative process, but inadvertently returns to the direction of film development. Each part can be narrated by association points, which makes this method more random and can change at any time and space, giving the audience an unexpected feeling. The beginning of the new creative mode also opened a new chapter in the development of film, allowing the audience to feel the aesthetic thoughts.

By watching the British director Peter neville's movie to find alternative green things, in which people can find the special symbol and representative of the cultural value of the film, they are to show aesthetic culture. Greenaway believes that the characteristics of the world are diversified. In the film industry, he is full of innovative consciousness in the creation of films. He dares to compete with traditional ideas and displays film aesthetics with unusual ideas. Standing in the position of the broad masses of people to examine greenaway's film, it can be said that it is unprecedented alternative films. It is called "omnipotent book", which enables the audience to explore the connotation of the film in the unique language symbols and pursue the aesthetics of the film. In fact, this kind of creative thinking, which is very ridiculous in ordinary people's eyes, is a new-type ism's exploration of aesthetics. Greenaway adds a variety of elements to the creation of the film, and is full of magic color in the shaping of the future. He also gives a brand-new explanation of aesthetic culture. Greenaway once said, "everything in real life has an unknown side, which is not well studied and can be shaped by people's self-awareness. These diverse factors shape the greenaway-style film aesthetics.

These unique symbols are not isolated, they are interdependent, constitute a "universal book", should be excavated in each part of the special side. These symbols not only skillfully link all parts together, but also can send out the aesthetic charm of the film, making it easier for the audience to discuss the film freely. The symbol adopted by greenaway is not a single symbol, but has the meaning he wants to express. It can also be represented by Numbers. For example, in the movie dear telephone, the plot is depicted with specific Numbers, and the film aesthetics is expressed in the plot. In the movie crash, 92 survivors are used to describe the brutal violence. In the film "one by one drowning", greenaway created his own new ideas with 100 Numbers as the main symbol, and diversified his creation. Through Numbers, he highlighted the theme of the film. The contract of the painter takes more than a dozen paintings as the initial point of the film, which is described in detail. These Numbers may be designed to reflect the plot, but in these Numbers there is a deeper meaning of the ancestors, that is, the symbol of the symbol, at the same time, there is uncertainty in these symbols, symbols in the film become ambiguous. In the movie crash, 92 can be the number of survivors or it can represent different languages. Similarly, "92" appears in "the suitcase of tasrubo", which can represent 92 different concrete things, or the symbols of chemical elements, or different life goals, etc. Even the smallest details can reveal the characteristics of film aesthetics. In real life, "omnipotent books" can reflect social value through expansion and contraction, but as far as they are concerned, there is a defect of "some part is restrained". This defect shows that "universal book" is only an ideal social life scenario, which narrates the reality. On the basis of "universal books", greenaway added his own ideas of creation, added some symbols into the appropriate position of the film, and innovated his thinking through diversified creation, thus forming greenaway's film aesthetic style. In the movie crash, the plot starts with 92 stories, and the sequence is marked with Numbers before each story begins. In addition, each paragraph is set with the same music as the background, which gives the film a sense of order and makes all parts reach an agreement. Behind this uniform design, these magical life experiences make people unable to verify the truth and falsehood of the stories, and some natural and social laws make people puzzled. Various characteristics of the combination of constructed green neville type of movie aesthetics, not only illustrates the green neville on the traditional mode of creation, also show the greenaway of aesthetic and through continuous innovation to explore unique interpretation is not easy to understand by strangers expression patterns, through his own creation, will diversify into the movie, and will be out of order the story together, make the film more fluent, more can highlight the aesthetic nature.

Different creators hold different attitudes towards aesthetics. Someone once said: "if we want to change history in today's world, we should reshape society." "History is gone forever," greenaway says. "people can judge history however they like." In the process of making films, greenaway has his own unique way of thinking, skillfully transforming historical facts into stories and shooting them in the form of films. Through the integration of history, greenaway creates a diversified historical background. Starting from a certain characteristic, on the premise of not violating historical facts, and according to my own creative thinking, the aesthetics of the film is perfectly displayed. In the process of creation, it is inevitable that my own thoughts and ideas will conflict with historical facts, which requires a balance of this contradiction. Greenaway's films are historically tawdry, with some of the most widely recognized historical facts displayed on screen in an unadorned manner, allowing viewers to enjoy the film in the historical atmosphere. At the same time, people are willing to believe in the history created by the creators according to their own wishes. Greenaway USES the characteristics of media to describe history, and there is no lack of criticism of history. He wants to tell people that today's interpretations of history are all modified expressions, and that the descriptions of history are all virtual. Greenaway's method of creation was not understood at the early stage, and many people thought it was absurd and unfounded. With the gradual maturity of its development, its films have become more and more formal and its aesthetic features have been deeply loved by people.

In the process of creation, the film USES some detailed historical data to describe, and then explores the essential content through some external content. In the process of making films, greenaway often constructs the history according to his own ideas, and then integrates the historical facts into the framework, which makes the originally boring history become more vivid after detailed description, as if restoring the historical scenes. So, director Peter greenaway most of the work in such aspects as making history as closely as possible scenarios, such as in the design of color film. On this basis, the historical film is rendered again, the name of history is innovated, and the complete historical background is rebuilt, that is to say, the creation of media integrity. Director Peter greenaway argues that: "to really understanding of historical events, explore the history really all about, not a single to pursue footprints left over from history, but lies in the creation of characteristics." In the process of film creation, instead of simply shaping historical facts, we should skillfully restructure history based on historical facts and creative thinking to present a perfect story.

Director Peter neville's movie turns green, but the final success, but also opened a new chapter of film development. In the tortuous road, he relied on his creativity and imagination to achieve success. Greenaway also had his plan in the process of development. He tried to create diversified films in the historical background, which was also an unprecedented historical plan. This project covers a wide range of contents, including many contents, which undoubtedly increases the difficulty of creation. From the late 1920s to the late 1980s, many of greenaway's films were set in the life of the main character, tasrubo. This plan is also based on the characteristics of the media, is a set of new perspective and creative film. Film by cross s description, also reflected the director Peter greenaway view of human beings. The protagonist of this image is vividly portrayed, there is no lack of strong historical flavor. Director Peter greenaway will real history with their own idea perfectly together, will have new idea history describe more and added a variety of elements, the formation of personal style, which is just the embodiment of movie aesthetics. Greenaway has a skeptical attitude towards both real life and historical facts, and embodies individualism through a variety of innovative things. His unique creative concept makes him a leading figure in the film industry.

Because of the unique creation concept, unique form of expression, Peter greenaway director finally created a unique film aesthetics. The success of greenaway-style film aesthetics inspired people to create a new trend of film creation. After that, various forms of film aesthetics were derived, but none of them exceeded the greenaway-style film aesthetics. At the same time, this unique form of expression also makes the audience full of expectations for the new film, the audience through the film image description, description of the details, and then feel the film aesthetics.

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