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Assignment代写:Polanski's movie

2017-12-04 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Polanski's movie.,供大家参考学习,这篇论文讨论了波兰斯基的电影。罗曼波兰斯基是一位充满争议的导演,他在电影艺术上取得了不朽的成就,叱咤影坛近半个世纪,创作作品达四十余部。波兰斯基似乎对暴力、惊悚影片情有独钟,创作了大量的惊悚影片,以《冷血惊魂》、《荒岛惊魂》为代表。

Polanski,波兰斯基,assignment代写,paper代写,留学生作业代写

Polanski is a controversial director, he has made immortal achievements in the film art, booming cinema nearly half a century, the creation of 40 more. When Polanski first entered the cinema, he was deeply influenced by the modernist trend of thought, and the works were full of absurdity and logic. This stage of his works to the main film, representative works have two Men and a wardrobe, mammals and so on. The film that truly represents Polanski's highest achievement is genre and adaptation. Polanski seems to have a passion for violence, thriller film, created a large number of thriller, with Repulsion, Culdesac as the representative. At the same time, try to "Macbeth" "Oliver Twist" "Tess of the d ' urbervilles" and other classical literary works, popular literature is also the object of the adaptation of Polanski, the pianist successful adaptation for him won the Academy Award. This article will take Polanski's adaptation film as the research object, take the concrete film as an example, deeply discusses the relation between the literature classics and the film adaptation.

Literary classics refers to the literary works which have achieved higher artistic achievements, have eternal artistic value and have great influence on later generations. This part of the classic works is constantly being mentioned and read, is the human mind's record tool, with immortal significance. When the film and the literature establish the close connection, the classical literature becomes the famous director chooses the object, recalls these high frequency appearing on the screen the classical works, it often has the characteristic of the times and the nationality.

First of all, literary classics are of the Times. Literature is the most faithful record tool in social life, and some art master's literary works, such as amplitude and monumental, can reflect the spirit of the times accurately and vividly, and have positive guiding significance. The classical literature works are closely related to the times and social life, and flesh is an important way for the posterity to know the times accurately. Such as Thomas Hardy, the famous Victorian novelist, was regarded as an outstanding representative of realism. His works have distinct characteristics of the times, his novels on the theme of rural life are regarded as classics in the history of literature. Hardy's novel is a true reflection of the social life in the Victorian era, which records the devastating impact of mechanized mass production on the social life of the vast rural areas. The novel "The Tess of the d ' urbervilles" uses artistic brushwork to reproduce the kind and unsophisticated rural girl Tess in this particular era of the next step toward the destruction process. The double contradictions between character and environment, times and individuals have been accurately explained in the novel. So when such a work is carried on the big screen, it can arouse people's interest and evoke a good memory of a bygone era. At the same time, classical literature works can deviate from the specific time, background and so on, and form the glamour of crossing time. Taking Hardy's novels as an example, the realism factor, the superb artistic skill and the implied humanistic spirit in his works are the common features of literary works of any age, which is an important factor to make their works become classics. It was in the eye of Polanski that he chose to move Hardy's Tess of the d ' urbervilles to the big screen.

Second, the Classics literature work also has the strong humanities spirit. A classic literary works can be widely circulated in the world, enduring, because the work contained in the humanistic spirit is not divided into races and times, is the common pursuit of human society, the beautiful emotion, such works can be called classics. Literary classics can provide a steady stream of spiritual nourishment, explain the depth of human nature at different levels, can give people the pleasure of reading, bring the enjoyment of beauty.

Polanski has seized on this key factor in the adaptation of his literary classics, and his film "Oliver Twist" was adapted from a novel by Charles Dickens with the same name. But in the process of adaptation, Polanski has consciously weakened the blood and violence of the original works, but it is a very important part of the humanistic spirit. First of all, the film does not portray the original evil characters into a flat image, without blindly rendering their character of cruelty and evil, but to portray them as the heart of a kind and love complex character. For example, the old money, is a real bad person, the audience can also from his deeds and deeds to feel the weak human beauty. Secondly, the brilliance of human nature has been vividly displayed in the film. In the early days of the film making, Polanski positioned the film as a gift for his children, precisely because of this starting point, in shaping Nancy and Oliver and other good people, the full display of their human charm. Oliver grew up in the poorhouse and was abused and suffered a lot. However, the hard environment did not destroy the seeds of his heart, no matter how difficult the environment in which he always maintained a childlike innocence. Suffering did not make him degenerate, but made his will stronger, finally defeated the power of evil, and strive for a happy life.

The movie "Oliver Twist" and "Tess" are important works of Polanski. The two works are adapted by the classic classics, which fully preserves the essence of the original Dibon, and integrates the will of the Director in this foundation. The two films were neither a creative transplant, but also a faithful version of the basic principles, after the release of the original readers and film audiences unanimously recognized. Apart from maximizing the essence of the original, the key factor in the success of Polanski's film adaptation is the visual impact of adapting films to audiences.

Hardy's work "Tess of the d ' Urbervilles" has been adapted many times, very early to be moved to the big screen. In the 1980s Polanski again made a radical adaptation of the work, and once again moved it to the film screen. The Polish version of Tess, once released, won plaudits for the film field, with the unanimous endorsement of critics and viewers. Much of this is due to the spectacular visual symbols presented by the film, which deeply impress the audience. The Wessex area that Polanski presented in the film coincided with the scene of the beautiful countryside in the audience's mind. Film and fiction are two very different artistic means of expression, and Polanski in the process of adaptation of the full use of color, composition, light and other art means, the description of the details of the scene and portray the image of the character, the plot of the transforms perfect combination, the audience succeeded in feeling the beautiful scenery that Hardy had traced in the original. At the beginning of the film is a stretch of the mountains and yellow sky, empty lenses show a wide plateau of the natural beauty. As the lens moves back, a country road appears on the left side of the screen, the crowd moves from a distance, the lens continues to move back, the road gradually into the center of the screen, lined with trees on both sides of the road, and the distant gray hills and warm sky side by side. The picture level is clear, the mountain, the road, the tree and the human together constitute a lively countryside scenery. In the film, the color changes in different seasons and the change of light in different time periods were used to restore the rural scenery in Hardy's Wessex area. Polanski's use of unique visual symbols to convey the style of the original and the author's creative intent, which is the key to its success.

"Oliver Twist" is another masterpiece of Polanski's adaptation of classic literature into a film, which was filmed when Polanski was over seven years old and created a miracle in the history of the film. The film style is beautiful, tender, the City of London Victorian period of the scene truly present in front of the audience. From the buildings on both sides of the street to the furnishings of the interior, even with such obscure details as a candlestick, Polanski strives for perfection and precision. The costumes of the characters are exquisite and meticulous, and they are completely replicated in Victorian England. These exquisite designs set the tone for the success of the film. Audience in the theater as if through time and space, came to the British century ago, feeling the story of everything. The hustle and bustle of the streets of London, coupled with the tight dresses of women and the old cockney English in London, truly reflect the landscape of that era. It was on this street that a story about the struggle between sin and humanity was staged. At the same time, the film focuses on the portrayal of the inner world of the characters, Oliver's lonely inner world and the lively London streets and cold buildings against each other, outlining the Victorian era only belongs to the United Kingdom.

The novel has developed into a mature art form, its narrative concept and narrative skills have a very important impact on the development of film art. Compared with the thousand-year tradition of literature, film is still a new industry. Classic literature works for the development of the film industry has provided a rich theme, brought fresh blood, casting the golden age of film development. Both enrich the expressive force of human art. The discussion on the relationship between the two has never stopped, and Polanski's adaptation film perfectly explains the relationship between film and literature.

The classical literature works to a certain extent to ensure the success of the subject matter of the film, which also determines the film to be faithful to the basic principles of literary construction. Film is a comprehensive art form, since its birth and literature has a close relationship, and with the continuous development of film art, the relationship between the two increasingly close, more frequent interaction. The adaptation of literary classics into movies, which is the most effective way of interaction between literature and film, is a short cut from literary classics to film classics. Literature becomes an important art treasure of film, for the development of the film to provide a continuous inspiration and nutrition, while, at the same time, literature with the popularity of film, entertainment, the art features, down the altar, by more people understand and love, the film has become an important means of literary communication, the two formed a good interactive relationship. Some of the classics have even been on the screen many times, for example, Tolstoy's work "Anna Karenina" has been adapted to 13 times, Shakespeare's works are often moved to play stage. In a way, when classic literary works were adapted to a movie, a large part of the consumer group they targeted was devoted to the original, and only the faithful were able to turn the reader into a fan. Polanski's "Pianist", based on the autobiography of the famous Polish musician Anjei Spielman, has made the film's release a quiet, long time of Polanski again into the public eye. The film really restores the art master Anjei Spielman waves treacherous, full of legendary life, shaping a talent, wisdom and luck in a piano home. It is worth noting that the original style of writing is biased towards the scattered culture, it is not suitable for the narrative structure of the film, so Polanski to the original narrative structure of the integration, carding the original time frame, so that the film narrative clues more clear, this small change can be regarded as the film on the "Betrayal" of literature, But it is on the basis of the faithful original, so did not affect the overall artistic style, but for the film added art luster.

Re-creation on a faithful basis is also the golden rule of literary adaptation films. All along, the film industry has been recognized as the highest standard of adaptation of films is the faithful original, but Fidelity does not mean to copy verbatim. Although there are some similarities between the film and the novel, it still belongs to two different art forms, and when the literature is adapted into a film, it is not only the visual presentation of the novel, but also the artistic features of the film. Even in order to be able to highlight the theme of the film, in the faithful original premise of the original plot in a reasonable range of germinal, on the basis of the original to create. A large number of film works prove that the adaptation of the film can be in the ideological content and characterization of more than the original, such as the "Pianist", Polanski to his childhood real experience to join, so that the authenticity of the film further enhanced. But the small scope of the play does not mean to tamper with the original, some directors in the process of adaptation of the bold idea, in the relationship between the characters and the design of the plot to maintain a certain distance, thus distorting or even misunderstanding the original spirit, such a practice will only be less than useless. In addition, in the process of adaptation too much to consider the market efficiency of the film, the economic benefits in the first place, excessive pandering to the audience's hobby, will make the film's commercial characteristics too strong.

In the field of film adaptation, Polanski is a worthy master, and his series of films can be seen as a successful example of a classic film adaptation. This article takes the characteristic of literature classics as the cut-in point, takes Polanski's film as the research object, probes into the relationship between literature and film, in order to provide a superficial view on this problem.

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