Wife_Of_Bath

Wife Of Bath Today most feminists commonly depict the Wife of Bath from Geoffrey Chaucer’s Canterbury Tales, as the ideal model for the feminist literary figure. However, contrary to that belief, I feel that both the Wife of Bath and Chaucer himself are just a well-disguised example of the antifeminist views of the fourteen century. To some modern day feminist critics, like Carolyn Dinshaw, Chaucer was protofeminist, a writer ahead of his time, who used the medium of literature to speak out against the injustices the opposite gender suffered. Nevertheless, I feel that Chaucer was fundamentally a writer and a product of the misogynistic times in which he lived. The feminist reading of Chaucer seeks to prove (through the means of historical information; satirical study; and stereotyping of the other pilgrims) that the Wife of Bath represents not Chaucer’s act of feminism, but his apparent reconstruction of Guillaume de Lorris and Jean de Meun’s “La Vieille” in The Romance of the Rose. His parody of the “Old Woman’s” speech exemplifies the same content, which are her life and the wiles of women. (Beidler 18) One has to wonder why then did Chaucer use the “La Vieilla” as a wife, chaucer, women, woman, bath, feminist, time, might, power, chaucer’s, believe, one, desire, answer, view, tales, society, phrase, misogynistic, man, male, love, life, female, even, de, character, case, cannon, antifeminist, youre, way, views, two, turns