Art_And_Design_During_The_Nazi_Movement

Art And Design During The Nazi Movement Art and Design during the Nazi Movement Germany during the Nazi movement controlled the art produced between 1933 and 1945 to ensure they embodied the ethics they wanted to teach the German people. Highly eristic and aesthetic pieces romanticized everyday subjects and repeated outmoded stereotyped Nazi principles of the human body and its reasons in the Reich. Adolph Hitler and his image gave him opportunity to have a status as a god in Germany. When Hitler was made superior over the normal people, the artists made Hitler a being that if had spiritual goodness would take the Germanic race to the perfect future. The architecture, or so-called ‘ideology in stone’, was also a vessel for political ideology. The massive buildings were a proof to represent the strong and virtuous nature of the thousand years Reich. Therefore, art in the Third Reich was just a form of propaganda that encouraged the superiority of the Nordic race, the hunger for faithfulness and obedience of the German nation. Paintings of the Nordic peasants certified a come back of the pre-industrial nonviolent rural Germany. The oil painting Kalenberg Farm Family, by Adolph Wissel, portrays a warm situation of a family relaxing, most probably after a nazi, hitler, national, german, art, people, sense, thus, painting, way, socialist, germany, values, race, party, nazis, ideology, building, being, working, through, therefore, reich, power, piece, paintings, land, germanic, body, works, swastika, superior, strength, socialists, portrays, political