The_Paschal_Mysteries_And_Fear_Through_Time_And_The_Paintbru

The Paschal Mysteries And Fear Through Time And The Paintbrush To Supp, To Murder, To Believe The Paschal Mysteries and Fear through Time and the Paintbrush Before being moved to another part of the museum, Salvador Dali's The Sacrament of the Last Supper(see Appendix A) hung on a stairway landing between the East and West Wings of the National Art Gallery in Washington, D.C. It was an amazing transition from the very modern to the very traditional exhibits in the different wings, with its depiction of the most traditional of stories in a very surreal and modern manner. More obviously, it was an awesome sensation to go suddenly from a vanilla colored stairway to this amazing, luminous painting that looms above and captures the viewer. Dali took a very traditional scene and made it into a very modern, very clear paint, whereas Rubens's The Last Supper(see Appendix B) is a very traditional painting of the Baroque era. Through the organization of the paintings, the two different styles, and the content on the canvases, the two paintings exemplify the evolution of fear the world has undergone regarding Jesus and the Paschal mysteries through time. Jesus Christ used the Last Supper as a means to explain to His followers what was painting, jesus, dali, scene, very, rubens, paintings, one, fear, two, through, shows, modern, disciples, christ, himself, clear, viewer, traditional, time, paschal, much, light, jesuss, god, content, come, center, both, between, baroque, around, above, world, way