The_Editing_Styles_Of_Grifith,_Vertov,_And_Eisenstein

The Editing Styles Of Grifith, Vertov, And Eisenstein 2. Compare the editing styles, aims, and consequences of D.W. Griffith, Sergi Eisenstein, and Dziga Vertov. What is the relation between editing and “telling a story” in each' How do they reflect the cultures (Hollywood, Revolutionary Soviet Union) from which they come' During the early days of film, few filmmakers stood out more for their unique styles and views of editing in film than D.W. Griffith, Sergi Eisenstein, and Dziga Vertov. These men were well ahead of their time. Each was a storyteller with an exclusive view on how a story should be told, and each story they created focused heavily on the ability to edit film. Film editing is defined as the joining of one shot with another. The two shots that are then joined have the ability to show different places in time, location, you name it. When editing was first discovered it took time before filmmakers got a real feel for it. Vertov, Griffith, and Eisenstein were the innovators, they displayed the type of impact editing could really have. Griffith was one of Hollywood’s first great directors. His timeless classic Birth of a Nation put his editing, griffith, story, camera, vertov, film, eisenstein, each, cinema, town, time, shots, first, viewer, style, through, styles, soldiers, should, one, men, filmmakers, filming, emotions, cutting, cross, behind, ability, world, vertov’s, union, type, truck, took, though