The importance of

非洲移民音乐中的重复概念是黑人音乐和传统丰富历史的重要组成部分。西方世界的古典音乐在文化和社会语境中都是主流，真正的音乐和创作的基础和标准都要追溯到古典时代，这个标准几千年来都没有改变。说唱音乐的“噪音”不仅成为其对主流音乐的挑战，也是对传统文化的挑战。说唱音乐本质上是黑人文化在西方世界发展的产物。

The notion of repetition in the Afrodiasporic music are important part of a rich history of black music and tradition. Classical music in Western world served as mainstream in both cultural and social context, the ground and standard of real music and composition are set date back into classical era, this standard remained unchanged for thousand years. Rap is “Noise” not only become of its challenge to the mainstream music but also the traditional cultural. Rap is essentially the product of Black culture grew in the Western World.

 Tricia Rose wrote in Soul Sonic Forces: Technology, orality, and black cultural practice regarding to the rap music, as it is “the most perceptible, yet least material elements” where rap music has the powerful effect, and such effect brought by the distinctive, systematic use of rhythm and sound, while the primary force of Rap is sonic, but the use of repetition and musical breaks brought Rap music extra strength. In connection with Rose’s comment on the Forces of Rap music, the social meaning in Afrodiasporic music on circulation, equilibrium (p. 69) are claimed by other researchers, where the Rap producers use include electronic reproduction, especially the sampling equipment as its unique music production strategies, it has affirmed stylistic priorities in the organization and selection of sounds found in many black diasporic musical expressions” (p. 71). Therefore, in Afrodiasporic music, the repetition and strong beat are concisely produced from music producer’s perspective.

Where the connection of music and social cultural connection was made, Rose also wrote, “repetition cannot be reduced to a repressive industrial force” (p. 71). The repetition in the Rap music is unique as its style, it was also cultural signal that later influenced the Hip-hop music, similar to the Rap music, Hip hops are also originally developed in the United States by African Americans, the generic connection between Rap and Hip hop and its subculture elements continues the sampling beats and repetition in the composition of the music. Even through the term “Hip Hop” and “Rap” sometimes are used synonymously, the music genre is different, and Hip Hop received significant influences from early Rap artists.

 Where Afrodiasporic music continues its signature usage of electronic production, later in Hip-Hop developed music elements scratching, DJ-ing and beat matching.  Those music elements and developments are built one the repetition characteristics of Rap music and electronic production technique as well. The Afrodiasporic music focused on its rhythmic and percussive densities, where in opposite, the melodic and harmonic music structure primarily represented the Western classical music. The differences between Afrodiasporic music with Western classical music lead to the final ground breaking of Rap music, the technology used in music composition and production stressed its difference and uniqueness to challenge the mainstream music at the time. Where the use of strong beats and repetition also presented the cultural characteristics of African American as a sub culture group together.

While Rap, Hip Hop, Bules, R&B are all important music genre creations and have received cultural influences from African Americans. The repetition used in Rap composition has put the tradition and history of African Americans in the music, where the Afrodiasporic music today still shared the cultural heritage as it brings together wide ranges of sources and styles in its music creation. The Rap producers not only worked with main stream music at the time but also the distinct different black articulating style, music practice and culture, those are the priorities found in both Rap and Hip hop music. 

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