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The Ink Museum is a guardian of the city's memory

2021-12-16 来源: 51Due教员组 类别: Essay范文

51Due教员组给各位留学生分享一篇纯原创代写范文essay,文章主要讨论博物馆是保护城市记忆的卫士,也是记录城市重要足迹的收藏家。香港历史博物馆就是这样一个例子。正如它所宣传的,“生命中最珍贵的东西是免费的(香港公共博物馆,2017年)。”它力求成为一个活跃的平台,它将公众与香港、中国和世界的故事融为一体。它追求刺激观众超越香港历史,更好地欣赏别人的经验

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Introduction

Museum is a guard who protects the memory of a city, and it is also a collector who records important footprint of a city. Hong Kong Museum of History is such an example. As it advertises, “The most precious things in life are free (HK Public Museums, 2017).” It seeks to become an active platform which engages the public with the stories of Hong Kong, China, and the world as a whole. It pursues to stimulate the audiences to look beyond the history of Hong Kong and better appreciate the experiences of others (Hong Kong Museum of History, 2018a). Through demonstrating and analyzing the historical artefacts presented in permanent exhibition of “The Hong Kong Story” in Hong Kong Museum of History, the report aims to explore the value and uses of history today and the interconnections between past and present.

Presentation and Analysis

Hong Kong Museum of History is an important and meaningful platform that shows the history of Hong Kong. The permanent exhibition of “The Hong Kong Story” in the museum has become an unfailing exhibition. It is mainly divided into 8 areas, G1. natural ecological environment, G2. prehistoric Hong Kong, G3. development in the past dynasties: from Han to Qing, G4. local custom in Hong Kong, G5. Opium War and the cession of Hong Kong, G6. opening and early development, G7. Japanese occupation, G8. modern city and the return of Hong Kong (Hong Kong Museum of History, 2018b). It is easy to find that the areas of 3, 5, 7 and 8 are much smaller than other areas. The large areas of the exhibition are used to present the natural ecological environment and prehistoric Hong Kong. The audiences could only find several sentences which introduce political contents such as the return of Hong Kong. Furthermore, it seems that the curators try to weaken the politics, since political history is only provided with simple display of cultural relics. Moreover, the audiences could find the different attitudes of curators toward the ruling of different regimes. When introducing the history of Japanese occupation, the audiences can find the description such as, “during the three years and eight months that the Japanese militarism occupied Hong Kong, Hong Kong people suffered from physical and spiritual ravage and humiliation and left pathetic”. At the same time, the description about the British colonialism is obviously different. It uses neutral attitude to introduce the history. What is more, it records detailly that Hong Kong people enjoyed freedom of the press, settled life and economic development during the ruling of British government. Generally, what “The Hong Kong Story” present is a flexible standpoint of ideology. It neither strongly criticize the colonial rule of British government, nor deliberately advertise the return of Hong Kong. It expresses the political identity of Hong Kong with no particular standpoint.

On the other hand, the history presented in the museum also plays an important role in inheriting the specific cultural values and establishing cultural spirit. For example, Hong Kong film is a significant part of popular culture in Hong Kong. Therefore, “The Hong Kong Story” intensively displays the glamour of Hong Kong films, which shows the Hong Kong spirit at the same time. Through presenting the achievement of Hong Kong films, the audiences can feel the confidence and excellence of Hong Kong people as well as the values created by Chinese and western culture. Meanwhile, with the help of multimedia technology, the museum records the ancient culture and customs which still exist in the present. For example, even though it is difficult to restore the scene how people sing Nanyin music and famous Cheung Chau Bun Festival, the museum uses videos to make the audiences know the glamour of the cultural customs. For the sake of restoring a long tradition of fishery industry in Hong Kong, a scene of fishing port was established. Wooden fishing boats, whistling of fisherman, the sound of wave and sea mew bring the audiences to the scene. More importantly, the audiences are promoted to recognize Hong Kong people’s hardworking and the splendid traditional culture they had created.

From “The Hong Kong Story”, the audiences can feel the interconnections between past and present. Hong Kong has changed dramatically from prehistoric Hong Kong, Hong Kong in various dynasties, Hong Kong in war, the return of Hong Kong and Hong Kong in present society. Nevertheless, “The Hong Kong Story” consistently shows the uniqueness and glamour of Hong Kong culture. Take Hong Kong Cantonese as example, the language Hong Kong people use in daily life is similar to the orthodox Cantonese used in Guangdong, but the literary form and expression between the two are different. In addition to the regional factor, the history of the New Culture Movement and the rule of British government also played important role. Moreover, the Hong Kong people have similar habit of drinking tea in the morning with the Cantonese, but they create their own Hong Kong style café.

Summary and Conclusion

“The Hong Kong Story” in Hong Kong Museum of History does not display the historical ‘artefacts’ in chronological order, but pays attention to the way and attitude of narrating the history. It tends to weaken politics in the exhibition, and takes time in presenting the cultural tradition of Hong Kong as well as its dramatic economic development. The museum does not present pure fact, but the recognition with subjective beliefs (Cameron & Kelly, 2010). With the help of exhibition such as “The Hong Kong Story”, the specific cultural values and cultural spirit of Hong Kong is showed to the audiences.

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