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Modern watercolor painting

2021-12-15 来源: 51Due教员组 类别: Essay范文

今天给大家带来一篇优秀的论文,供大家参考。 本文探讨了现代水彩画的绘画技巧。 水彩画主要是通过水和颜色的变化。 在现代水彩画中,绘画的艺术形象主要由线条、色块和明暗构成,明暗的高低由水量决定。 一种颜色加的水越多,颜色越浅,解释的程度就越高; 反之,某种颜色加水越少,颜色越深,说明的程度越低。 水彩的绘画技法大多以水和颜料为绘画媒介,其中包含各种基本构成元素,通过特殊的表现形式表现光影,通过水色的变化来作画。 我们来看一下。 如果您需要论文方面的帮助,可以联系我们的专属客服even100100进行咨询~ 

Modern watercolor painting is a new form of painting with high artistic and aesthetic value. The painting technique of watercolor painting is a combination of various painting techniques, which embodies the advantages and characteristics of watercolor painting.

The concept and status of modern watercolor painting has undergone a special development process. Modern watercolor painting originated in the European Renaissance and matured in the 18th and 19th centuries. In Britain in the 18th and 19th centuries, with the efforts of British artists, watercolor painting was called traditional British painting. Watercolor painting is mainly done through the changes of water and color. In modern watercolor painting, the artistic image of the painting is mainly composed of lines, color blocks, and light and shade. The level of light and shade is determined by the amount of water. The more water is added to a certain color, the lighter the color and the higher the specification. Conversely, the less water added to a color, the darker the color and the lower the degree of interpretation.

The watercolor "brush" is not only a way to modify the picture, but also a special type of painting technique. For example, the sky and distant mountains in the work "Early Morning" are painted once with the hands of the painting. After they are completely dry, they are quickly "washed" with water. Because some of the colors in the concave texture of the paper are preserved, and the colors in the convex texture are removed, the work presents bright spots, such as small water droplets in the rural air in the morning, to highlight its artistic image.

The coating process of dry paint is a method of coloring first, and then coloring after drying. Through dry painting, it has a strong sense of layering and can better reflect the transparency of watercolor painting. Dry painting has a long history, such as the depiction of landscape in Paul Cezanne's pommes bouteille et soupiere. The techniques of dry painting are as follows. The first is to moisten the area to be painted with a wide brush. The second is to cover the pre-deployed colors on the palette. Third, when coloring the paper, tilt the drawing board slightly to facilitate color fusion. After the paint is finished, it must not be touched again until the paint dries.

The wet paint technique is to paint the second color before the first color dries. The painting technique of wet painting can express the smooth and coherent atmosphere of watercolor. For example, Du Fu Jiangge used many wet painting techniques to depict objects.

Transitional painting: After painting the work with some colors, adjust the color according to the object before the water dries, and continue to color the work, so that the adjacent parts of the works of different colors can be slanted and penetrated. In transitional painting, color content and moisture content determine the degree of color penetration.

Smear, then add water: Smear is done after rendering the color of the picture, and the color does not dry out. In the later stage, the method of adding water is to spray and recolor the work with water or color according to the existing colors of the work, so as to adjust the color effect of the work on a large scale.

In the description of watercolor painting by various masters, one of the most commonly used words is "transparency". For example, in the work "Ambside Town Scenery", the author shows the exquisiteness and elegance of watercolor painting through subtle lines and successively superimposed color layers. In color mixing and application, always keep the perfect mixture of water and color. Every brushstroke in the work is very clear, the thinner the picture, the better; make full use of and develop the brightness and color of the paper itself, and keep the brightest areas in the work; use as few opaque colors as possible.

In the works of famous artists, "opaque paintings" are commonly used. In "Yellow Flower Nine Carrots", the author Dulle repeatedly used opaque paintings. Another example is "The Man on the Hammock". The author John Singer Sargent (John singer sargent) used a lot of opaque colors to describe the head and surroundings of the characters in the painting. Although he did not elaborate on this work, he made it look like a god, with two forms. In the British Victorian era, famous artists often used some kind of "opaque painting" in their creations. At that time, many watercolor painters used opaque white paint or a "mixture" of white paint and transparent paint in their paintings to obtain a "delicate" or "soft" artistic effect.

Pointillism and Neo-Impressionist painting have many similarities. Stipple usually uses a small pen tip to point from the edge of the work area to the center to highlight different textures and form a strong contrast with flat color blocks.

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