Debussy's piano music

下面为大家整理一篇优秀的essay代写范文- Debussy's piano music，供大家参考学习，这篇论文讨论了德彪西的钢琴音乐。德彪西是世界音乐史上一位富有影响力的钢琴音乐家，同时也是钢琴音乐的革命家。他打破了传统音乐的规则，大胆地对古典钢琴音乐进行了颠覆性的创新，采用富有特色的音乐语言，来创造新奇的音响效果，从而带给听众独特的听觉感受。德彪西一直将音响作为关注点，他钢琴音乐创作的重点在于如何将旋律、和声以及力度等不同的元素进行组合，从而合成他所想要的音响效果。

From 1880 to 1901, Debussy focused on orchestral works and artistic songs. However, his creation still follows the rules of traditional music, and his classicism is very distinctive. In addition, Debussy was also influenced by other famous musicians in the world, such as Chopin and Wagner. For example, in the creation of orchestral work "faun afternoon", Debussy will take the theme of the music as the beginning part of the music and play it with flute. This creation technique mainly borrows from Wagner's works, while in terms of the tone and melody, it is similar to Chopin's nocturne in D major. During this period, Debussy borrowed a lot of music elements from Chopin, Tchaikovsky and others in his creation and used them flexibly. It was not until he began to compose music such as "for piano" that Debussy gradually formed his unique impressionist style. Works such as "for the piano", whether it is work of genre, or form of the works, has a very distinctive classical features, which use a lot of dissonant chords and pentatonic scale diatonic, make music has the features of impressionism, but also of Debussy's piano works first appeared completely belong to his own music language. This piece is a turning point in Debussy's creation process, and it also means that the composer's creation style starts to mature.

During the period from 1903 to 1913, Debussy mainly looked for creative inspiration from impressionist paintings and used music to express the instantaneous beauty. Later, Debussy attended the world's fair held in Paris and got to know and contact with music of other countries for the first time in his life, and his creative style changed again. Start experimenting with exotic music elements. In this period, Debussy's works all embody this exotic element, especially his magnum opus "print-painting collection". The tower, the first work of the painting series, takes the Oriental pentatonic scale as the main melody, and then adopts the movements of the second and fourth parallel chords to create a static atmosphere, fully reflecting the unique sense of mystery of the eastern countries. The second work "grenada night" USES the unique rhythm of habanera dance music to enrich the level of sound effect. In addition, a large number of other works in the book also use different foreign music elements. Through his own creation, Debussy fused different foreign elements into a whole, thus forming his own unique artistic style.

From 1914 to 1915, Debussy focused more on absorbing the essence from French classical music, and tried to add many classical creative techniques in his own creation. Taking the fourth interval exercise as an example, ABA structure is adopted. In Debussy's later music works, there were almost no impressionist music titles, and he was no longer keen on describing specific things. He even planned to write sonatas, but before that, he had never tried to write a big music, and finally Debussy finished three big music pieces. In 1915, Debussy created the famous first sonata. When conceived, he mainly took the idea of composers in the French clavichord era as the core. In 1915, Debussy wrote the second sonata, which is mainly played by flute, harp and viola, and has a bright color of the 18th century. In 1917, Debussy created the third sonata for piano and violin, which is also the most traditional sonata. His creative technique gradually began to be close to neoclassicism, while the symbol of symbolism disappeared. In his late works, Debussy repeatedly used various discordant rhythms, which gradually became the unique expression form of Debussy's music works.

Debussy always took acoustics as his focus. The key point of his creation on piano music was how to combine different elements such as melody, harmony and strength, so as to synthesize the acoustics he wanted. In terms of the rhythm of music, Debussy was very good at combining various types of rhythm and then creating atmosphere through the changes of each tone area. The length and speed of music depends on nature, not rigid rhythm. In terms of harmony, different types of chords are mainly used to weaken the function of harmony. The arrangement of chords is also super open, which makes the space of music wider. In the melodic use of fragments of the melody, music has an unpredictable sense of novelty. Horizontally, different scales and modes are adopted to obtain foreign sound effects. In terms of form structure, the large form is greatly reduced and the restriction of conventional form rules is completely broken, which makes the fragment feature of music structure more obvious. Strength is focused on the change of volume, using a lot of space to show the volume from weak to weak change. In terms of timbre, Debussy liked to use weak volume to reflect the color and level of music.

Compared with the works of other musicians, Debussy paid more attention to the display of light and shadow. He transformed natural light and shadow into harmony and timbre, so as to give full play to the expression of music color. He objected to the use of fancy rhetoric and paid more attention to the effect of acoustics. His music style was soft, graceful and extremely attractive. Debussy completely broke the traditional technique and made the antagonism of music more prominent. Debussy paid attention to the novel creative ideas and the grasp and application of music colors, thus becoming the foundation of atonal music.

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