The violence aesthetics of kinkidd's films

下面为大家整理一篇优秀的essay代写范文- The violence aesthetics of kinkidd's films，供大家参考学习，这篇论文讨论了金基德电影的暴力美学。金基德的影片极具个人风格化，他在不断探寻人性欲望和恶念时又弘扬人性本善，用暴力美学表现社会的阴暗面和对战争的控诉，他始终保持着对社会边缘人物的关怀和强烈的民族情感，外加反常规的影像美学和叙事美学，令他的电影独树一帜。金基德突出影片中性和暴力的表现形式，在其背后，是他表达出的美学内涵。

Kim jide is known as the "ghost director" and "problem director" in the history of Korean film. Kinkidd highlights the expression forms of sex and violence in the film, behind which is the aesthetic connotation he expresses. Among them, the dissatisfaction with social hierarchy, the indictment of war and the disclosure of the dark side of society are all shown in extreme violence forms.

Violence is one of the main forms of kinkidd's films. When presenting violent images, kinkidd usually USES close-ups to present bloody violent images without modification and intuitively present them to the audience. Images of direct, unimaginative violence are also everywhere. Kim's violence often takes the form of self-harm and abuse.

In "spring, summer, autumn, winter and spring", after the mid-year monk committed the crime of killing his wife, he tried to commit suicide by pressing the seven orifices with paper. Through the self-mutilation of monks, jin jide expresses the self-redemption of human beings after making mistakes, and extricates himself through death, so that the audience can feel the pain and despair of the characters.

His form of abuse appears more often in kinkidd's films than in self-harm. Most of the characters in kinkidd's films are marginalized people, and the people at the bottom of the society are their main objects of expression. Such groups need more respect and trust in life. When the character of marginal characters in kinkidd's films becomes distorted, oppressed and alienated, they choose to use violence to solve problems, to contend with the contrary social environment, and to vent their inner desires. In "addressee unknown", zhang wu, a Korean and American mixed-race boy living after the war, was ostracized by the society. Every day, he was mocked by the villagers, the color of his black blood, the poverty of his home and the beating and kicking of dogs' eyes. When zhang wu decides to fight back, he finalizes maltreatment object to be his mother, get humiliate every time, zhang wu always comes home to abreact anger toward the mother, cut the breast of the mother even. In this film, Kim jide sets the target of his abuse as his relatives, whose affection is insignificant in the face of violence, so as to appeal to the protection of the people at the bottom of the society.

What kinjide expresses through violence is not a simple bloody picture, but to expose the social injustice hidden behind the violence. Through a series of ugly scenes to blame the rigid hierarchy of South Korea, south Korean society oppressed by the United States, and the dark side of the exposure.

Growing up poor, he dropped out of school at the age of nine to work in a factory and then served in the army. Jin jide struggles at the bottom of society since childhood, soldiers, thieves, apprentices, prostitutes and other people at the bottom are also full of the youth life of jin jide. These people at the bottom of the class make up the characters in kinkidd's films. He often USES two kinds of characters of different social classes to narrate in his films. Social hierarchy is different, and the consequences are also expressed in the form of violence, with extreme violent images to express Kim jide's dissatisfaction and indignation towards the social hierarchy.

In the film "the empty room," Kim kidd portrays the hero as a thief and the heroine as the wife of a man who suffers domestic violence. Two groups that should not be related to each other but the sparks of love, Kim Jed through this relationship to express the need for care between vulnerable groups, the two social bottom figures set up in the opposite of high-status groups.

As one of the "386" generation figures in South Korea, Kim went through the most turbulent years in modern South Korea. He was extremely eager for social equality and democratic politics and deeply dissatisfied with the south Korean government under the control of American power.

In "the recipient is unknown", Mr Kim's indictment of the war is plain. Young girl silver jade in childhood by the U.S. military wooden box made of this plate gun destroyed an eye, the Korean war, to the bottom of the south Korean people brought pain. Through the childhood experience of silver jade, jin jide reflects the tragic state brought by war to the characters, and through the image setting of the film characters, he criticizes the harm of war at a shallow level. The reason is that Kim jide was deeply affected by the Korean war, and his father became irritable due to the war. As a result, Kim jide had a miserable childhood and was often beaten and scolded by his father. He was released through his own experience in the film, and similar childhood experiences appeared in the film.

As one of the figures of generation 386, kinkidt, like most 386 people, is a left-leaning advocate of social justice, full of ambition and hatred of social injustices. Kim jide shows his personal characteristics in his personal films. His films mainly focus on the attack and satire on the dark side of Korean society, and mostly reflect justice and human kindness through the people at the bottom of society. For example, "addressee unknown" is dissatisfied with American power, "Samaritan girl" is against the phenomenon of social support, and "bad boy" is against the hierarchy.

Throughout kinkidd's films, one can feel that he is an artist with ambition, courage to face reality and good at fighting evil. He faced up to social problems and challenged authority through direct and violent images. In the era when commercial films occupy the mainstream, jin jide's works with small cost have great influence. With the continuous growth of his qualifications, the style of his works is also turning to euphemism, which directly shows the tragicomedy of the world through films in line with the popular aesthetic concept, and he is active in today's film industry with his unique personality.

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