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Grotesque art

2019-04-29 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- Grotesque art,供大家参考学习,这篇论文讨论了怪诞艺术。怪诞艺术是与优美、崇高、悲剧、滑稽并列的审美形态。它由丑恶和滑稽两种成分融合而成,以极端反常化为构成方式。怪诞艺术具有使人注意、醒悟、否定丑恶的抗恶价值,强迫注意、铭刻记忆的震撼价值,促进反向思维启发创新灵感的益智价值,驱赶邪恶战胜可怕的威慑价值,引发顿悟感自信感本能复仇快感的快感价值。

Grotesque art,怪诞艺术,essay代写,作业代写,代写

The second half of the 19th century to the first half of the 20th century was a crucial period in human history, during which the major western capitalist countries completed the second industrial revolution. While the industrial revolution changed people's way of life and brought in new ideology, the traditional beliefs on which the western society depended were facing the verge of collapse. During this period, the two world wars also brought a huge blow to the society at that time, and people's spirit was greatly traumatized. These are expressed in various ways by artists in the field of art. Grotesque art became a brilliant art in this period because of its incomparable shock, wisdom and interest.

Grotesque art is an aesthetic form juxtaposed with beauty, sublimity, tragedy and farce. "It is a mixture of ugliness and hilarity. In the form of extreme perversion, that is to say, the most familiar form is the most unfamiliar, the most obvious form is the most mysterious, the most humble form is the most intelligent, the most beautiful and good form is the most ugly, the most realistic form is the most surreal, the most inhuman form is the most human. Upon entering the realm of appreciation, the most classic response is one of horror and hilarity. Grotesque art has the anti-evil value of making people pay attention, wake up and deny ugliness, the shocking value of forcing attention and inking memory, the educational value of promoting reverse thinking to inspire innovation inspiration, the deterrent value of driving away evil and overcoming fear, and the pleasure value of inducing insight, confidence, instinct and revenge.

"God is dead" is Nietzsche's summary in the 1890s of the complete collapse of traditional thinking and ethics. People had already gone through two industrial revolutions, and before they could adjust their minds to the changes wrought by the first, the second wave was upon them. "To the end of the 19th century, when the process of industrialization is increasingly changing people's way of life and thinking mode, the traditional concept of collapsing and rich in material and the technology progress and unable to provide a new belief, a kind of emotional contagion in Europe at the end of the century, a crisis of spirit and faith also reflect in the artist's work." Therefore, grotesque art began to be used by many artists.

The grotesque beauty in van gogh's works is groundbreaking. In his paintings, colors with extremely high lightness and purity are often used, especially yellow. Large complementary colors are spliced together on a single picture, which is free and unrestrained. In his pen, the sky, wheat and flowers are so crazy. "He from the burning flame and direct extraction of turbulent waves with a motif and dynamic curve of life, thus it with this curve is drawn out of the sky, stars, clouds, fields, trees and flowers, figures, house, fields, shoes, etc., are all in the pentium rolling, burning, full of funny and weird in the spirit of the storm". In van gogh's "starry night," the swirling nebulae look like flaming fireballs, the huge purple-black cypress trees are demonic, and seem to presage an irresistible ugly invasion, but the tiny villages under the stars feel eerily calm. They are contradictory, but they are harmonious in the picture. He was the first artist to use color and line to create grotesque beauty. Of course, in his works, he does not simply express the grotesque, but integrates the grotesque beauty with the sublime beauty, the tragic beauty and the comical beauty into his own images.

After van gogh, the expression of grotesque art became more obvious in the works of munch, a Norwegian expressionist painter. In munch's book, the scream, we see a ghost-faced, contorted figure on a bridge, his hands over his ears, his face terrified, his mouth wide open, as if he were screaming. The surrounding landscape, with its blackened blue water, blood-red sky and twisted space, all shapes seemed to scream and shudder, conveying a feeling of fear. What are you afraid of? Maybe it's an ugly, cold, robotic monster. Maybe it's the loss of a broken faith. Images of a less visible edges, and two conversation passers-by, and pictures are devoid of all distortion in the relationship of two behaviors are normal people, they are seem to scream and scenery in two different space, as compared with the surrounding, their "normal" seems too "abnormal". But who is abnormal? This paradoxical absurdity is exactly the artfulness of this painting in the grotesque art. In this work, beautiful, noble, funny aesthetic form has been more and more thin.

"Ugliness appears in grotesque art, sublime art and tragic art, but ugliness in sublime and tragic art appears in a normal way, which is common, familiar, realistic and combated by opponents. The ugliness of the grotesque, on the other hand, emerges in strange, rare, surreal and unrivaled ways. Thus, although they both inspire fear, both fear of the sublime and fear of the tragic are within reason, and they both harbor the hope of ultimate victory. And the ugliness of the grotesque, which, without resistance, swelled and swelled to extremes, became savagery and wickedness, and which, in its rarity and surrealism, caused the most frightful and alarming terrors when it suddenly appeared before the people in a completely unknown face. Therefore, grotesque art is very suitable for works reflecting war themes. Picasso's guernica, created in the 1930s, is a prominent example. The work is based on reality, combined with the painting techniques of cubism and surrealistic imagination, showing the crazy bombing of the Spanish town of guernica by German fascists in 1937. The picture is composed of black, white and gray. In the very centre of the picture is a horse, staggering and badly injured, and roaring to the sky. An eye was painted on the top of the horse's head, as if god were watching the violence; Also like a light bulb, the product of the "electric age" was used in the war. Below the horse lay the body of a soldier who had been blown to pieces, with a broken sword in his right hand and a flower beside him. On the left, a mother is holding her dead child and crying as a cow looks at her. To the top right of the horse is a woman struggling to get out of a dark window with her head and right hand holding a candle light in contrast to the nearby electric light. To the lower right of the horse was also a woman, shirtless and shoeless, dragging her injured left leg as if seeking help. At the far right of the picture is also a picture of a woman, her lower body in the dark, with a window on her head, hands raised high, crying out for someone to save her from suffering. The whole picture is horrible and heavy, like hell on earth. This ugliness, unresisted, tramples life with impunity. It was so ugly that the whole attention of the viewer was fixed upon it, and the memory of it was never forgotten.

In fact, there were many other artists expressing grotesque art in this period, such as magritte, duchamp, bacon, etc., and grotesque art was depicted not only in painting, but also in sculpture, which I will not elaborate here. In this changeable hundred years, people have experienced unprecedented changes and suffered from many wars. Grotesque art was widely used by artists because it catered to the spiritual needs and aesthetic pursuit of people in this period.

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