北美作业代写：The influence of Japanese culture on western modern art

下面为大家整理一篇优秀的essay代写范文- The influence of Japanese culture on western modern art，供大家参考学习，这篇论文讨论了日本文化对西方现代艺术的影响。日本文化是东方文化的代表之一，它在西方现代艺术发展的过程中，极大的影响了西方现代艺术沉淀。日本文化对西方现代艺术的影响主要表现在绘画方式上，对绘画的题材、色彩色调、构图产生深刻的影响；同时，日本文化还对西方现代的建筑和园林也产生了极大的影响。正是这种形式的文化融合，才促使了西方现代艺术的蓬勃发展。

Japanese culture is one of the representatives of eastern culture, which greatly influenced western modern art in the process of the development of western modern art. Japanese culture is widely concerned by western artists and constantly studied deeply. Since the Renaissance, it has become a widely accepted academic art theory in the west. It has profound significance for the development and final formation of western modern art theory. Through the analysis of western modern art, and the Japanese culture in the fine arts, architecture, landscape and other areas of the impact of western modern art. I hope I can use the analysis method of restoring history to help you understand some essential things in the development of western modern art. I hope that I can break through the constraints of traditional teaching concepts and learn from the masters to apply the design concept of "foreign culture". And hope to be able to broaden our night vision in art design work.

Preface: in the 13th century, the famous "mark polo travel notes" was printed, first learn the Japanese in the western world the Asian island; In fact, mark ? polo and have never been to Japan, it is completely according to the knowledge description in China. But europeans have the fantasy that China and Japan are all about gold. The Portuguese drifted by accident on a Chinese merchant ship to Nagoya island in the south of kyushu, the first actual contact between the western world and Japan. Since then, Portuguese missionaries in China's merchant ships have really boarded the Japanese mainland. In 1639 the tokugawa shogunate implemented the policy of locking up the country, Christianity was banned, and the only connection between Japan and the west was on the artificial outlying island of Nagasaki bay, which allowed foreigners to build business houses and conduct overseas trade. At the beginning of the 19th century, Japan was largely known to europeans, but with a high degree of fantasy. The peasant uprising at the end of the Ming dynasty and the entry of the qing army into China led to the fact that the Dutch and British east India company could not buy Chinese ceramics between 1658 and 1729, so they were obtained from Japan, which made Japanese ceramics dominate the European market. From the 18th century, Britain, the United States, the Netherlands and other demands for the establishment of diplomatic relations with Japan and the opening of port trade, but Japan refused. But on March 31, 1854, the western world finally forced Japan to open its port by force. Since then, Japanese culture has been constantly integrated into the development and change of western modern art.

Before the impressionism of the iconic western modernist painting was formed, Europe paid great attention to the grasp and application of humanistic factors in painting. There were a large amount of biblical thought content and political influence content in their paintings. In general, paintings need to be accompanied by a written description to be understood. Therefore, under this circumstance, it is difficult for artists to freely express their inner wishes and real thoughts. Now, we can still find that the Japanese paintings, mainly ukiyo-e, basically show the daily life scenes of the common people in the city and the folk culture in some places. This expression thought has brought great enlightenment to the European painting artists. They began to get out of the traditional dogmatic thoughts and created many modern paintings which were not recognized by the traditional culture. It can also be said that they changed the expression method and form of traditional themes, started to say "no" with religion, constantly "rebel" the academic painting theory system, and gradually showed the spiritual connotation of modern art painting art.

Classic western academic paintings are formed in the studio, with a passion for "soft harmony colors", "dim light" and "soft light at dawn and dusk". In the 19th century, some innovative artists began to rebel, such as the ukiyo-painting "brocade painting" by the ukiyo-painting artist suzuki chunxin. In hokusai's "thirty-six views of fu yue", he scattered sunlight on Mount Fuji at a certain moment, and brought subtle changes of color and instant "impression" expression, which brought profound inspirations to modern western artists. In the end, western modernist painters abandoned the traditional indoor art creation habit and began to develop outdoors, striving to capture the transient beautiful landscape of the natural world. Continuously compose colorful nature with innovative style of painting. In the end, they pioneered the "new world of light color sensation" and replaced the abstract idea of the inherent hue with a vast palette of color painting effects.

The composition of western paintings is conventional: the theme is placed in the center of the picture, which requires the integrity of the picture; In addition, there are many composition patterns. For example: balanced composition, symmetry composition, etc. Japanese painting inherits the composition characteristics of Chinese painting. With scatter perspective, it also pursues the real natural picture, and at the same time, it will break the reality and arrange according to the needs of space. In this way, the image on the picture can change its image and position according to the real object in the art of the picture. Japan's ukiyoe brought this performance to the top. It tried to show the fragmentary and disordered beauty, which was in contrast with the traditional rules of western art and the realistic approach of perspective, and greatly influenced the meaning of western composition.

Above all, Japanese picture decorates respect influence is very far-reaching, it is unlike the living culture of euramerican pay attention to humanities life foundation design. In the Japanese concept of architecture, housing is only the door of the "guest room". Knowledge is a temporary resting place, so their design is simple. The most classic is tatami "sit up half zhang, lie down half zhang" to live never too extravagant expect, pay attention to concise and simple. Therefore, as a result of this kind of thought, the characteristics of Japanese residential architecture is very simple, elegant. It can be said that the architectural beauty is composed of the component itself with proportion and coordination. Japanese residential buildings adapt to the country's natural conditions and meet the needs of daily life. The supporting function of column and beam frame structure, and the building platform is raised with column to achieve ventilation; Focusing on the beauty of the essence of materials themselves, these architectural elements have brought many practical cases and models to modern western and American architects, especially in the modernist school, the architectural masters constantly applied Japanese architectural concepts to the extreme, and also incorporated some ideas of their own. Gradually, the Japanese architectural concept has brought new highlights to the development of the whole architectural world and the thoughts of modern architecture.

Japanese gardens were originally royal courtyards. However, with the development of history, there appeared the wujia garden, the monastery garden and so on. As a place for entertainment, garden forms a landscape garden with natural landscape as the main part. In the heian period, the "harmonization" of Japanese chiquan garden began, and there appeared the bedroom garden and the pure land garden mainly in the form of boat tour. Looking at The Times, the garden was Buddhism, represented by the stone court; In the era of taoshan, tea garden is the combination of tea ceremony and garden. In the edo period, Buddhism, tea and Confucianism worked together to form a new garden with broad cover. Gardens in park form are the classics of this period. The concept of design and development of these gardens has more or less influenced western modern art. We can find that the combination of Japanese culture and gardens has also changed the artists, who distinguish art gardens from religions, and has firmly confirmed the western artists' confidence to get rid of the traditional religious restrictions and develop a unique Japanese gardening style. For example, the round tour style, the return style and the ornamental style.

The influence of Japanese culture on western modern art is visible, mainly in the way of painting, which has a profound influence on the subject matter, color tone and composition of painting. At the same time, Japanese culture also has great influence on western modern architecture and gardens. It is this kind of cultural integration that promotes the vigorous development of western modern art.

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