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作业代写:The unique culture of British cinema

2018-06-09 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- The unique culture of British cinema,供大家参考学习,这篇论文讨论了英国电影中的独特文化。英国电影风格独特,主题鲜明,把传统的、保守的但又让人向往和愉悦的独特英国文化全面地呈现给观众。但从某种意义上来说,英国电影所表现出的文化在思想上具有保守性,这种保守性制约了英国电影的发展。尽管如此,英国电影还是在复杂的电影史上保留着自己的文化地位,而未被复杂的电影情绪消弭,英国电影中蕴含的独特文化也仍然值得我们思考。

British film,英国电影独特文化,essay代写,paper代写,北美作业代写

From the perspective of cultural reflection and based on national identity and ideology, this paper makes an in-depth analysis and exploration of the special cultural forms in British films. Throughout the history of British film, most of its themes are history and literature, and the film also pays attention to the inheritance and development of British traditional heritage culture. The British film has a unique style and distinct theme, presenting to the audience the traditional, conservative but fascinating unique British culture. But in a sense, the culture of British films is conservative in thought, which restricts the development of British films.

After hundreds of years of development, British films have always been difficult to be separated from Hollywood films, sometimes even their national identity will be confused. This is also an important reason why British films always advocate the analysis of identity problems and eliminate the anxiety of "identity complex". The composition of the British nation is complex, except for Northern Ireland, there are also many ethnic groups such as the English nation. However, films of different ethnic groups have different emotions, which makes the original unified title of British films in question. But even so, the British film or in a complex retain their own cultural position in the history of the cinema, but not by complex film emotional bridge, the British film contains unique culture is still worth our fastidious.

Britain's national values are mainly conservative, which is closely related to the country's executive monarchy. Therefore, conservatism is often the main feature of British culture, and its film production is hard to get away from the guidance of this ideology. Such as David ? in film "brief encounter", is clearly showed the British middle class the unique spirit of self-restraint, the film a gentleman can be seen everywhere. The film focuses on a middle-aged man and woman who have a boring marriage and have to rely on an extramarital affair to meet their emotional needs. The beyond rules, meet to enjoy the romantic warmth, is David ? lean to ignore people inner needs, blindly conservative traditionalist lukewarm ridicule.

The infinite perceptual instinct of the red dancing shoes to people in the red dancing shoes also conveys the contradiction between culture and people. To a certain extent, the red shoes is not only a conflict between career and love, but also a deeper feedback on people's survival philosophy and cultural needs. Red shoes has the magic, the shoemaker into ballet drama lovely elf, symbol of the British people, especially for the middle class specification, taboo, the fate of the need, which is currently an important characteristic of British culture. It is because of this literary strong, calm and solid script that British films have shown the spirit of realism. At the same time, British films often use normative and doctrinal errors to point out the shortcomings of British conservative culture. Famous films such as chariots of fire and hope and glory have fed back the boredom and boredom of real life by recounting British history. With its deep and severe narrative style, it expresses the optimistic state of mind and strongly displays the Puritan tradition of the British nation.

When the depression is too heavy, the reaction to it will be more profound, and the routine will be distorted to a greater extent. As a result, British films tend to be more conservative and pedantic in their conservative and pedantic ways, often daring to exhibit a different kind of hippie style that goes against it. This style often makes the audience feel incredible. Actually, but as we know, the British culture is the most typical symbol tuxedo, Wen Minggun and British men show the gentleman poise, rock and roll and the beatles is a very important part of British culture. Such as the famous British critic and finch bunol comment has said that the British film is one of the traditional, it like a "brief encounter" expresses the British people can't vent conservative feelings, but the British film again with a new style, such as "trainspotting" movies, was very clearly expressed the British people, cynicism, disruptive is obvious. This kind of new style often takes the youth as the role localization, the pioneer experiment characteristic is stronger. His unique and quirky style, and his penchant for walking alone, is a reflection of the incompatibility between British films and Hollywood. Famous director Stanley kubrick for expressing and lead the new style, had taken the gone with the children "" spirit" and so on a series of films filled with indifference and bizarre. In particular, the film "the shining", regardless of its unique mirror style, will only see its extraordinary cold and mysterious thriller atmosphere, will make people feel that the new style has reached the acme.

Allen parker's "wall" is a film based on the cultural frontier performance art exploratory films. By genre definition, "the wall" is not a feature film, but a music movie, or MTV, which is currently very popular on television. In other words, "the wall" is the "postmodern symbol" -- a precursor to music television. "Wall" this film has a multilayer themes, such as opposed to war, against the tradition, against the society and culture, freedom and life distress, father and child conflict and so on, a variety of heavy and complicated contradictions entangled into the theme of the film. Amazingly, the film is no longer limited to conventional images, but adds new elements to the sound. The whole film presents obvious fragmentation characteristics. The meaning and narrative structure of the film have no definite orientation at all. It seems that only light and shadow are switching. Emotional expression, or visual expression, is simply the pursuit of alternative pleasures. Shows diverse characteristics at the same time, the whole picture composition, subjective, and color processing is also obviously biased scenario for editing style diverse and alternate crisscross, music in the sports scene in the process of changing and hearing impact, a large number of fragments but seemingly casual use of metaphor, exaggeration, etc. Therefore, the whole film presents a strong visual and auditory impact effect. Until the 1980s and 1990s, films such as trainspotting and shallow grave brought the new style to a climax. This new style is also known as "cool Britain" for its bizarre features. Among them, trainspotting has a strong edge culture, and its opposition to tradition and culture is prominent. The expression strategy of the whole film borrows postmodern cultural techniques, such as collage and appropriation, subversion and deconstruction, assumption and intentional exposure.

In addition to the above films, "the cook, the thief, his wife and her lover" (hereinafter referred to as "the cook"), which has been circulated in the British film industry, is even more impressive. Its weirdness and peevishness is different from the borderline culture of trainspotting and the wall, but its style is equally shocking. Film, a large number of segments for bodies show cooking dinner scene picture content is ugly and rude, but under the patchwork of chowder, imitate, and presents an eye-popping exaggerated imagination. Neville has proposed green the film director, "chef" is his works to express their discontent for British politics, therefore, in the film based on special returned to Britain in the 18th century when an allegory of profound meaning, and read the British writer swift's body of work. Neville believes that green is the irony of the cook book is typical of the "British" attitude, of all things, including his thought is trust things around with skepticism. Of course, his works are not only about borrowing and returning, but also about misappropriation, collage and mixed post-modern visual communication art to express the British reality of metaphor. Therefore, in essence, the cook is a political satire film full of postmodern characteristics of black humor.

The well-known scholars, hereby cook had explicitly proposed that the main purpose of the film is to reproduce the real society, ethnicity and identity. The characteristics of British politics are unique. It has many ethnic groups and a long history of feudal monarchy. Therefore, Britain can only implement the political system of traditional monarchy and liberal democracy. Under this system, the traditional colonial glory and power be weaken gradually, fierce clashes reality and history, which makes the British film ideology gradually show the another unique representation: concern identity orientation, racial and cultural comparison problems, such as thinking about different cultures, different ethnic groups and different social classes are consistent. These appearances have become important themes in British films. By the 1980s, the choice of this kind of theme and the intention it expressed became more and more clear, which also enriched the connotation of British films. As some commentators have pointed out, British films made in the 1980s largely ignored the audience, focusing on identity relationships, gender diversity and so on.

For British film culture, cultural contrast and reflection are not to be ignored. David lean is the representative of this kind of movie. David ? lean once said, in "the bridge on the river kwai" war is ridiculous, its destructive power will make all people feel pain. If at the end, David well with the help of a surgeon's mouth to express "all crazy, crazy", highlights the anti-war theme of the film. This film shows the spirit of conventionality in traditional British culture, and deeply criticizes the chivalry of fighting for face regardless of the reality and the public's concern. Because of these cultural issues too dignified, David lean have three vivid English, Japanese, American officers to convey. To some extent, English, Japanese, American army officers, is David lean to use images and artistic symbols to express feelings. It is worth noting that the presentation of the content of guihe bridge is not only about stories, but also about cultural reflection and reconstruction. Therefore, the modernity of the film is relatively obvious.

The theme of Lawrence of Arabia is to reflect on British colonial rule. Lawrence, the film's protagonist, is a man living between Britain and its colonial dependencies. He did not represent the interests of Britain, nor the interests of the vassal states. He respected the third world, so he was ignored in real life. The expression line of "a journey to India" is the same as "Lawrence of Arabia", which observes different histories and cultures of different nationalities from the perspective of cultural estrangement and conflict. "Gandhi," by ardenbairo, is also part of Lawrence's image. The film highlights national prejudice, shows the lofty mentality of the former colonial suzerainty, and USES Gandhi as a national image to encourage others to get rid of cruel colonial rule.

In addition to this intention of cultural reflection, British films, on the basis of British culture and on the clue of national internal culture, explore another kind of cultural reflection. For example, "the wall" and "trainspotting" express people's pursuit of postmodern culture with the help of the marginal culture of youth. The film "trainspotting" starts with a wild and fast motion shooting with the help of rhett's running, which makes the audience feel the visual and auditory impact. Later, with the help of off-screen monologues, the film ridiculed the stereotypical, methodical and suffocating way of life and expressed the anger of "don't live". This kind of reflection and treason, in fact, is also the filmmakers' rebellion against the British culture and the British national advocacy of conformity. Although Britain is a world-renowned old imperialist country, its earliest industrial revolution was once a model for the world, but by the 20th century it had declined. British people are proud of the advanced culture has lost its unique color and development vitality. Like rhett's angry cry: shame on being Scottish, all this culture is inferior, junk and asshole, all its splendor long gone.

For example, in Britain, men are the key to the narration of the six naked pigs. The comedy shows a series of lively and exaggerated stories, depicting the enthusiasm of workers in the north of England against society. The whole film is based on male viewpoints. In the process of narration, women become the object of watching men. The whole play shows obvious tension, but the male wit and humor are also very good. Similar to the six naked pigs is human transportation. "Human transportation" presents the youth culture with vivid images and humor, and constructs a kind of real dream that is not escapism for young people with fantastic ideas. Therefore, it is also called the typical representative of the new style of film.

From an objective point of view, ethnic issues did not receive obvious feedback in the early British films. The early British films mainly showed the superiority of the British nation, especially the great unification culture which Britain has always been proud of. It was only as the national crisis hit the British nation that British realists began to focus on national issues and strongly attacked the shortcomings of British culture. As the British film critic John ? hill said, because of early British film gradually disappeared, under the unified national identity is no longer proud, British film to use another better form to show the characteristics of the British national, including national characteristics, gender identity, regional characteristics and social, racial discrimination reality, etc.

Such as Jordan film "? Michael Collins" is selected the Irish independence movement this big background background for movies, to a nation proud wit brave hero image. However, some films show more confusion and contradiction in reality. For example, the complex purpose of crying game, from the national, political and sexual perspective to show the real contradictions. From a structural perspective, "the crying game" skillfully integrates the two stories and places the protagonist vox in two different predicaments, one is the identity dilemma and the other is the gender dilemma. First of all, fergus was an Irishman who had to fight for independence. But the bloody horrors of war have made him question his own good nature. In this confusion of evil and good, he betrayed the republican army to satisfy the hostages' wishes. Later, after choosing to betray, he followed the hostage's request to find his girlfriend, dale, but was deeply attracted to her and fell in love with her. When fergus fell in love, he found out that dale was actually a man with a strong transvestite. The two contradictory and conflicting dilemmas in the film subtly form a metaphorical relationship. In fact, this is the key to the ideological contradiction the film wants to express. It shows the opposition of two peoples from an objective perspective, but also expresses the confused intention of the opposition between evil and good.

Film is an important means of expressing ideology. Although different directors have different ethnic identities, they all have the value orientation of freedom and openness. Only because they have been influenced by the ideology of unification for a long time, they will still subconsciously serve the idea of unification. That is why they sympathise with Ireland's failed independence movement and resent the bloody horrors of the republican army. In other words, in essence, British film directors have always reserved a certain position for the official expression of British consciousness.

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