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北美作业代写:Color intensifies in the movie

2018-05-16 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- Color intensifies in the movie,供大家参考学习,这篇论文讨论了电影中的色彩强化。在电影的拍摄中,色彩强化可以使影片在视觉效果与表现上有一个质的飞跃。透过色彩强化技巧,将其强化为一种以更抽象形式表达物象表象的,集情绪表露与情感表达于一身的视觉对空间的感知与感应,进而由这种感知与感应循色彩表达深入观众内心,形成能够影响观众心情、精神、意识状态的视效表现,为影片提供层级阶进式的不断探索艺术核心的视觉表达。

Color intensifies,电影色彩强化,essay代写,paper代写,北美作业代写

Color, is the primary element that produces dimensional visual effect, the identification element that human eye is most sensitive is the color first, at the same time, the first choice that makes light shadow more visual influence space with color. Generalization of color with a cross cultural, ethnic, frontiers, and color to build spatial characteristics, through the color improved skills, strengthen his for a more abstract form expressing the object representation, the emotion and emotional expression of visual sense of space and induction, and by this perception and induction cycle color audience deeply heart, formation can influence the audience mood, spirit, consciousness of visual effects. In the sense of progression, the color hue of all objects is not absolutely pure, which brings enlightenment to the enhancement of visual effect through the adjustment of hue and tone. Not only that, under a variety of color or colors reflect the environment color, its the instinctive quality for color also will produce an almost alienation integrated complex visual representation, all of these colors to strengthen image finishing touches, such as one another, and had a direct impact.

Color and contrast tonal changes in temperature not only has a vital influence visual effects, and to jump out of the bondage of traditional pure color and its five lines of color, brightness and saturation of different color has a subtle effect on visual effect as well, especially in the process of express thoughts and feelings and immersive experience, lightness, saturation, and then stepped dizzy with the halo and other advanced processing techniques, both have a large impact on the final visual effect. Although different RACES, different culture, different regions of the audience for color emotions and emotional understanding have their differences, but the color to the audience to explore the psychological effects of meaning, and the color brightness and saturation physical impression on the audience illusion, is remarkably consistent, color brightness and saturation can give the audience a different color weight, hard and soft feeling, color and these advanced color for overall visual effect of key details, often easy to be ignored in the process of creating. For example, in "the dusk thor 3: gods," the god of death hela knead in the process of explosive quake in quake weight and hard and soft feeling of lightness and saturation of the rendering, the rendering of the critical lens effect has a direct impact.

As Goethe said, the color is the halo of the daoism on the head of the sun god, which is both the red halo on the face of nature and the vibration that touches the human heart. Eaton also be in its "color art, color effects about psychological experience and the general solution of consciousness, the resulting immersed and empathy is enough to create the dream for the audience, and sublimation to the lofty spiritual realm. Thus, color for psychology, emotion, mood, consciousness, spirit is of important influence, strong color brightness contrast and weak lightness contrast, namely, respectively, for visual effects have distinct effects. Under the uniform purity and brightness value, in the application of advanced grey, the change of the color block's white gray scale has a very important effect on the visual effect. , for example, in the film, the death of the color and atmosphere, which in this vay gray level change, achieve the advanced type application of purity and senior ash, which changes with purity and high ash for the audience created a based on color such as black, white, ash strengthened chilling terror visual effect. This combination of purity and advanced ash has a direct impact on the visual effects that are more realistic and more realistic than reality.

Film as an art form, the color of light object and surface strengthening, with color, hue, lightness, saturation, purity, senior ash, etc., to the quake 3: the gods dusk "this object and the representation of visual effects played a most basic surface layer of foil and direct rendering effects directly. And if from art more broad space and time, in view of the film to solution, it's not hard to find, in the Chinese painting color is based on wire frame of heaven and earth, while western painting is painting the glaze color piece of colored drawing or pattern the heavens and the earth. Wire cable, therefore, elegant smart freedom, have strong color piece of forceful deep color piece, as a result, we can more deeply understand, in the film for the color for the purpose of color piece reinforcement. Between the color block and the color block, there is the symbolic significance of the compatibility of the phase. For example, in the death of the play of light and shadow, with the frequent ghosts cry, we saw the sea combined with heavy ghostdom demon atmosphere of death, the death of the overall color with black is given priority to, in the key highlights decorated with bright white color, at the same time, a silhouette of a god of death to pull with the surrounding sea dark organically together, and with this kind of oppression and repression of the symbolic expression of the death of death symbol meaning.

Thor 3: the gods evening with its epoch-making visual effect, color aesthetic school principle of bedding, with color artistic symbol in the sense of opportunity, organic and depth of fusion and for its unusually brilliant visual effect, made for advanced visual aesthetic beauty. Even film LTD is a wide-ranging in action of chi tiger suddenly, also with color reinforcement for detail performance to adjust the color piece which color is reasonable, and, in the process of action, strengthening and adjustment of color is also more important, because every phase of the environment problem such as hand in photograph reflect, especially in the process of action reveals. But, the color of the film reinforcement is not perfect, for example, knife in the forest, even a moment of demons and the audience see blood spattering is a wide-ranging in color, but from the final visual effect objectively, this phase was quoted type strengthen treatment makes color splash out of blood and the whole environment has homochromy smoked by too near. Therefore, in the process of this critical lens processing, the color block and the color block should be used to be mutually exclusive, but the color reinforcement of the phase is treated.

In the film, the death of the death in the death of the death in the field of death, we see a more advanced use of color enhancement. On the one hand, the exterior decoration of the death force, such as the shield and the cloak, adopted the brilliant colors corresponding to the banners, while the armour of the death force was uniformly black with high purity. Complementary color for strengthening the main color black, the more will be the death of death forces nature express incisively and vividly, and, through the foil of death forces, hella also more ferocious fearful of death, especially black silhouette type is applied, it may be said to be just right by contrast, rendering, foil and other advanced reinforcement techniques for color. As more complex color strengthened advanced symbolism, we can found that the film is clearly inspired by traditional myths of gods, look for the western world civilization series of which depends on the soul, the up and down with the Chinese five thousand years civilization of absolute orderly and yan, big western world civilization is a root of the soul has its relativity, and it is a spiritual symbol with to much higher levels of mental images, distribution according to root the soul to support the light penetration, immersion and integration by the subtle.

In the dusk "thor 3: gods so dense special effects of film, the strengthening of the color for the overall visual image is particularly important, whereas the visual image for the film aims to express the icing on the cake. Color strengthening symbolic visual expression brought film based on the root of the soul light support, while imagery to express more will bring film by spiritual at heart, and return to the book I of mind awakening. The color enhancement in the film is essentially the artistic transmission of the color, which is a kind of vivid depiction of the legend of the gods. For example, in the film, even in the thor was firmly bound the darkest moments, director also does not forget in the background to add the image of the slightest warmth, as expressed by the line of fire. This image reflected both the thor a visual image, formed with suspended unowned thor again based on strengthening the contrast of color, dark and light, dark and warm, dark, and magnificent, a sharp line brake. The indirect image sublimation of the visual language, which is realized by color enhancement, has an explosive effect on the overall expression of the whole film.

On the basis of the influence of the explosion of the connotation, the color enhancement also has a positive influence on the image space in the image space-time. In the visual expression, the life and death transformation form of the most advanced life image is the one that can move the audience's mind and cause the emotional explosion. On this basis, can be in the light of the show, by visual effect and visual effect by the symbolic expression to the imagery of sublimation, immersion, empathy and sympathetic touch have a soul. In thor against death, for example, sea scene, hela green cloak of a god of death and the control of the domain of death, formed a kind of green or black by the symbolic imagery to sublimate the penetration, makes the audience in the subconscious creates a terrorist imagery immersed, at the same time, in the fight against death hela green cloak on color slants dark color enhancement, more make this green images contain more dark, the dark image more and camera shoot down the tall death hella is in stark contrast, so as to realize the color strengthening support for the island under indirect image sublimation.

From the perspective of the highest level of film and television art image, the visual effect of a film produced by visual appearance affects unimportant, and film and television art space and time and the crowd really direct sympathetic to critical consciousness. Only the direct sympathetic consciousness, can with its progressive art work to produce more deeper penetration, immersion, faster empathy dream time and space, as a result, can in the most light corresponds to the audience the emotional incentive to produce detonation audience by the visual effect of a visual effect. Therefore, the high state of film and television art is to create an emotional space and time for the audience to support their transference. At the same time, on this basis, the film gives verve, is the ultimate pursuit of the art of film, for indirect affect sublimation type, visual language of art with color core, for the overall implementation of the soul injection so as to make the film yi yi is unripe brightness. It can be seen that only a spiritual symbol of colorful colors can be used to portray the soul of a colorful color, so as to better manifest the theme.

Film thor 3: the gods evening carry visual effects, in light of dazzle in the film, the visual arts that was, in color aggrandizement visual verisimilitude, recreates the lifelike to the audience and beyond reality science space and time, the film also shows the audience the concept based on color is improved under the new vision. No matter be color improved conditions in the direct effect of image object is, or to resort to a symbolic representation of abstract color reinforcement effect, or the color aggrandizement fu to imagery sublimation of indirect effects, both for the film provides a hierarchical order into type continuously explore the core of art visual expression. From the perspective of the film's color intensification, the creators did not blindly pursue color sharpening, but instead, they provided a visual experience that was more suitable for the audience to immerse and transference.

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